The Brave New World Order

STARMUMMY

2008-09-10T15:20:00.003-04:00

STARMUMMY is a collaborative effort between me and Jim Sanders (NOSIS). Thanks Jim, I am blown away by the result!

Although it stands well on its own, in my heart it is an intimate facet of the text post over at "The Blob" called Scarlet Dragon.

Nosis Interview Clip

2008-06-21T12:45:00.004-04:00

INSIDE JOB - SYNCHRONICITY 9/11

I was interviewed recently for a future documentary called "Nosis - A Cinematic Vision Quest". Above is a sample of the results.

Nosis Website
NosisTV Youtube Page

I think they have done a great job of representing what I was talking about.

A first for me, all very exciting.

Thank you Andre and Jim.

Namaste

More on how these events interact, creating feedback with my personal Stargate and home base Winnipeg, in the future. Flux willing.

I'm still making text posts at "The Blob" for folks who want to follow along.

Regrouping

2008-02-25T08:33:00.006-05:00

My editing software is on the blink. I have decided to put my efforts into writing for the time being to develop that aspect until I get a new setup. The videos are very likely to return in some form or another. If you want to follow along, check out my other blog "The Blob" with new articles like "Opening the Stargate Via Adam Sandler".

Midnight On The Island Of Atum

2008-01-05T17:33:00.000-05:00

The architecture of many Manhattan (symbolically resonating the Island of Atum ) landmarks are synchromystically investigated as they interact with elements of the 911 Mega Ritual and its foundation laying precursor the 2K Ritual (New Years 2000).

Many Thanks:
Gosporn (The Double H Ranch)
Concrete Junkyard (Will Smith again...)
The Secret Sun (Look At It This Way & The Grand Architect)
Thanks to Koivisto for an email with "The Dark Knight Returns" lead.

Will Smith - Will 2K

About this post:
K2=Kotze/Knowles?

New Red Ice Creations Interview

2007-12-20T18:29:00.000-05:00

Ben Fairhall and I join Henrik Palmgren from Red Ice Creations for a fascinating conversation. It was fun, challenging, but also very stimulating.

Thanks a Brazilian guys!

The Link Some interesting 'K2 Candy' related work being done at The Blob, my other blog. Come have a taste, if you like...

Why 2K?

2007-12-07T16:54:00.000-05:00

Why 2K? - Part1 - Strange Things Are Afoot At The Circle-K

The K2 'pyramount' idea floated by Ralph Ellis in "K2 Quest of the Gods" again comes under synchromystic scrutiny. We follow the historical personalities the Mongolian Khans and actors Keanu Reeves, Orson Welles and Alec Baldwin for sync winks. The 911 mega-rituals millennial syncnificance is further developed as we follow the Stargate up the Holy Mountain.

Why 2K? - Part2 - K For Khan

A Tribute To Robin Tunney

2007-11-12T14:22:00.000-05:00

Please note: The octagonal cross-quarter references in this series stem directly from the research of Goro Adachi

A Tribute To Robin Tunney 1

Robin Tunney becomes the synchromystic muse used to estimate the age of the Pyramids of Giza and introduces us to Aleister Crowley's "Grid Page".

A Tribute To Robin Tunney 2

In Part two the elements of the "Grid Page" are found replete in the trail of sync hits found by following Tunney and leading towards the Holy Mountain, K2.

A Tribute To Robin Tunney 3

Christnegger enters into part 3 to ad his particular solar flavour as the Millennium celebration is investigated and connected to the 911 Mega-Ritual.

Thanks to Steve Willner for the heads up about all the goodies inside "End of Days".
His latest funky flick
Ophiuchus, The Burning Tower, and The Doppelgänger Universe

Thanks to Goro Adachi for the checkers/grid interchangeability lead and the Omphalos knowledge at Etemenanki
Much related info: The West Wing Cipher

Also a big a big round of applause for Aferrismoon and the Checkerboard/Checker Cab as related to Chariot Tarot 'Black and White' Animal/Sphinx
Royal Jelly

More Thanks to readers/viewers Richard for the acorn and ark in Ice Age 1 and 2 and Shawne for the Jesus Nut Hexagon article.

Extra words and stills from vids at "The Blob"

My New Blog

2007-11-02T13:02:00.000-04:00

Just a bunch of stuff to be posted when I can find the time at my new blog for random thoughts, screenshots and panels from the videos etc at The Blob

Al Noah and the Committee of 9/11 Moon Men

2007-10-22T17:07:00.000-04:00

In this video we encounter a few of the colourful characters connected to the 'Committee of 9' and how they interact with the themes often explored in synchromysticism. Al Gore is believed to be the modern day Noah and The King helps uncover the secrets of the moon.

Enjoy and good luck...

Thanks to Synchromystic Librarian for the Aztec Sun Stone octagon lead.

Thanks also to John for emailing me the K2/Paramount resemblance photos.

Here is the complete recent interview with The Kentroversy Papers

Part 1

powered by ODEO

Part 2

powered by ODEO

Thanks again Kent and to everybody taking the time to have a listen.

The Entire Kentroversy Interview

2007-10-22T12:58:00.001-04:00

Second part of the interview posted last week by Kent now available at his Kentroversy Tapes.

Or try the players embedded below

Part 1

powered by ODEO

Part 2

powered by ODEO

Thanks again Kent and to everybody taking the time to have a listen.

New Interview With Kentroversy

2007-10-15T15:32:00.000-04:00

First part of a 2 hour interview at The Kentroversy Tapes.

Thank you very much Kent for asking me on the show!

Contact? Check! - C - Duped by the Stargate Conspiracy

2007-09-28T09:18:00.000-04:00

The third and final part of the synchromystic trilogy: "Contact? Check!". This installment focuses on the Checker cab as it relates to contact. The Christ/stargate resonant taxi, checkerboard and Schwarzenegger are followed through film to reveal the footprint of higher intelligence embedded in the fabric of NOW (space/time).

Thanks for much help and support to Todd Campbell from Through the Looking Glass.
His Atlantis/Crop Circle post: The Doors of PERCEPTION

The collected trilogy: "Contact? Check!"

I highly recommend this new genius Mark Pesce lecture about technology as it relates to natural selection and sharing.

Here is the link to his blog page regarding the lecture with all the collected youtube clips; the player won't embed properly right now...

Steve Willner and Todd Cambell's Bee video:
Galactic Alignment, Floyd, and The Hyperdimensional Bees

Contact? Check! - B - Patterns In Big Apple Pi Gate

2007-09-26T09:44:00.000-04:00

The second part of the synchromystic trilogy: "Contact? Check!". In this installment we continue looking into the WTC and Giza connection using Arnold Schwarzenegger and the West Kennet Checkerboard ("Pyramid Stargate") crop circle as synchromystic grid map.
The motivation: to establish that higher consciousness is in fact in contact with us right NOW (indeed, how could it be otherwise?). This can be interpreted as coded messages left by vastly intelligent non time or space bound interstellar entities (sometimes this is a helpful belief system) but more simply and elegantly, in my mind, just the awakening of the self into cosmic consciousness. The small mind waking into Buddha mind. The lifting of the veil of Maya (2012 resonance). And the end of the Kali Yuga...or some such pseudo spiritual rambling, you know the type.

Part 3, soon...

Thanks to Craig for emailing me about the WTC Poster Pi symbol!

Who is the Master who makes the grass green? - Zen Koan

A few words on synchromystic theory: When I look into a subject in pop culture, take pyramids for instance, patterns start to appear. The helicopter and the taxi are good examples. When you look long enough a kind of meta-narrative starts to unfold, told non-locally through connections to the central theme, in this instance the pyramid. Obviously, part of the story is in one's own mind and belief system. This is no reason for dismissing the result, but important for the viewer to bear in mind (the viewer is encouraged to draw his/her own conclusions on sync points). You can branch off and start looking at the taxi or helicopter itself, which adds more contextual patterning. 'Corn' is another example of a subject that keeps popping up when looking into this sync web. I have not yet tried to put it (corn) into context, but I have many ideas about how it fits. Actors, set design and words, literally anything, are deconstructed for connections and synchronicities. It is as if you are starting to look at the neural pathways of God or Brahman. Made visible by the Internet and the impending eschaton perhaps? Nexus points or nodes (like pyramid or helicopter) where ideas come together start sticking out of the seemingly chaotic noise of concepts and data points. 'Checkerboard design' or 'helicopter' become nexus points in the hive mind, which no matter where or how it is represented, becomes relevant. Even more so if seen in the presence of other important information bits (example Arnold/Taxi/Helicopter/Reptilian Alien, etc, all in "Predator"). This is either a small taste of the emerging new consciousness ranted upon at length by the ever blossoming spiritually open-minded or, to the sceptical, evidence of a new breed of techno-neurosis. Either way it helps me feel connected to a seamless pattern of such awe-inspiring beauty and elegance that I am humbled into a state of divine awareness of the immediate moment and its unlimited potential (sometimes...I still have bad days). That in itself is reward enough for me. The '2012' and 'Illuminati' themes are 'exterior' level games; 'internally' all is already bliss, union and perfect balance. Yet I am very happy 'externally' to be part of the game and welcome the perceived challenges ahead.

Oh yes, this was supposed to be about synchromystic theory, hmmm...just look at the videos and keep asking yourself, "Who is the Master that makes the synchromystic magick, really?"

Contact? Check! - A - At the Pyramounts of Madness

2007-09-24T10:45:00.000-04:00

The first part of the Synchromystic trilogy: "Contact? Check!". Part A investigates the idea posited in Ralph Ellis', "K2: Quest of the Gods," that the Great Pyramid and K2 have a unique affinity. We also stop to view Arnold Schwarzenegger's synchromystic connections to future solar Kingship and Mars. This is just the tip of the pyramount my friends, check out Part B, soon!

Much related info and thanks:
Etemenanki: Stargate Cipher 2012
Etemenanki: The Lucifer Time Code

Suggested reading:
Ralph Ellis
Thoth: Architect of the Universe
K2: Quest of the Gods

Some excellent fiction works that have influenced my mind on this subject:
Iain M. Banks
Excession (Contact with Higher Intelligence)
The Algebraist (Stargates and A.I.)

Sync Wiki?

2007-09-05T18:35:00.000-04:00

Not a Blogger said...
I decided Jake's views and other's should be wiki'ed and made this:

http://bravenewworldwiki.wikispaces.com

Maybe you could make a new article about it, or not... :)
5:49 PM

Oooh experimental....

The idea has been floated on the comments section of the previous post to start a synchromystic type wiki. I think the idea has potential if it catches on. I would suggest that folks ad movies and synchronicities connected to them as a database of such phenomena. Myself, Steve Willner, Ben Fairhall, Hoi Polloi, Synkronos23 (many others!) have covered many movie and cartoon syncs. Current events with syncs like the work of Goro Adachi, Todd Campbell, Aferrismoon (many others!) might also be great things to include. Who knows, be creative and ad your own synchronicities relevant to pop culture and current events if you have the time and inclination. I will ad some explanations of terms and ideas when I get the time, if things go well. Once I figure out how they work!

Let me know what you guys and gals think.

The wiki is a wonderful way of pooling ones knowledge, it benefits all and is an emergent technology that gives us a glimpse of the possibilities of the new aeon. No, really...

2012 anyone?

Checker Chariots of the Gods

2007-08-28T17:28:00.000-04:00

The 2007 '3D Checkerboard Hallway' (West Kennet Long Barrow) crop circle is investigated synchromysticly. We find hints of the divine working through the design, whether it be man-made or otherwise. The Pillarmid mega-ritual of 911 is connected to the crop mysteries and pop culture is trolled for supporting resonance.

West Kennett Long Barrow, nr Avebury, Wiltshire. Reported 28th June.

New Red Ice Creations Interview

Latest Steve Willner Videos (below)

A few unrelated interesting youtube clips sent by viewers:

Conspiracy of Science - Earth is in fact growing (below)

Postmodern Times (below)

Moon Song - Pool of the Blackstar (below)

'On the night of August 17th, 2007, a meeting of freemasons and elders met at the Manitoba Legislature for a ceremony of peace on the night of the Venus inferior conjunction of the sun. Lyna Hart, a Cree elder sang the Moon Song to honour the return of the sacred feminine in all of our lives.'
Youtube Channel
Dada World Data Home Page

Some photos taken on my trip to research crop circles. All shots are taken near the West Kennet Long Barrow and it's immediate surroundings.

View on 2 August 2007 from the West Kennet Long Barrow looking over the harvested '3D Checkerboard Hallway' crop circle. The farmers in the area remove the circles from their field to discourage visitors. (above)

A bundle of magick left inside the 'Checkerboard' hole by local pagans, I imagine. (above)

Druids being filmed by the BBC right at the foot of Silbury Hill. (above)

Another 'Sigil' type (image below) circle very near the 'Checkerboard' with Silbury Hill in background (above). Ralph Ellis connects this 'Pyramid' to the mysteries of the Great Pyramid and more in, "Thoth: Architect of the Universe."

New Red Ice Creations Interview

2007-08-23T19:22:00.000-04:00

The Swedish brothers two at Red Ice Creations let me speak my mind one more time, good idea? You decide...

Link to interview page.

Thanks a million guys!

Sugar Hill, Hexagram Cuboid Stargate Glyph (above and below)

Massive shout out to Ben Fairhall for inviting me over, showing me around and sharing the experience.

Lost In Manhattan (Synchromystic Double Bill)

2007-07-29T09:27:00.000-04:00

Lost in Manahattan A (Comic Book Cycle Part 5)

Lost In Manhattan B (Comic Book Cycle Part 5)

We explore the 911 Stargate and it's mysterious mechanics using the 'camera' of synchromysticism. A picture starts to emerge detailing the likely source of the technological aspect of the mega-ritual. The image that develops hints towards both earthly and interstellar sources...

Ending with a double bill as I sign off the Comic Book Cycle. I am leaving Canada and video making for a short while.

I will be exploring the English countryside, visiting friends like Ben Fairhall and Crop Circles.

Totsiens!

Thanks for some particular help with this post:

Goro Adachi - Lost and Octagon Ideas
Etemenanki
Richard Hoagland - Abydos and Pegasus
The Enterpise Mission
Todd Campbell - X-Files and Bees
Through the Looking Glass
Henrik and Fredrik Palmgren - Lost "Enter 77"/OZ and Podcast with Joseph P. Farrell
Red Ice Creations
Aferrismoon - Lost Ideas
Aferrismoon

The collected Synchromystic Comic Book Cycle, all 5 parts.

Two new Steve Willner (Soundlessdawn) videos way worth your time:

Stimulating new youtube lectures by the wonderfull Mark Pesce:
Natural Selection & The Inconvenience of Truth

A recent photo I took of a Church sign on a street corner overlooked by Winnipeg's Manitoba Legislative Building.

A drawing by my artist friend Piepan.

Cool Aferrismoon article involving more syncromystic connections to this piece.
Tale spin

911 Time Lords Across the 4th Dimension (Comic Book Cycle Part 4)

2007-07-09T18:25:00.000-04:00

Further adventures in speculative synchromystic research ensue as pop-culture is delved for clues as to the aim and method behind the 911 mega-ritual. Old favourite resonators like Spider-Man and Thoth-McDuck are used, along with an ever-expanding cast of lovable characters. This episode in particular sees comic book entities like the Fantastic Four, Thor and Superman. The rather controversial element of time travel is suggested so get your head in there and let me know what ya think...

Check out Steve Willner's latest for some more interesting Fantastic Four/Silver Surfer observations (video below).

Thanks to eugene who left a message at Ben Fairhall's new post Has Gerry McCann met VALIS? for some good Abydos leads. His profile says he is affiliated with these sites: FSHOD - Fearlessly Seeking Honest Open Disclosure and The Underground Stream. (Let me know if you would like me to edit that info.

Fascinating Abydos research by Richard Hoagland at The Enterprise Mission
The "Lost Tombs" Revisited:

Aferrismoon shares some interesting related thoughts. (Thorts?)
Thor and Horus, Hammer and Fall-Con
Fox Features Samson where DC fears to don't tread on me.

The Itsy Bitsy Illuminati Propeller Heads (Comic Book Cycle Part 3)

2007-06-28T16:43:00.001-04:00

Yet again we explore the 911 mega-ritual using syncrhomystic resonators from pop culture. Thoth-McDuck makes an appearance but the focus lands on Spider-Man. The helicopter is suggested as a little noticed pivotal element involved in the magick of 9/11. Akhenaton and his descendants (ideological and lineage) are sighted as suspects and there motivation is claimed to be cosmic in nature...

All my videos.

New Podcast with Greg from Occult of Personality . Thanks Greg!

First Tarot card in the collaborative effort by Synkronos23 and myself. Major Arcana 0 "The Babe of the Abyss" (The Fool).

New Steve Willner video.

September Clues part 1 of 4

911 Eyewitness Part 1 of 3

Related Post By Todd Campbell at Through the Looking Glass.
The Grand Temple of Ceres, "The Pit" and Scrooge McDuck

Thoth-Duck and the Pillarmid Gate (Comic Book Cycle Part 2)

2007-06-19T09:42:00.000-04:00

A continuation of the investigation of the footprint left by higher intelligence embedded in the synchromystic interconnectedness of space/time. Polyhedrons and pop-culture are used as resonators to decode the meta-narrative of the unfolding realization of God-consciousness in humanity. The Saturn hexagon and 911 mega-ritual receive particular focus…

Hope you enjoy it.

Namaste

All videos

MySpace

Check out the interesting parallels between Steve Willner's new video.

He fascinatingly picked up on the Death Star (Sphere) and Harrison Ford as well.. Notice also how Micheal Jackson is also connected in mine as the Scarecrow in "The Wiz".

Thanks to these folks for some particular inspiration connected to this new video.

Goro Adachi : Octagons
http://www.goroadachi.com/etemenanki/

Greg: Chicken Little and more…
http://www.occultofpersonality.com/

Synkronos23 : Oz and Cornucopia
http://synkronos23.vox.com/

Todd Campbell: Bees
http://peeringthrough.blogspot.com/

Ben Fairhall: Massive Support
http://ben-fairhall.blogspot.com/

Piepan: Ryan Adams/Elton John/200
http://diannepiepan.blogspot.com/

Check out her art...

The : Iapetus/Hoagland/Hexagon
The Unknown blog commentator..

Octagon Maat: Giza Octagon
http://users.macunlimited.net/barry.mccann/

Henrik and Fredrik Palmgren: Oz/77/Pan
http://www.redicecreations.com/

Tripp: Translation of Disney Finnish comics
His MySpace

"200" by Vincent Collins

The Lotus-Eating Duck (Comic Book Cycle Part 1)

2007-06-02T10:58:00.000-04:00

Continued speculation surrounding the psychedelic Atlantis, centered this time on the Lotus or Blue Lily. The Noah narrative arrives under synchromystic scrutiny. Attempts also are made to decode Thoth and 911 using Donald Duck as resonator of all the discussed topics.

New interview at Red Ice Creations.

All my vids etc now up at my new MySpace page.

Or see my Youtube channel.

Namaste

"Hollow Earth Agartha DNA Serpent Magnetism"

New video by a partly, synchromysticly influenced researcher Steve Willner.

Here is his Youtube channel.

"The universe is alive; it's a living thing, and it communicates to conscious beings in visual and spiritual cues that can be deciphered from the fabric of space time through our egotistic primitive human filters.. but if we only stop to make the connections, the tree of life.. of knowledge.. awaits us all. More to come..."

Newest Red Ice Creations Interview

2007-05-31T20:23:00.000-04:00

Thanks yet again to Red Ice Creations for a fun interview!

Here's the interview page.

Hope you like it.

New video immanent...

The 911 Stargate

2007-05-05T12:23:00.000-04:00

My new video about the 911 stargate theory. Included are some synchromystic connections to The Wizard of Oz, George W. Bush and Aleister Crowley.

Enjoy and Namaste!

View all my videos here.

This piece was influenced heavily by the following folks and their fine works:

Synkronos23

The Wizard Of Aiwaz (OZ/Aowvis) Part I

Wizard of Aiwass/Aiwaz/Oz Part II

Occult Of Personality

The Wizard of the Grassy Knoll

John Valentini

Freeman Perspective

The Cuboid Stargate

2007-04-25T17:42:00.000-04:00

An investigation of the cuboid shape and it's significance in conspiracy theory and the occult using synchromystic references in pop culture. Included we see more speculation and verification involving the 9/11 mega-ritual and the occult purpose of the Freedom Tower.

Enjoy!

This piece would not exist without the work of Ben Fairhall. I highly recommend the man's work; he also just did a great interview with Greg from the Occult of Personality.

Things are getting interesting indeed...

The Purple Sage opened his mouth and moved his tongue and so spate to them and he said: The Earth quakes and the Heavens raffle; the beasts of nature flock together and the nations of men flock apart; volcanoes usher up heat while elsewhere water becomes ice and melts; and then on other days it just rains.

Indeed do many things come to pass.

-Lord Omar Khayaam Ravenhurst, K.S.C,“The Book of Predications,” The Honest Book of Truth
Some extra material related to this post from Mark Leclair at The Wrong Way Wizard

Also a fascinating sync pointed out by Ben Fairhall related to this post and more.

Contact with Higher Intelligence and the Saturn Hexagon

2007-04-12T14:56:00.000-04:00

Are higher intelligences attempting contact through a symbolic narrative embedded in the very fabric of space/time? This idea is explored using the Saturn hexagon and cross-referencing it with syncrhomystical connections in movies and the 911 mega-ritual.

Enjoy!

Latest interview with Red Ice Creations, drawings and t-shirts.

All videos here.

Moses, 9/11 and Magic Mushroom (Atlantis & The Magic Mushroom: Part 2)

2007-04-03T14:07:00.000-04:00

Further synchromystic investigation into the theory that magic mushrooms play a central role in the stories of Atlantis, Exodus and Genesis. The thread is followed up to the 9/11 mega-ritual and the symbolism of the event is shown to contain mushroom references.

T-Shirts and synchromystics sketches.

Atlantis and the Magic Mushroom: Part 1 (Video)

2007-03-31T19:55:00.000-04:00

This video explores the theory that Atlantis is our collective memory of the lost partnership between man and mushroom.

Many pages of additional info available at my other blog "The Magic Mushroom Atlantis".

This old line of thought is being brought back up with new insights and will be integrated into the 9/11 mega-ritual in this next phase of my work.

If you're interested, please check out my synchromystic mushroom art (available to buy on T-Shirts) and my newest interview with Henrik from Red Ice.

Namaste

New Red Ice Radio Interview

2007-03-29T16:36:00.000-04:00

New Red Ice Creations Radio Interview. A rather fun rant on the Whole Sort of General Mish Mash (WSOGMM).

Thanks to Henrik and Fredrik from the great website Red Ice Creations.

The Freedom Tower and the Octagonal Stargate (Video)

2007-03-15T16:31:00.000-04:00

This video speculates as to the mystical and architectural importance of the octagon in the ancient and present world. The Freedom Tower is shown to be a representation of the Great Pyramid of Giza and connected to the Stargate. Synchromystic connections are made between the octagon, stargates and pop-culture.

Can you dig it?

Enjoy.

Mary and the 9/11 Ritual

2007-03-11T11:04:00.000-04:00

“ The power of holding two contradictory beliefs in one's mind simultaneously, and accepting both of them. ... To tell deliberate lies while genuinely believing in them, to forget any fact that has become inconvenient, and then, when it becomes necessary again, to draw it back from oblivion for just so long as it is needed, to deny the existence of objective reality and all the while to take account of the reality which one denies—all this is indispensably necessary. Even in using the word doublethink it is necessary to exercise doublethink. For by using the word one admits that one is tampering with reality; by a fresh act of doublethink one erases this knowledge; and so on indefinitely, with the lie always one leap ahead of the truth..." Orwell on doublethink from "1984."

I have had my beady little eye on 2007 for about 2 years now. I wouldn’t say I have been obsessively waiting for it to swing around but definitely my curiosity about this year had been tweaked. The reason for this eyeballing of 2007 is Terrence McKenna’s 'Timewave Zero' predicting the highest spike of habit, in recent years, on this date. 2007, according to the theory, will see the most unrest (habit) before the wave heads down towards its final novelty zero point and the eschaton on 21 December 2012.

www.tony5m17h.net

Certainly a morbid activity, this trying to determine if a theory you attach some credibility to is valid by sitting around and waiting to see if something the likes of World War 3 breaks out. One cannot be disappointed if such a thing doesn’t happen, yet it would go a little way to augmenting my beliefs about 2012, the Timewave and the end of history, should 2007 pass with no major upheaval. Morbid indeed...

"James Cameron finds the grave of Jesus" is a headline I didn't ever expect to read. When a news event like this happens you have to stand back and applaud the universe for its cunning and originality whether it be true or no. I find the idea of riling up and challenging the dogma pushers in the scientific and religious fraternities a momentous and joyful thing. I probably had a particularly traumatic toilet training phase in my childhood and have a distinct dislike for the patristic authority structure and love to see it fuming. James Cameron, Jesus and Mary tied together firmly in the zeitgeist: a synchromystic goldmine that surely makes my job easy, it almost writes itself... No--looks like I will have to write it after all...

But let’s jump to another fascinating story that is unfolding, the recently surfaced footage of WTC 7 being referred to as already collapsed by the CNN and BBC reporters while they are still clearly standing in the live footage. As yet, the big networks have not picked up on the story which is not surprising as it involves them in possibly the most obviously Orwellian doublethink scenario since Fox's hilarious rebuttal of the Pentagon conspiracy theory that a jet plane didn't hit the giant New World Order talisman at all.

The banner (video above) honestly reads "DOJ Releases 9/11 Tape of Plane Hitting Pentagon." Perhaps we have finally reached or surpassed Orwell's dystopia. At no point in this 'proof' do we ever see a plane, yet the banner plainly reads "Tape of Plane Hitting Pentagon." Amazing!

Anyway, I don’t really want to get involved in the more forensic evidence for a 9/11 conspiracy; this is a subject that was settled internally through intuition years ago. Here we look at things symbolically and metaphysically; this research is for the right brain. So let’s get cracking.

It's interesting that Tower Seven should come up again so heavily at this point as I had just recently discovered more clues as to the symbolic significance of Building Seven in the 9/11 stargate event. Readers of recent posts will be aware that I share a steadily growing group of people’s opinion that the Twin Towers have a connection between the Masonic Jachin and Boaz pillars. These are the pillars that are believed to have fronted King Solomon’s Temple. The third pillar is often seen as the negative space between the two and represents the inner holy light of the holiest of holies in the temple (physical and spiritual) and illumination. It can also be represented as a smaller third pillar as seen in the First Degree tracing board.

Notice the radiating eye above the middle pillar and the ladder ascending towards the stargate.

Ralph Ellis has pointed out the amazing and, I believe (current B.S. or belief system dogma), correct originally intended symbolic reference system this design portrayed was not only Solomon’s Temple but the three Pyramids of Giza. This is what the Hyksos Shepard “Isrealite” Kings had in mind when designing the first temple. I have put forward many reasons to believe the pyramids were heavily referenced in the 9/11 event, most likely knowingly, by the secret society elite who influenced it's creation. I recount the major points in the video below.

A 10 min. video with the major points concerning 911 as a Pyramid ritual.

"As an Egyptian Prince, King Solomon is sure to have been educated at the royal college of Heliopolis, and to have been instructed in all the arcane knowledge of this ancient, pyramid-building empire - and this can be seen to be so from a quick comparison with the New Testament accounts. Solomon was not only the son of King David [Psusennes 2], he was also reputed to have been a direct ancestor of the New Testament Jesus. I have already shown that Jesus' titles and actions demonstrated that he was not a simple carpenter, but instead a prince of Egypt and a theological Mason. Like the pharaoh Akhenaton, who reigned long before him, the Biblical Jesus was apparently educated at Heliopolis, and both of these princes became architects. It is known that Akhenaton held the title of 'Chief Architect', and the title held by Jesus, which demonstrates that he held the same symbolic position, is tekton.., from whence the word 'architect' was derived." Ralph Ellis, "Solomon Falcon of Sheba," p. 169.

Previous posts and my new video (above) have dealt with the WTC/Pyramid concept connected to Jesus and Mary. Jesus is shown as a triangle/pyramid in the veiled middle pillar in da Vinci's "The Last Supper."

Jesus being a descendent of Solomon (both Masons like Akhenaton) and the last of the Hyksos Pharaohs, things get rather interesting when we take stock of the matter. Jesus (a chief Mason educated at the royal college of Heliopolis!) is intimately connected to Masonry (even carpenter would seem to be code for such) and hence the pyramids of Giza and portrayed as one by master architect da Vinci in "The Last Supper" right inside the smaller middle pillar of higher consciousness or cosmic illumination. On Jesus' left hand side is a figure believed to be Mary, his sister/wife (common Pharaonic practice) in the esoteric tradition I follow presently.

On the image with Jesus as the Middle Pillar by da Vinci, it is also curious to note that the right side pillar shows a male pointing and on the left pillar it is the rather feminine figure of John that people think is really Mary...and that is kabbalistically correct. The right pillar is of "Mercy" (Male) and the left "Severity" is feminine.
Michael Tsarion made this observation to me in an email about the da Vinci "The Last Supper" pillars concept.

Now hang on to your hats; things get weird...

More important, however, is the fact that Mary Magdalene can be seen as being associated with both a tower and the number seven. The name Magdalene can be literally translated from the Greek as meaning 'tower' and, as we have seen , this association between the terms 'tower' and 'seven' is present in the famous Biblical quotation:
Behold, therefore I am against thee, and against thy rivers, and will make the land of Egypt utterly waste and desolate, from the Tower of Seven even unto the border of Ethiopia.
...
So, Ezekiel's 'Tower of Seven' is none other than the Egyptian 'Magdal of Sefekh,' the same title that is now being associated with Mary Magdalene. The Tower of Sefekh was historically seen to be a prime symbol of Egypt and because of his notoriety it has already been identified as with the Great Pyramid (The Great Tower) of Egypt. Ralph Ellis, p. 126-127, "Solomon Falcon of Sheba"

Again Ellis elucidates the occult symbolism hidden in the 9/11 stargate ritual through his alternative history and biblical re-interpretive research. Mary Magdalene (Tower Seven) is named after the Great Pyramid, fitting considering she is married to Hyksos Pharaoh Jesus. Thus we can now state Building/Tower 7 reflects even in it's name the Great Pyramid of Giza and Mary Magdalene. The Salomon - notice the Solomon resonance- Brothers Building (alternate name for WTC 7) is, just like the left female pillar in da Vinci's "The Last Supper," connected to Mary, wife of Pharaoh and Chief Mason Jesus.

A rather interesting addition was made to the new World Trade Centre 7's decorative touches: a giant red balloon flower (aptly called "Balloon Flower (Red)") in side a circular fountain by artist Jeff Koons. It should be noted that stargates are circular in nature and are also sometimes referred to as water-doors. The inclusion of a red flower in the centre immediately brings the esoteric red rose, famously used by the Rosicrucians to mind. But let’s put my personal bias to see stargates everywhere aside and reflect on the idea of the sculpture “Balloon Flower (Red)” as the occult red rose symbol.

A giant red flower right in front of Tower 7 goes someway to verifying the validity of Mary as connected to this structure. A best guess would be that this symbolism is intentional but, in order for it to be synchromysticly valid, no direct intention is needed; purely the fact that a connection can be made mandates it's relevance in my system of work. Intent, synchromysticly, is far less important than outcome.

Dream and Larissa, in SANDMAN #65: "The Kindly Ones: 9" by Neil Gaiman.

Ben Fairhall relayed this piece of insight to me in an email about the Mary/Rose subject: "Other than that, there is a long and well-attested symbolic resonance between Mary (either the Virgin or the Magdalene, esoterically they are one and the same) and the rose; which is a latter-day rendition of Isis and the lotus."

Ben also highlights that the scarlet thread, Royal Bloodlines of Jesus Christ (The Grail families) etc. are also called the Rose Line.

Thus having a symbol intimately connectable and resonant of Mary (Magdalene/Virgin/Isis… whatever) outside of a building named after this goddess figure and the Great Pyramid itself makes perfect sense. Sense that is, if you’re power-mad and obsessed with ancient bloodlines and ritualized sacrificial occult activities like our current ruling elite.

With all this information I can claim with a degree of confidence that another pivotal ritualistic element of the 9/11 mega-ritual has been uncovered.

A small inventory of the talisman employed in the pyramid stargate ritual of 9/11:

*The Twin Towers (WTC 1 and 2): These represent the two pillars of Solomon's temple and the two greater pyramids of Giza. (Relevent Posts 1, 2, 3 )
*The Pentagon: It represents the Blazing Star (Venus, Sirius, The Sun) and possibly the five-sided D&M pyramid of Cydonia on Mars. (Pentagon Symbolism Video) (Pentagon Post)
*Tower 7: The third pillar, the smaller middle pillar of the Cabalistic Tree of Life and the First Degree tracing board of freemasonry. Now, also Mary the lover, wife and possible sister of Jesus because of the equation: WTC 7/Tower Seven/'Magdal of Sefekh'/Mary Magdalene. This is all connected to the Rose Line giving us a probable clue as to the perpetrators behind this ritual.
*Flight 93: Unknown... There is the issue of the intended red C crescent memorial built on the crash sight which was orientated towards Mecca, hence the Kaaba and the possible Benben (Sphere Sculpture inspiration). An area wide open for investigation (nudge-nudge, wink-wink). (More on Flight 93 Symbolism).

Let's just have a quick recap of two other occult creepy corporate sculptures found at the WTC complex.

It was meant to symbolize world peace through world trade, and was placed at the center of a ring of fountains and other decorative touches designed by trade center architect Minosoru Yamasaki to mimic the Grand Mosque of Mecca, in which The Sphere stood at the place of the Kaaba. It was set to rotate once every 24 hours, and its base became a popular lunch spot for workers in the trade center on days with good weather.
The Sphere - Wikipedia

The reason for these pyramids being physically visible during the first exodus is given in the book Tempest, where it was explained that some of this exodus story, especially the wanderings in the wilderness, represented rituals at Giza. The 'wanderings' were actually the origins of the processional rituals that are still performed at Mecca during the Hajj. "Eden in Egypt," Ralph Ellis, p. 166.

Thus the Sphere sculpture is intimately connected to the pyramids of Giza and we could further speculate that the rotation of the sphere sculpture every 24 hours is related to the processional rituals performed at the Pyramids and Mecca.

One more item, for your consideration, about the Sphere.

"Upon recovery from the rubble pile, where an airliner seat, a Bible and papers from the various offices in the World Trade Center were discovered within," (again Wikipedia)

I made this drawing for my post "Contacting God Our Alien Creator: The Occult Motivation for the 9/11 mega-Ritual." It was inspired by the image below, which is featured and explained in the "9/11 Pyramid Mega-Ritual" video and the aforementioned post.

The pedestal with the Bible and the candles was replaced with the WTC and the Sphere. Bizarrely, I included the Bible in my drawing and Wikipedia relates that one was found inside the sculpture. Was the Bible discovered in the partly damaged Sphere in the 9/11 aftermath really one that had somehow ended up there during the collapse, or was it placed inside beforehand?

This is a mysterious piece called "Cloud Fortress" by artist Masayuki Nagare. It echoes the three pillar tracing board and Tree of Life theme: two big pyramid/pillars on either side with a third smaller one in the middle. It yet again echoes the WTC as pyramids theme as we see the Twin Towers behind the three pyramid shapes that define the sculpture.

(Photo Robert Segal)

We see in the image above just how large this piece was and that it survived the destruction of the ritual. It however, was bulldozed during the cleanup and recovery and no part of it has yet been found.

I don’t care if you’re related, descended, inspired, authorized (or think you are) by Akhenaton, Solomon, Jesus, Mary, the elder gods of Atlantis or whatever. Using our bodies in order to charge talisman to open stargates certainly constitute violation of fair play. Thus you have forfeited your right to play. You must sit out until the next round.

Peace and Namaste

James Cameron, Horus, Britney Spears, William Shatner all this and more coming up next, soon…

Here is my newest video

This video speculates as to the mystical and architectural importance of the octagon in the ancient and present world. The Freedom Tower is shown to be a representation of the Great Pyramid of Giza and connected to the Stargate. Synchromystic connections are made between the octagon, stargates and pop-culture.

Can you dig it?

Enjoy.

(All my video can be seen here)

The 911 Pentagon Ritual and the NASA Stargate (Video)

2007-03-06T15:28:00.000-05:00

This, my third video, explores the Pentagon's symbolic role in the 9/11 mega-ritual. NASA's occult stargate themes as connected to 911 are also highlighted, with some related speculation about Crowley and George W. Bush as blood relatives.

Enjoy!

The London Eye and the 911 Stargate (Video)

2007-03-01T23:11:00.000-05:00

In this video I explore the occult resonance attached syncromysticly to 9/11 and the London Eye. It is shown how the London Eye and the World Trade Center express the themes of the stargate, the door to cosmic illumination. This furthers the idea of 9/11 as a secret society ritual and the possible alien aspirations of its instigators.

More to come.

The 9/11 Pyramid Mega-Ritual (Video)

2007-02-28T08:44:00.000-05:00

Here is my first attempt at putting my ideas on video. It's 10 min. long, exploring my theory that 9/11 was an occult ritual invoking the Pyramids of Giza and the opening of a stargate.

The video is basically a slide presentation with some video footage.

Now you can get your friends who don't like to read up to speed on "The Pyramid Mega-Ritual of 9/11". Yeah, good luck with that...

I will be making more.

9/11's Pentagon Pyramid and the Martian Stargate (Part 3 of 3)

2007-02-25T22:27:00.000-05:00

In Part 1 we learned about and investigated synchromysticly the claim that George W. Bush is Aleister Crowley's grand-son. The few of you who bravely weathered that speculation were challenged yet again in Part 2 where connections between dynastic secret society family Bush, Pyramids/The Sphinx/Horus and 9/11 were suggested. Now that I have shaken off those with rigid belief systems or 'squares', the handful of us left can 'go the whole hog' and head for space. There is a disturbing trend on the net of making fun of those who would dare connect 9/11 to aliens. Would-be hecklers get ready, this one's for you...

Please check out my new podcast with Greg from "Occult of Personality"

German director Wolfgang Peterson's films were used as synchro-mystic crystal ball in Part 1 while investigating the validity of the claim that George W. Bush is a blood relative of Aleister Crowley. Specifically, the film "The Never Ending Story" was shown to contain Sphinxes (resonating Horus) and a reference to the "Moonchild". We looked at another Peterson film, "Air Force One" with Harrison Ford, as it concerns the President of the U.S.A. and a terrorist airplane hijacking, in resonance with 9/11. Included in this "Air Force One" American President and 9/11 resonance was the concept of the Holy Grail, the Grail having been the prize Harrison Ford (as Indiana Jones) searched for in the heavily Templar-themed "Indiana Jones and the Last Crusade". This post will continue using a few Peterson films syncromysticly. That is, I will look for meaningful coincidences involving these films, that resonate with occult and mystical significance and much more...

Peterson's Brad Pitt-starring "Troy" has been mentioned in these pages before as has the concept that many historical and biblical references believed to be "Israelite" are in fact real Egyptian Hyksos Pharaoh incidents that have been altered over time to suit the currently reigning ideological agenda.

Another posts dealing with Egyptian Hyksos Israelite syncs:
Akhenaton the Ancient Astronaut and the 9/11 Stargate

Ralph Ellis posits that the Trojan war was another such obfuscated historical incident. The reality of the Trojan war (as portrayed in Homer's "Iliad") being rather an invasion by Hyksos-Israelite forces into Egypt than as generally believed "Greek" forces trying to recapture stolen Helen.

"As I have speculated previously, one possible explanation for all of this is that the Sea People confederation was organized and lead by elements of the exiled Hyksos-Israelite nation... lead by the descendants of Pharaoh Dannus [Pharaoh Ay]" p.199, "Eden in Egypt"

Can any esoteric Egyptian resonance be found in or surrounding "Troy" and other pop-culture Trojan war references that might help support this claim?

Brad Pitt's presence in "Troy" alone already helps support this Hyksos-Trojan connection as his girlfriend Angelina Jolie has battled the Illuminati in "Tomb Raider". She is seen, in the Indiana Jones inspired film, jumping into a stargate (time vortex) and running up a giant pyramid after an artifact that resembles a free-floating triangular capstone or Benben. Pretty cool for our speculation; still a very poor film.

Another way of confirming the specific occult pyramid resonance of Brad Pitt is by sighting his leading role in last year's simply and relevantly titled, "Babel". Babel, the famous biblical tower that aspired to reach the heavens, is another intentionally veiled reference to the Great Pyramid of Giza, according to Ralph Ellis.

I have repeatedly pointed out over the last few posts how the Twin Towers and building seven intentionally invoked the three Great Pyramids at Giza during their ritualistic destruction. Interesting then, to see how the Tower of Babel and the Twin Towers can all esoterically be viewed as veiled pyramids.

A quick rundown of the most compelling evidence that the Twin Towers and building 7 were intended to symbolize and invoke the three great Pyramids of Giza:

*The floor plan of the WTC plaza seen from above reveals the Twin Towers symmetry to the two great Pyramids at Giza.

Overhead plan of the WTC complex compared to the layout of the three Great Pyramids of Giza. The double squares of the Twin Towers are a very good match for the Great Pyramids. Contemplation of the Orion/Pyramid connection observation made by Robert Bauval lead to this WTC/Pyramid clue.

*A profile view reveals the similar relative sizes of the ancient Pyramids and their modern counterparts, the Twin Towers and building seven.

Two almost equally sized buildings, WTC 1 and 2, and one much smaller WTC 7.

Compare the three Great Pyramids of Giza, two larger, one much smaller.

*The first degree Masonic tracing board's three pillars makes this comparison far more compelling realizing that the three pillars have the same relative sizes as the three towers destroyed on 9/11 and that the pillars themselves are modeled, originally, after the three Great Pyramids of Giza and Solomon's Temple (itself based on the layout and design of Giza).

"For instance, this is why the tracing board portrays the three pillars as all being of different heights, with two larger pillars in the foreground and a much smaller one behind. This is not simply a matter of perspective, as the two foreground pillars are placed at exactly the same depth within the picture, but are given slightly different heights; while a much smaller pillar lies behind. Yet this depiction exactly reflects the reality at Giza, where two major pyramids are nearly but not quite of the same height, while the third is much smaller."
"Eden in Egypt," p. 165, by Ralph Ellis

*"The Sphere" sculpture which stood right in the centre of the WTC plaza was deliberately intended to represent the Kaaba at Mecca, a holy Muslim sight of pilgrimage believed by the faithful to contain a black stone which fell from heaven or was given to Abraham (a Hyksos Pharaoh). The black stone could be a meteorite or representation of the Benben (heavily pyramid resonating) or provocatively, both!

* The destroyed buildings in N.Y. were situated on an island (Manhattan) just like representations of the primordial mound rising from the watery chaos in ancient Egyptian creation myths and seen portrayed in Masonic imagery.

The Island of Manhattan, with its three pillars: WTC 1, 2 and 7.
The primordial mound of Atum (island) rising out of the chaotic waters of the void. The mound/island sports the three candles representing the three pillars of the first degree tracing board, themselves, as we have learned thanks to Ellis, representations of the Great Pyramids of Giza. This image was scanned from a third degree certificate I bought at a flea market.

For more details on this subject try:
Contacting God our Alien Creator: The Occult Motivation for the 9/11 Mega-Ritual

Having shown convincingly (I believe) how the Twin Towers and building seven are intended to invoke the Pyramids of Giza in a decidedly Freemasonic symbol system and having learned the true identity of the Tower of Babel as pyramid itself, we can now see how towers have in many instances been used as veiled pyramids and how Brad Pitt's "Babel" (nominated for best picture and director Oscar this year) synchromysticly invokes the Pyramids of Giza.

Getting back to the Trojan war we have a classic bit of Monty Python comedy to ponder. In "Monty Python and the Holy Grail" we see a 'Trojan Rabbit' spoofing the famous giant horse the Greeks used in the "Iliad" to fool their way into Troy. A very overt sync between the Holy Grail and the Trojan horse can now be put forward for our consideration and illumination. The Grail is esoterically believed to be the Royal Bloodlines of Jesus Christ, still existing in certain monarchy of Europe through Mary the wife and sister of Jesus. It is also a simple task of connecting the Grail and the Trojan story line through proximity to King Arthur (a Grail legend) in the classic Python film. Aliens are included as the Pythons have featured E.T.'s numerous times in their routines and films. One such relevant connection is seen in "Life of Brian," where the messianic Brian is abducted by aliens, later to be crucified by the Romans as heretic. The Royal Bloodlines (Grail Kings) are, of course, believed to be descended from the Hyksos Egyptian Pharaohs (see researchers Michael Tsarion, Ralph Ellis, etc.) and aliens from Sirius or some such other worldly location (David Icke, Michael Tsarion, etc). Pharaohs like Akhenaton are shown in wall carvings as having grey alien features. Akhenaton was probably either expressing his own blood connection (DNA passed down from Atlantis/Mu?) or secret knowledge of the image of the gods. Connecting the Trojan (Hyksos Pharaoh) story to aliens as well as Egypt is another ulterior motive of the author as we head later to 9/11 (the modern pyramids of N.Y.), the stars and planet Mars.

I did a piece connecting the Grail to Mary and aliens here:
Pharaoh Jesus and the 9/11 Stargate. (WTC Pyramid: Part 1)

The idea of aliens involvement in humankind's early history and Royal Bloodlines carrying more original alien DNA in their bodies seems to divide many occult researchers and polarize readers. Some delight at the intrigue while others find it just too outlandish and unsubstantiated. Either way the syncronicities involved in 9/11 and Egypt point that way and my attention follows. As is my habit, I suggest accepting UFOs, aliens, stargates, etc. as metaphors for higher cosmic consciousness, illumination, etc. Therefore, in my view, the Royal Bloodlines could also be the 'Illuminati wizards' who understand magick and shamanic ecstasy as opposed to folks who have alien links. You may choose whichever fits your belief system more snugly, Illumination or real aliens who have interacted with mankind in the past, present or future... Really 'hip cats', in my opinion, would be able to see both possibilities at once.

Two Simpsons episodes deal with the Troy story. "Lemon of Troy" (above) shows Homer and company exiting a motor home used as Trojan horse ruse and "Tales from the Public Domain" (below) with Homer as Odysseus.

Connecting Homer Simpson (our Greek/Hyksos adventurer) to the esoteric grail tradition and occult view of Egypt is a simple task, much of which was already done in the previous post (Part 2 of this 3 Part series).

Homer as a Pharaoh, King Solomon presiding over a dispute involving Jesus (Grail King), being initiated into the Freemason inspired Stonecutters and fighting with George H.W. Bush.

Homer is seen in the episode "Two Bad Neighbours" (below) trying to fool George H.W. Bush with two cardboard cut-outs of his sons George W. and Jeb.

Within the mechanics of synchromysticism we can now speculate that George W. Bush is a puppet controlled by secret society forces involving the Egyptian Hyksos Pharaohs (as Homer invokes all of these). We can throw in the god Horus, aliens and Aleister Crowley as influences through the presence of Bart in this cardboard cut-out incident, just for good measure. See Part 2 for Bart/Sphinx/Horus 'sync-nificance'.

One more Simpsons sync that helps this esoteric view of the Trojan incident and we can move on to space/Mars. Above we see into an imagined future world of Bart from the "Lemon of Troy" episode. A close look will reveal a pyramid and even a Grey type alien in the crowd of onlookers. The crowd declares Bart, a synchromystic composite Hyksos Pharaoh and Aleister Crowley resonator, their new god!

Peterson's 1985 film, "Enemy Mine," leads us into space and reptilian alien themes as Wikipedia informs us: During the 21st century interstellar war between humans and Dracs (reptilian-like aliens) (presumably 'Drac' is the human name for the species rather than their own, as it implies the Latin word for 'dragon').
http://en.wikipedia.org/wiki/Enemy_Mine

We have thus far, in these three posts, connected Peterson films "Air Force One" (President of the U.S.A, Terrorism, The Holy Grail), "The Never Ending Story" (Sphinx, Aleister Crowley), "Troy" (Pyramids, Occult Hyksos Egyptian History) and now "Enemy Mine" (reptilian aliens named after dragons, no less). Synchromysticly we can now consider all the attributed occult resonance of these films intimately connected to the concepts specified in brackets.

A short whimsical narrative about the attributes connected to these films would follow: The dynastic president of the United States "Moonchild" Bush, a secret society initiate and/or puppet connected to the Royal Bloodline of Jesus and one who is involved in the 9/11 mega-ritual. Through the fraternal occult networks connected to the wizards/magickians of ancient Egypt and possibly Atlantis, the human race is being prepared for the New World Order by the opening of stargates, involving aliens (cosmic illumination).

The poster of "Enemy Mine" sees a comet between the human and reptilian alien echoing (or giving me an excuse to mention) the recent arrival of Comet McNaught which made a dramatic entrance into human consciousness in the southern hemisphere of our planet. The fact that it was visible in the area of Venus in the night sky will become very relevant when we discuss Mars and theories by Immanuel Velikovsky.

It was visible in the northern hemisphere near Venus...
http://en.wikipedia.org/wiki/Comet_McNaught

Part 1 of this series dealt with Orson Welles.

Orson Welles' last job before his death was voice acting as the planet destroying Unicron in the animated 1986 "Transformers" movie. Michael Bay and Steven Spielberg will be subjecting us to a revamped and updated 'slicker than snot' live action version this year. The wisdom of this move remains to be seen. As well as the Orson Welles connection, which causes "Transformers" to resonate with Crowley and Bush (see Part 1), this film brings Mars back into the occult synchro-web. Well, Mars is already invoked by the mention of Orson Welles given his "War of the Worlds" radio drama involvement but becomes doubly confirmed with Spielberg now in the mix, having remade the Martian invasion flick "War of the Worlds" in 2005, based on the same source. O.K, in fact Mars' relevance is completely overwhelming when we view the teaser trailer which sees Mars itself as part of the plot of the trailer, involved in a NASA conspiracy (just to make things perfect for my investigation).

The "The Mars Mystery" by Graham Hancock, Robert Bauval and John Grigsby posits that NASA has possibly covered up many facts about the Martian planetoid, including knowledge about non-natural objects on Mars, the Cydonia region specifically. Could NASA know more about Cydonia than it has admitted? Could it have discovered something there which it has decided to withhold from the Public? (p. 139)

Our own impression is that NASA has attempted to manipulate public perceptions concerning the issue of artificial origins at Cydonia and that it does seem to be covering something up. (p. 147)

It is even mentioned that NASA's true intentions behind certain missions to Mars might be more occult motivated than scientific. On Independence Day, 4 July 1997, NASA's lander Pathfinder touched down...Richard Hoagland was the first to point out that Pathfinder has a pronouncedly tetrahedral design with distinctive solar panels in the form of equilateral triangles. Moreover its landing site in Ares Vallis is located at 19.5 degrees north latitude (p. 136) More significance will be attached to this excerpt shortly.

For more controversial info online about space anomalies and NASA cover-ups try:
Researcher Richard Hoagland, a popularizer of the Face on Mars hypothesis and a veteran of the field at his websight:
http://www.enterprisemission.com/
Goro Adachi, a major personal influence of mine and master 'sync searcher' also has much to say about Mars and NASA:
http://www.goroadachi.com/etemenanki/
Some interesting and relevant Mars related links from Etemenanki:
http://www.goroadachi.com/etemenanki/sc2012-1.htm
http://www.goroadachi.com/etemenanki/mars-hiddencolors.htm

A very rough synopsis of the occult relevance of Mars hinted at by these and other sources, necessary for the full understanding of the amazing relevance of the Orson Welles "Transformers" (original animated and new live action film) sync would go tentatively given my developing understanding of the topic, as such:
The make-up of the solar system was vastly different at a far more recent point in Earth's history than currently maintained by orthodox astronomy. The planetary line-up, their geology and the solar systems constitutional parts were altered by large catastrophy(ies). Mars was inhabited by 'higher (humanoid?) life' or at the very least had an atmosphere and running water suitable for microbes or 'lower-life' forms. Following this(these) catastrophy(ies) intimately linked to Earth's own destructive past (ice age, deluge, Atlantis, etc.), the vibrant living Mars was rendered desolate. The inhabitants of Mars came to Earth, either mixing (DNA tampering?) with the extent population or being the original 'seed' that formed the Earth's population themselves. In less extravagant versions with a much older time line the 'seed' could be primitive life that sparked Earth's eco development. Models for the nature of the catastrophy(ies) are many but 2 important ones in my humble experience would be:
*Tom Van Flandern's Exploded Planet Hypothesis (EPH) in which Mars was a moon of a larger planet, remnants of which form the asteroid belt.
http://metaresearch.org/solar%20system/eph/eph2000.asp
*Immanuel Velikovsky's theory that Mars was involved with numerous colisions with Venus, which was itself originally a comet! For more on this wonderful theory, read the hypnoticly vivid "Worlds in Collision" by Immanuel Velikovsky.

Remember that Comet McNaught was visible near Venus? I think it can be justified to get the feeling that Comet McNaught was highlighting Venus. This becomes very interesting considering Velikovsky's speculation of Venus as a comet and disruptive force in Mars' history. As if to solidify this line of reasoning, the cosmic giggle gave us another Venus highlight in the form of a film overtly called, "Venus." It's release coincided very closely with and theatrical run co-existed right alongside McNaught's flight through our planet's sky...

Peter O'Toole played Priam, King of Troy, in Wolfgang Peterson's "Troy," giving us a nice little sync-echo that harks back to this post's earlier emphasis on the suspected Hyksos-Trojan connection. Is the esoteric Comet Venus connected to the occult history of the Hyksos-Israelite-Sheppard-Pharaohs? Readers of Velikovsky's "Worlds in Collision" might know already, but more speculation in that direction will have to wait for future posts.

Ben Fairhall touches upon planetary intrigue in a new post over at his blog, "Battling the Behemoth". He has also mentioned the "Venus" film in an esoteric light there.

Researchers who adopt this line observe that the commonly accepted interpretations of ancient symbols and texts assume a consonance with present reality, whereas an entirely different astronomical order pertained a mere six thousand years ago. Could the symbols and poetry of the ancient world point to a far more distant epoch, when the skies contained things entirely unfamilar to us moderns?
http://ben-fairhall.blogspot.com/2007/01/psychedelic-alchemy-part-one-co.html

If we now, armed with this knowledge about 'Mars and Comet Venus" and Flandern's EPH, look back at Orson Welles' (narrator of the historical Martian invasion radio drama incident) planet-destroying character, Unicron from "Transfomers," our ears should be opened to the cosmic giggle laughing at us very loudly indeed.

The above screenshots from "Transformers" shows Unicron, a giant alien robot voiced by Orson Welles, destroying a populated planet. Let's take a tally of the context and see if we can make anything of this complex sync. Welles is connected to Charleton Heston (Moses/Akhenaton) through "Touch of Evil" (see Part 2) and Aleister Crowley through the character Le Chiffre in "Casino Royal" (1967 version), thus George W. Bush "The Great Beast 666's" suspected grandson. "Casino Royal" also saw a cameo by Peter O'Toole from "Troy" and "Venus." Welles is also intimately connected to Mars through the "War of the Worlds" radio play which caused real life panic about alien attack, an event believed by some to be a reason for government apprehension to admit and cover-up knowledge of 'vistors'. The Crowley resonance of Welles makes it important to highlight the fact that Crowley meditated in the King's Chamber of the Pyramid before 'receiving' "The Book of the Law" through Aiwass (angel/alien), messenger of Horus (see Part 2). Remember that Mars itself invokes the Great Sphinx according to "The Mars Mystery" (relevant passage quoted in Part 1 and 2) and Goro Adachi.
Goro on Mars-Sphinx, WTC and Iraq:
http://www.goroadachi.com/etemenanki/lucifer-timecode.htm

Within the mechanics of syncromysticism I would say that the above sync, Unicron/Welles (resonating Mars, Crowley) destroying a populated planet, gives us good clear confirmation about Mars' suspected status as ancient inhabited world devastated by another planetoid in some manner, knowledge of which is known and suppressed by the higher levels of the secret society networks. Syncromystic proof; for empirical data I fear we must wait patiently in hope that the shadowy NASA isn't actively suppressing such knowledge. Until then, here's some more crazy cool "Transformer" action...

Another shot from a different teaser trailer for "Transformers" shows the alien robots arriving like a comet, again echoing Comet McNaught and the Venus Comet concept.

Remember "Tranformers" resonates Mars (through Welles and the NASA conspiracy teaser trailer), which makes its release date amazing for the following reason. In Velikovsky's "Worlds in Collision" we read in the Part 2, Mars, under the subject title "The Year -747".
"If this conclusion is correct the upheaval took place in the year -747". (p. 217) The upheaval referred to here is the Martian planet having an encounter with the Venus Comet, the resulting destabilization of Mars, Venus and Earth, affecting the earth profoundly and disastrously. This is a simply amazing sync and I for one would not begrudge a person, taking into account the "Transformers" Mars NASA conspiracy trailer, for thinking some kind of occult intention was at play in the minds of the film makers. But the universe's amazing interconnected underbelly, when exposed, tends to make things look like a controlled and directed conspiracy perpetrated by human agencies and one cannot rule out the "cosmic giggle" factor in these matters. Usually I opt for a bit of both, depending on the particulars of the sync.

The Pentagon, in the new Mars resonating "Transformers" film.

The release date of 7.4.7 (4 July 2007) seen dissolving into a shot of the Pentagon in the teaser brings up a pair of interesting 'coincidences' to mull over, considering esoteric interpretations of the true meaning of America's Independence Day. Graham Hancock and Robert Buaval's epic book "Talisman" elucidates:

It is the date of the Templar's massive defeat by Muslim armies in the Holy Land at the Horns of Hattin on 4 July AD 1187, which was followed by the loss of Jerusalem to Christendom. There could therefore hardly be a more evocative 'Templar' or 'Solomonic' date than 4 July - evocative, that is, of the aspiration to build Solomon's Temple in Jerusalem. The reader will also be aware, of course, that 4 July is Independence Day in the US, commemorating the signature of the Declaration of Independence and converting the date forever into a powerful talisman that spells out 'Independence' and 'Freedom" for the New World and, now by and large, for a new world order. (p. 470)

The attentive reader (I'm never one when writers say that...) will remember having seen the, as we now know occult date of 4 July, once before in another quote by the same authors in this very post. I will repeat it here for hopeful maximum dramatic effect:

On Independence Day, 4 July 1997, NASA's lander Pathfinder touched down...Richard Hoagland was the first to point out that Pathfinder has a pronouncedly tetrahedral design with distinctive solar panels in the form of equilateral triangles. Moreover its landing site in Ares Vallis is located at 19.5 degrees north latitude. (p. 136 "The Mars Mystery")

Let’s get this all straight, as we have much to chew on. The amazingly overt Mars-resonating (even in a deliberate NASA Mars conspiracy context), alien-themed "Transformers" film highlights the Pentagon and the 'Templar' date of July 4. The Pentagon, obviously in my work, will be sited as a 9/11 reminder. We can thus in one image (the Pentagon/July 4 shot above) see almost the whole syncromystic narrative I am trying to put forward. The key elements are 9/11(represented by the Pentagon), secret society conspiracy (represented by the 4 July 'Templar' date and the implied pentagram of the Pentagon) and 'Mars/aliens' (represented by the fact that this is an image from "Transformers"). Adding to this, we have the speculation of NASA using tetrahedral-wrapped robots to explore and perhaps communicate occult messages to non-terrestrial intelligences through ritualized magickal invocation, using symbolically significant talisman on occult dates and meaningful co-ordinates.

Pathfinder is also the name of a film to be released on 27 April 2007 including pre-Columbus contact between the Vikings and Native Americans. The idea of contact between Europe and America before Columbus is an esoteric standard often connected to the Knights Templar. Reflect for a second, with the above context and taking into account what we have discussed thus far, on this little fact.

Landing on Mars was planned for July 4, 1976, the United States Bicentennial, but imaging of the primary landing site showed it was too rough for a safe landing.
http://en.wikipedia.org/wiki/Viking_1

This was the very mission (Viking 1) that captured the first photos sparking the Artificiality of Cydonia theory, again connected to 'Templar' date July 4.

The face on Mars has been connected to the Sphinx in works like "The Mars Mystery" because it seems to have a Pharaohnic Nemes as is seen on the Sphinx. In more recent times, newer photos have convinced researchers like Hoagland, Adachi and David Flynn that the face is half human and half lion. If true, this would fit like a glove with the attributes already connected to the Pyramids' giant sentinel, the Sphinx. Part 2: "The Sphinx/Horus and the 9/11 Stargate" explored the connections between Pyramids of Giza's giant stone sentinel, the Sphinx and Horus. Speculation was aired about the significance of Aleister Crowley's communication with Aiwass, a messenger of Horus, after meditating in the King's Chamber of the Great Pyramid. Added to this was the possibility that George W. Bush is Crowley's grand-son. It was suggested that if the blood relation is true, the fact that George W. was presiding as President of the U.S.A. over the 'Pyramid mega-stargate-rituals of 9/11' (as I believe) during September 11, 2001, surely a significance must exist between the fact that his grand-father, Aleister Crowley, received 'alien' communication, ushering in the new Aeon (of secret societies like the O.T.O.) in the Great Pyramid through "The Book of the Law"! Then if Horus was the 'alien' (angel, cosmic intelligence, Great White Brotherhood or whatever) who communicated through Aiwass to Crowley and the Sphinx is a representation of Horus and Mars, couldn't a distinct and tantalizing connection exist between Crowley, Bush, and 9/11?!

Can we connect the possible dynastic secret society lineage of Bush/Crowley to 9/11 and aliens? Aliens are relevant as my current belief system sees the purpose of the 'Pyramid mega-stargate-ritual of 9/11' as involving fraternal secret society higher ups (Illuminati, if you will) trying to send occult messages to their alien creator god (perhaps our creator?). This message operates, in a similar fashion, as the Mars Pathfinder tetrahedron. The timing and symbolism at play in 9/11 may be a kind of 3-D space/time communication to be picked up by non-local cosmic intelligences receptive to such techniques. A variety of metaphors could be suggested for the above statements that might help one swallow this bitter pill if it is not to your particular liking or engenders fear. Fear being the last thing I hope my work might stimulate. High level mystery school initiates using our very cities and bodies to stage and power their magickal emails to aliens could certainly be construed as alarming, I concede. Another slightly less sensationalistic way of explaining this is that a bunch of over-developed third eye occultists, attempting transcendental illumination through elaborately staged rituals, are causing trouble on our planet. We have to open our hearts (chakras) to these people and reclaim our own ecstatic connection to divinity.

The above scene from "Scary Movie 4" amazingly connects 9/11 to aliens and the President. Leslie Nielson is seen enacting a parody of the famous video, taped the first moment George W. Bush supposedly heard about the terrorist attacks, while reading along with elementary school children from "The Pet Goat".
http://en.wikipedia.org/wiki/My_Pet_Goat

In "Scary Movie 4" however, terrorist attack is replaced with aliens that are destroying the earth, as Nielson is being informed in this scene.
(Please see Part 1 for more George W. Bush syncs).

If we are looking at Aleister Crowley's grand-son in the image above reading "The Pet Goat," another part of the 9/11 mega-ritual might be revealed.

Jack Parsons, one of the founders of NASA Jet Propulsion Laboratories (JPL) and Crowley's hand-picked leader of the Ordo Templi Orientis, would invoke Pan (A Greek Goat God) with 'The Great Beast 666's' very own poem, "Hymn to Pan".
http://www.poemhunter.com/poem/hymn-to-pan/

He is less well known than Wernher von Braun or Theodore von Kármán in the rocket program and the origins of JPL. Nonetheless, von Braun remarked that Parsons, and not he, should be regarded as the father of the American space program.
http://en.wikipedia.org/wiki/Jack_Parsons

Before each test launch, he was in the habit of invoking Aleister Crowley's Hymn to Pan, the wild horned god of fertility.
http://www.forteantimes.com/articles/132_parsons.shtml

Reflecting on this masterpiece, "Pan's Labyrinth" created a causal chain that uncovered the Bush/Pan invocation.

Is 'Moonchild' Bush sending a coded message to the upper echelons of the occult fraternities with his veiled invocation of Pan, or is the universe's uncanny synchronicity and entrainment exposing itself to our eyes? Is it the embedded seamless interconnectedness of all things merely playing with itself through coincidence and conspiracy? Could George W. Bush be unaware of how his possible dynastic roots are pulling him into the strange attractor of destiny? Is it just a coincidence that the "Skull and Bones" member is reading about a goat as the world is ushered into a new Aeon?

I can’t find confirmation of this fact online but Michael Tsarion claims in his lecture, "The Subversive Use of Sacred Symbols in the Media," that John a.k.a. Jack Parsons helped design the Pentagon.
http://www.taroscopes.com/webstream/webstream_startpage.html

How does the Pentagon fit into the 9/11 ritual? I have pointed out in earlier posts that the Pentagon implies obviously, a pentagram and that this connects it easily to Freemasonry through their five-pointed "Blazing Star". The identity of the particular heavenly body this pentagram represents varies from researcher to researcher but whether it be Venus, Sirius or the Sun itself makes little difference to its undeniable esoteric allusion. All three speculated identities would yield interesting results. Be it Venus, it could remind us of Mars' violent past encounters with Comet Venus, perhaps memorialized by the design of the headquarters of the United States Department of Defense. Indeed, Velikovsky says Venus became a planet after emerging from it's comet tail cloud and could be the original new "Blazing Star" in our skies, later deified by ancient cultures. Sirius would connect the structure to Isis and remind us of her child Horus (also well-connected to Mars) and of course point towards the most often sighted local of our possible alien creators and/or genetic manipulators. Be it rather closer to home and merely the Sun (the real Eastern star?), it would still pass as the primary symbol of Akhenaton’s Aton and central to the Egyptian roots of America's hidden masters. Further, we can connect the sun and all three possible five-pointed star candidates to Horus thusly:

The religion of the ancient Egyptians metaphorically linked any source of light with spiritual enlightenment. They also linked by association the eye as a collector of light to the sources of light. The Sun and Moon were thus often described as "eyes". The Egyptians also tended to merge their gods as if they were a continuum. The creator god Atum and the Sun god Ra/Re became Atum-Ra/Re. Similarly, through the association of sunrise with resurrection the god Horus became the patron of the rising Sun.
http://www.bob-wonderland.supanet.com/conspiracy_7c.htm

Therefore, whatever the 'real' intended heavenly body (if not indeed any light source in the heavens is applicable), the very idea of a "Blazing Star" connects the Pentagon through the pentagram to Horus and through Horus to Mars.

A companion of the controversial 'face' in Cydonia is a speculated five-sided pyramid, the D&M pyramid. In all honesty, I have never been too warm on the photographic evidence of Cydonia but there are many facets of this site that warrant closer attention and where the syncs lead I follow...

As the above image and the earlier Cydonia complex overhead shot indicate, the D&M pyramid and other features and mathematical relationships between them have the 19.5 number encoded in their geometry. Remember that 19.5 is the latitude where Pathfinder, the speculated occult NASA message, landed on Mars. Many crop circles, such as the famous Barbury Castle, have the tetrahedral resonating 19.5 number embedded in their make-up. Again we ask ourselves, is it intentional human-type agencies who interact through conspiracy in these matters or are we seeing the notes that make up the universe's beautiful symphony. In my opinion, it’s a bit of both mixed together in different amounts depending on the individual case. In fact, the conspirators and the researcher might be involved in the beautiful symphony itself, the universal game of chasing your own tail, AUM!

So let's see... There is a five-sided, extremely likely "Blazing Star" representation, giant Pentagon in America as an important government building, construction of which started on 11 September, 1941. This building was part of what I have already called the "Pyramid-mega-ritual of 9/11". We have connected it's "Blazing Star" design to Horus and Mars. Now we also have a giant speculated five-sided pyramid on Mars. I would surely be negligent not to make a few observations.

The partially collapsed 'D&M Pyramid', on the other hand, is pentagonal -- echoed by the U.S. Pentagon partially destroyed in the 9/11 attacks.
http://www.goroadachi.com/etemenanki/rex-deux.htm

Goro Adachi already made a connection between 9/11 and Cydonia back in 2002; it simply amazes me that I have not run across mention of this fact til starting to write this article. The man toils in relative obscurity while the rest of us are years in his wake.

As he says, the partially collapsed 'D&M Pyramid' echoes eerily the similar collapse on 9/11 of one of the sides of the Pentagon (Blazing Star) during the ritual. Could this sync be an intentional message sent by our secret society networks to our alien forefathers? Is it rather, the collective unconscious of mankind picking up the symbolic language on Mars and mimicking or sending messages to non-local intelligences in a strange unconscious fashion? Are these events so hypnotizing to some of us, leading us to view them from so many angles til they fit our unconscious desire to believe in the most ridiculous scenarios that can’t really be proved or disproved? I can entertain many viewpoints but must admit my bias at this moment leads me to be suspicious of our hierarchical governments and their probable 'wizard chiefs' connections to cosmic intelligences.

As well as being partially collapsed, "The Mars Mystery" also points out that the D&M pyramid has a tunnel-like hole or entrance into the pyramid's side. Was part of the ritualistic connection on 9/11 between the Washington Pentagon and the D&M pyramid made to highlight this 'tunnel/hole'? Whatever hit the Pentagon left a tunnel in it's side; was this intentionally done to mimic the D&M pyramid?

We now have the possibility of including the Pentagon itself as a pyramid-referencing talisman in the 9/11 mega-ritual. Thus the major players of 9/11 WTC 1, 2 and 7 (referencing the Giza monuments of Earth) and the Pentagon (referencing Cydonia of Mars) are all likely veiled pyramids!

Online photos of the D&M pyramid and the tunnel/hole:
http://www.mactonnies.com/dmphotos.html

Ideas concerning the Pentagon involvement in strange alien activities is firmly embedded in the pop-culture sync-web.

An alien fetus being filed inside the government's giant magickal talisman in the "X-Files" season 1 ending.

Robert Anton Wilson and Robert Shea's cult classic conspiracy novel, "The Illuminatus! Trilogy" (circa 1970), has a prophetic moment involving the Pentagon and alien themes. The Pentagon in this novel is a five-sided temple that magickly imprisons the Yog Sothoth, an H.P. Lovecraft Cthulhu Mythos, Outer God. The former residence of this creature in the novel was a giant five-sided pyramid in Atlantis.
In any case, at 5:55 P.M., Washington time, a series of explosions destroyed one-third of the river side of the Pentagon, ripping through all four rings from the innermost courtyard to the outermost wall. (p. 361)
This sync helps lend weight to the idea of the Pentagon as magickal talisman and connects the structure again to aliens and pyramids (five-sided Atlantian ones, no less!).

The recent, uncomfortably humorous terror scare in Boston, involving an LED ad campaign also lends synchromystic alien undertones to American "terror" attacks. The character (Mooninite) the campaign was using in its promotion was an alien from the show, "Aqua Teen Hunger Force".

Goro Adachi has a particular interest in octagons. A primary reason to be concerned with this shape lies in the octagonal floor plan of the Dome of the Rock. The Dome of the Rock is the supposed location of the Temples of Solomon and a residence of the Knights Templar. Goro has pointed out many fascinating syncs involving octagons, most recently the "DHARMA Initiative" logo and doorway shapes in the show "Lost". The Dome of the Rock and Solomon’s Temple seem, like Egypt’s Great Pyramids and the WTC, likely candidates for locations where Pharaohnic Hyksos (or related 'Illuminati' wizards) mystery school initiates have opened stargates to heaven (contacted aliens). The faithful believe the rock to be the location where 'Pharaoh' Abraham ascended to heaven and communed with Moses (Akhenaton or his chief priest) and where 'Pharaoh' Jacob saw a stairway to heaven. Both these events sound like obvious ritualistic stargate (cosmic illumination) events to my mind.

Another occult "Lost" moment happens inside the mysterious hatch in season 2 (I forget the specific episode) when Lock is seen filling in a crossword puzzle.

42. Question: "Enkidu's Friend". Answer: "Gilgamesh".

Folks familiar with Zecharia Sitchin and William Henry will recognize these ancient Sumerian God names as suspect ancient astronauts (our alien creator gods).

The octagonal structure above is the Millennium Gate from "Star Trek Voyager" episode "11:59". It's name and shape express the gate and octagonal stargate themes explored herein. Included in this sync is the esoteric theme of building important structures on significant dates. As if there is not enough relevance, the cosmic giggle decides to throw us a bone. When we watch this episode (a pretty boring affair, mind), we learn that the Millennium Gate was 'the world's first self-sustaining civic environment' and--wait for it--'the model for the first habitat on Mars'.

Were I one given to rash sensation-seeking comments I might draw the following conclusion. Considering the stargate-themed sync echoes connected to the WTC, Pyramids of Giza and Dome of The Rock and the mysterious syncromystic links to Mars and Cydonia, is it possible that Mars is the location of a former or present (heaven forbid future) stargate? Syncromysticly, I would be inclined to say: Yes.

Beyond debate, synchromysticly or even empirically, secret societies use public structures as talisman. Read Hancock and Buaval's "Talisman" should you have some internal conflict with this concept. Given all the mysterious allegations put forward in these whimsical pages of "Illuminati wizards" and their extra planetary tomfoolery, reflect again on one more blatant occult structure...

The Freedom Tower--which I submit as the most erroneously titled structure in history--to be built on ground zero at the sight of the "Pyramid-mega-stargate-ritual of 9/11". The laughably overt occult symbolism at play here astounds one as to the gall of our Apiarists. The building is 1776 feet tall (Illuminati founding date) and will be finished on 2012. Here's the 'kicker'--at it's centre, the "Freedom Tower" is a giant octagon! An octagon (Templar stargate symbol of the Dome of the Rock) built right over the grounds of the 9/11 sacrificial ritual space an their symbolic Giza plateau and primordial mound island. Are we seeing more of the bizarre ongoing occult practices of the fraternal organizations utilizing our public space without our consent to further their questionable divine aspirations?

Of note is the interesting similarities between the Millennium Gate from Voyager (the model for the first habitat on Mars) and the Freedom Tower, both stargate-themed towers with octagons incorporated into their architecture.

"At its middle, the tower forms a perfect octagon."
Freedom Tower -Wikipedia

It is possible that the octagon shape of the Dome of the Rock hails from the double square floor plan of the King's Chamber in the Great Pyramid. Remember that Crowley meditated in this same space before receiving the book of the law from an angel and that a small yet tantalizing possibility has been put forward that George W. Bush is Crowley’s grand-son. The interlocked double square forms the eight-pointed star. By joining the points of the star we get the octagon, which the Templars used as inspiration for their famous red cross. If correct, we again see how the Pyramids of Giza are being invoked in the architecture at the WTC in N.Y. Whatever else we learn from this speculation, one thing the octagon at ground zero reveals is the simple fact that the ritual is not over...

Cosmic intelligences (angels, aliens and archetypes) with active interest in consciousness development on Earth use sensitive mystics and occultists like Crowley to aid evolution towards the stars (cosmic illumination) through carefully directed yet subtle interaction of mutli-levelled forces such as coincidence and conspiracy. Some ancient Egyptian priests and Royalty had contact with these intelligences through stargates, opened with technology such as ritual, drugs and talisman (Pyramids). Akhenaton/Moses opened the stargate (his third eye) and learned many powerful secrets, passed down through the higher levels of the secret societies or in some special cases, intuited by private un-affiliated shamans and mystics (psychedelic rebels like Robert Anton Wilson, Timothy Leary, Terrence McKenna, etc). These 'secrets' include the traditional new-age 'usual suspects':

Humankind is much older than generally believed, many ancient civilizations are now forgotten, our heritage is from the stars, aliens exist, and the really scary 'big secret'...

...we can all live together in unity and love...

I will be making more.

New Podcast. Thanks Greg and "Occult of Personality"

2007-02-24T21:19:00.000-05:00

Did an interview (2nd ever!) with Greg from "Occult of Personality" yesterday. I think it went pretty well.

Link to the podcast page at "Occult of Personality":
http://rochester92.vox.com/library/post/occult-of-personality-podcast-1.html

The .mp3 file can be downloaded, or streamed, here:
http://www.esnips.com/doc/102f0db2-fa74-4ae7-a0d4-a7698a1e915e/OoP_podcast1_JakeKotze

Please check it out Greg's great website:
http://rochester92.vox.com/

Here is another link to a piece Greg wrote about my work:
http://rochester92.vox.com/library/post/jake-kotze-synchromystic-magician.html

Here is the link to my first interview at Red Ice Creations:
http://www.redicecreations.com/radio/2006/10oct/RIRT-061019.html

Thanks again Greg!

The Sphinx/Horus and the 9/11 Stargate (Part 2 of 3)

2007-02-01T13:58:00.000-05:00

(Click on image to enlarge)

Part 1 played with the controversial idea that George W. Bush might be related to Aleister Crowley. This post intends to build some connective groundwork between ancient Egyptian occult mysteries, the Great Pyramids in particular, the Bush dynasty and 9/11. Eventually leading us up into space and the stars with Sirius and Mars. Mars being the star of the final chapter in these 3 connected posts.

Part 1 link below:

http://thebravenewworldorder.blogspot.com/2007/01/george-w-bush-moonchild-of-great-beast.html

Remember folks, my work is speculative, only partly intended to flush out the "truth". I probe the interconnected sea of mythology, occult, conspiracy and pop-culture for sync-echoes. In other words, I search for coincidence between ideas with my intuition and weigh them up against each other. The theory being that amazing synchronicity can be viewed as potential clues to understanding the hidden mystical world surrounding us. Stumbling onto the "truth" is a byproduct of my particular brand of "research". I invite the ontologically adventurous to follow along as I delve into the sync-ocean surrounding 9/11 once more, to try and make sense of its seemingly ritualistic and occult aspects. Please weigh the relevance of "truth" discovered thusly in accordance with the internal mechanics of your personal belief system. "Truth" seems to me far more a product of consensus vote than a concrete "fact". I think we should have as many points of information available to our minds before we make this consensus vote resulting in the "truths" that shape our reality. Hopefully, some of my work as to the identity and intentions behind the perpetrators of those involved with orchestrating 9/11, will provide some points for you to consider before making your personal decisions. Whatever credibility you might want to attribute to finding clues about such important topics through The Simpsons and Beatles album covers again I leave up to you, fellow questioners...

I have mentioned in previous posts how Nicholas Cage from Oliver Stone's, "World Trade Centre," was seen in the pro-Masonic film, "National Treasure," and how this helps Cage resonate with pyramids. We left off Part 1 with the three hidden pyramids in the "World Trade Center" trailer. Nicholas Cage is director Francis Ford Coppola's nephew. We saw in the previous post 'occult synchro-mystic significance' in Orson Welles, Martin Sheen (father of the lead from Oliver Stone's, "Platoon") and Harrison Ford all connected to Coppola's, "Apocalypse Now." Coppola's name will come up again later when we get to the Simpsons, WTC and Sphinx connections.

A still from an early scene in "National Treasure" starring "World Trade Center's" leading man, Nicholas Cage. Notice, if you please, the incomplete pyramid with missing capstone in the image above.

Remember that the three buildings felled on 9/11 were intended to invoke the three Great Pyramids of Giza. http://thebravenewworldorder.blogspot.com/2006/12/contacting-god-our-alien-creator-occult.html

Crowley meditated in the King's chamber of the Great Pyramid (Biblical Mount Sinai) in the presence of his wife, who would shortly thereafter initiate the contact between "The Beast" and Aiwass, who then through Crowley dictated "The Book of the Law."

George W. Bush, Prime Minister Stephen Harper and Mexican President Vicente Fox.

Significantly, we find Aleister's grand-son, "Moonchild" Bush, cavorting around an ancient pyramid in Mexico in March of 2006. Given his possible ancestral lineage as grand-son of Aleister Crowley as well as being the reigning president during the pyramid ritual of 9/11, this incident gains a suspicious occult resonance.

"Harper, Bush and Mexican President Vicente Fox are meeting over two days in a special summit to promote North American unity." (Note the suggestive use of the term summit) http://www.cbc.ca/world/story/2006/03/30/newsummit-cancun060330.html

Does this feed into a developing emergent theory about the president of the "most powerful country on Earth" and dynastic secret societies carefully influencing and manipulating succession of power? Is George W. Bush part of a conspiracy spanning the ages involving the most prolific occultists, Aleister Crowley and somehow, the ever mysterious pyramids? Is it the strange attractor of destiny that pulls men of great influence through the zig-zag of time and space in such bizarre ways, the interaction of forces which they themselves do not understand and might not be aware of? I suggest a mixture of both. Certainly evidence of both a directed conspiracy and a universe with subtle underlying intentions (not to mention a fantastic sense of humour!) can be found in abundance.

If I am right and the three destroyed buildings of the WTC were designed to invoke the Great Pyramids of Giza, is it just coincidence that Aleister Crowley's speculated grandson, George W. Bush, was the reigning President of America during the incident? Crowley having initiated contact with a "cosmic intelligence" soon after visiting the Pyramids and his blood relative and heir presiding over the 9/11 pyramid ritual 97 years later in 2001.

Further meaningful mystical resonance can be attributed to the Sphinx, Crowley and 9/11 (as briefly touched on in Part 1 with "The Never Ending Story") through more than just proximity to the Great Pyramid. There is also the identity of Crowley's "Holy Guardian Angel."

However, on the 18th, after invoking Thoth (the god of knowledge), she mentions Horus by name as the one waiting for him.

Also, Rose reveals that her “informant” was not Horus himself, but his messenger, Aiwass.

http://en.wikipedia.org/wiki/The_Book_of_the_Law

"The Mars Mystery" revealed that the Egyptians saw the Sphinx (and Mars) as a manifestation of Horus. The Sphinx will make another appearance shortly...

"The Mars Mystery" by Graham Hancock, Robert Bauval and John Grigsby on p. 57:

"We therefore naturally find it curious...that the ancient Egyptians envisaged a profound connection between Mars and the Earth and, more specifically, between Mars and the Great Sphinx of Giza. The planet and the monument were both seen as manifestations of Horus, the divine son of star-gods Isis and Osiris. The planet and the monument were also both called 'Horakhti', meaning 'Horus in the Horizon'. Mars in addition was sometimes known as 'Horus the Red' and the Great Sphinx, for much of its history , was painted red."

H. W. Bush in bed with his family and a pyramid on his lap

Talking about dynastic secret society connections with regards to the Bush family is certainly no stretch as it is accepted that Prescott Bush, George H. W. Bush and George W. Bush were all members of the Yale university-based Skull and Bones secret society.

Robert Deniro's (actor in "The Godfather: Part 2" to be featured shortly) recent directorial effort starring Matt Damon and Angelina Jolie, "The Good Shepherd," concerning the early history of the CIA becomes very valid in our synchro-mystic look at the Bushes. George H. W. Bush was a CIA director himself; we can only wonder at how important his Skull and Bones connections were in this regard. "The Good Shepherd" contains a sequence where Matt Damon is initiated into the Skull and Bones giving us a pop-culture nod to the significance that fraternities play in government organizations like the CIA.

A scene from the trailer for "The good Shepherd."

This causes a rather humourous synch as an early role in Matt Damon's career was playing a part in the film, "Geronimo: An American Legend." Humorous, that is, when taking into account one of the 'legends' concerning the Skull and Bones society as described below in a CBS news piece.

“Prescott Bush, George W's grandfather, and a band of Bonesmen, robbed the grave of Geronimo, took the skull and some personal relics of the Apache chief and brought them back to the tomb,” says Robbins. “There is still a glass case, Bonesmen tell me, within the tomb that displays a skull that they all refer to as Geronimo.” http://www.cbsnews.com/stories/2003/10/02/60minutes/main576332.shtml

Thus Matt Damon is initiated in one film as a Skull and Bones member as well as a trying to capture Geronimo in another. Beautiful...

The female lead, Miss Jolie, (girlfriend of Brad Pitt from Wolfgang Peterson's, "Troy," to be seen in Part 3) has made it to these pages before for this obvious reason:

In the first "Tomb Raider" flick as Lara Croft, she jumps through a time vortex (stargate) and runs up the side of giant pyramid while battling the Illuminati, no less.

It seems fitting as we approach the end of the Simpsons amazing television run and the impending big screen debut to highlight some memorable occult moments.

Bart Sphinx from "Tree House of Horror 5."

Allowing myself to indulge my 'fanboy' geek status once more, let's drag out a relevant multi-episode Simpson's synch. A Bart Simpson Sphinx appears in the Halloween, "Tree House of Horrors 5" episode right after Homer time travels. As already stated, the Sphinx is intimately connected to Mars; this planet will be the star in the next post. As always, I find time travel interchangeable for the opening of stargates or other vortex/wormhole phenomena.

Homer time traveling in "Tree House of Horror 5."

Homer travels through the stargate. This particular time travel adventure of Homer, in which he interferes with the past, directly leads to the creation of the Bart Sphinx. I would interpret this, in the context of the narrative I am trying to create synchro-mysticly, "A Stargate traveler (alien) sets in motion the creation of the Sphinx."

In another often featured episode, "Simpsons Bible Stories," we see 'stargate jumper' Homer Simpson portrayed as the Biblical King Solomon. I believe, (in my current reality tunnel) in accordance with Ralph Ellis, that Solomon is a descendant of the Hyksos Egyptians, who were expelled from Egypt in an exodus lead by Akhenaton/Moses. Solomon's temple was built as a reflection of the Giza plateau and its pyramids. The 9/11 mega-ritual as inspired by the Giza layout would also logically be connected to, and a reflection of, Solomon's Temple. We, so far, have the Sphinx's creation influenced by an alien being who is connected to the Hyksos-descended 'Israelite' King Solomon. Solomon as a descendant of the original pyramid builders (masons) would most probably have been initiated into the highest levels of the occult knowledge of ancient Egypt, knowledge many researchers are starting to say is pointing towards space, Sirius and Mars in particular... (more details in Part 3)

Ralph Ellis claims in various of his books that the mystical number 666, the same number Crowley attributes to himself, originally found its import in the occult world through King Solomon and was only attributed to the 'dark lord' of the Christians at a far later date.

Our planet's consensus library "Wikipedia" states:

In a single year, according to 1 Kings 10:14, Solomon collected tribute amounting to 666 talents of gold. Since the majority of archaeologists consider the kingdom of Israel at the time of Solomon to have been little more than a small city state, owing to the archaeological record, this is an implausibly large amount of money[2]

http://en.wikipedia.org/wiki/Solomon

The Wikipedia article makes it clear that this amount is too large for 'Israel,' a small city state. But what if Solomon's kingdom wasn't a small city state but part of the Egyptian empire; would this explain the large amount, 666? Read Ralph Ellis', "Solomon Falcon of Sheba" for details.

Amazingly, Ellis believes that he has found the actual historical Egyptian sarcophagus of Hyksos-Israelite Solomon. The silver sarcophagus itself is unique in it having the shape of a falcon-headed human or Horus. If it's true that this artifact is the final resting place of Solomon and Horus contacted Crowley through Aiwass, we have an interesting connection between Crowley and Solomon perhaps hinted at by Crowley's focus on the number 666...

Homer's mystery school affiliation becomes even more overt; we see homer as a Freemason in the parody episode, "The Stonecutters." Thus we can now say, "Homer Simpson, the stargate travelling Freemasonic King Solomon." Synchro-mysticly, that is.

"Simpsons Bible Stories."

We see Bart again, this time as an 'Israelite slave' pyramid builder (mason) and later in the same episode as David, Solomon's father. Here are already many sync-clues pointing towards the occult and mystical origins of Judaism, its sister religions and their masonic heritage. In my view, the higher levels of Freemasonic knowledge have a more original surviving tradition about the true origins of human culture and society and its relationship to the divine than the Jewish, Muslim and Christian faiths. Yet all four traditions spring from the same original Egyptian fountainhead, which has an intimate connection to a more ancient civilization and to the stars.

"El Viaje Misterioso de Nuestro Jomer (The Mysterious Voyage of Homer)."

Homer (the stargate-travelling masonic Solomon) climbing a South American-style pyramid.

"Tree House of Horror 3."

Continuing on our magic mystical Simpson tour we find more reasons to be amazed, either at the awesome power of synchro-mysticism or perhaps the depths of the authors' mental decay. Bart holds up his "Book of Magick," the term magick coined by Aleister Crowley. Now we have the Sphinx, which is a direct echo of Horus and the 'author' of Crowley's, "The Book of the Law," Aiwass being simply his go between with Crowley, firmly connected to Bart (who was seen earlier as the Egyptian Sphinx himself!) and Crowley. Remembering that Bart's (resonating King David, a Hyksos-descended 'Israelite' King and a pyramid builder) father resonates Solomon (important Masonic figurehead) and stargates. The plot has now thickened very much indeed.

Here we see the Simpsons' parody of the Beatles' 'Sgt Pepper' cover, much featured in the previous post because of the image of Crowley.

Pyramid builder (Hyksos Mason) and Crowley evoking (Bart Sphinx/Horus) Bart Simpson, sitting next to Skull and Bones member George H. W. Bush, father of A.C's grandson. The voice over of Bush in this clip hears the ex-president point out to Bart his photo of himself and Charlton Heston. Frequent readers (yeah right) will immediately recognize Heston as a usual suspect in these pages of synchro-mysticism. Keep your wits about you folks, this gets pretty complex. We have seen Bart as King David, a Hyksos-Israelite and a Sphinx (reflection of Horus), even holding a Crowley inspired "Book of Magick" and is now sitting next to Crowley's grand-son's father, dig? All the while bearing in mind that George H. W. Bush first said the words, "New World Order," suspiciously on 11 September 1990.

Just a refresher on the 'sync-nificance' of old 'lovable' NRA spokesman Heston. He keeps popping up like magick when you do this kind of research. Heston, like Homer Simpson (who has parodied Heston many times), is a stargate traveller, Moses (Hyksos Egyption Pharoah Akhenaton/Thutmosis) and an astronaut.

We can connect Heston very firmly indeed to the Bush dynasty, even in the mundane theatre of the real world (yawn!).

AFI’s 25th anniversary celebration.
Pictured at the gala (above) are George Lucas, Gene Jankowski, Steven Spielberg, AFI director and CEO Jean Picker Firstenberg, President Bush, Charlton Heston, Martin Scorsese, and David Wolper.
http://www.philanthropymagazine.com/0902/afi-legacy.htm

George W. Bush, suspected 'Moonchild' of the "Great Beast 666," giving Charlton Heston (stargate travelling Akhenaton) the Presidential Medal of Freedom in 2003.

For more on Heston (you know you want it!) try this post:
http://thebravenewworldorder.blogspot.com/2006/10/akhenaton-ancient-astronaut-and-911.html

Homer with Nemes in "Lost our Lisa."

Homer the stargate traveller, Hyksos-Israelite King Solomon, pyramid-scaling Freemason (Stonecutter) and as seen above, Pharoah. Notice please the Isis banner behind his Nemes. I have speculated in previous posts about the symbolic significance of the Pentagon in the 9/11 mega-ritual. It was put forward that the implied pentagram of the building's geometry connects it to Sirius and thus the stars' 'Egyptian patron goddess' Isis. The Pentagon and more ideas about the occult meaning of the structure in the new context of my theory of 9/11 as a pyramid invoking ritual involving extraterrestrial contact will be seen in Part 3.

The Pentagon/Isis blog post: http://thebravenewworldorder.blogspot.com/2006/09/pentagon-attack-and-other-isis-sirius.html

Sri Yukteswar Giri seen on the cover of "Sgt Peppers" (which Simpsons parodied, as seen earlier) on the right hand side of Aleister Crowley. It's a really fascinating sync, to have these particular men next to each other, on this famous Beatles cover, for the following reason...

Wikipedia's entry about Sri Yukteswar Giri states:

He also introduced the idea that the sun takes a ‘star for its dual’, and revolves around it in a period of 24,000 years, which accounts for the precession of the equinox. http://en.wikipedia.org/wiki/Sri_Yukteswar

We learned earlier that Crowley received his transmission of the "Book of the Law" through Aiwass, who was a messenger of Horus. Horus was the son of Isis, whose star is Sirius. Sirius is probably the most popular suspect in the mystic and occult world as location from which ancient astronauts might originate and/or transmissions are received by 'sensitives' like Crowley.

So which star does the sun take as its dual if Sri Yukteswar Giri is right about the reason for the phenomena of the precession of the equinox?

Again, this idea is supported by the Yuga theory of ancient India, as expounded by Swami Sri Yukteswar in the introduction of his book “The Holy Science” which he wrote in 1894. In fact, Sri Yukteswar advanced the argument by asserting that the celestial phenomenon which causes the backward movement of the equinoctial points around the zodiac is due to the motion of our entire solar system around its dual.

Yet the assertion that Sirius plays the role of a center for the circuit of our entire solar system has been proposed about six decades later by the mathematician and Egyptologist R.A. Schwaller de Lubicz, who studied the findings of Jean-Baptiste Biot. De Lubicz remarked in his book "Sacred Science - The King of Pharaonic Theocracy" that the Sirius year of almost exactly 365.25 days was established according to the heliacal rising of Sirius. http://www.siriusresearchgroup.com/articles/Sothis5.shtml

Homer (stargate travelling Freemason) as astronaut and the "Star Child" from "2001: A Space Odyssey" seen in the great episode "Deep Space Homer." The "Star Child," I believe, was a symbol of humankind's future evolution, born into higher conciousness. Much could be made of this particular sync but I will move on for brevity, perhaps more about this later.

"The City of New York vs. Homer Simpson" sees Homer experiencing a flashback with the screen panning down from the pyramids--I mean Twin Towers--to a shot of him walking past a theatre playing "The Godfather's Parts, II." "The Godfather Part 2" is a Francis Ford Coppola film. This post started with some syncs about this director...

"The City of New York vs. Homer Simpson."

And will wonders never cease, we are back at 9/11 as Homer stares out from one of the Twin Towers! Amazingly he actually looks right at "The Sphere," a large bronze sculpture which stood at the WTC plaza. This strange object was, according to the designer of the plaza, purposefully intended to evoke the Kaaba at Mecca. This incredible fact and how it interacts with the pyramid/Benben-invoking Twin Towers and building 7 was explored in more depth here:

http://thebravenewworldorder.blogspot.com/2006/11/wtc-pyramid-part-2.html
http://thebravenewworldorder.blogspot.com/2006/12/contacting-god-our-alien-creator-occult.html

Once more, let's go through the resonance we can attach to Homer Simpson after that multi-episode occult rundown. Homer Simpson is a Stargate travelling, pyramid climbing, ancient astronaut Pharoah and Freemason King Solomon (oh, and "Star Child!"). He is the father of Bart Simpson, a Hyksos 'Israelite' King and Egyptian Sphinx, evoking Horus and Aleister Crowley.

Now what the hell does all that mean? I will try and compile it into a short narrative.

The ancients developed or inherited the ability to open stargates and communicate with higher cosmic intelligences. I suspect King Solomon and Pharoah Akhenaton as being connected to this 'stargate' phenomena. Or the same thing said differently, "The ancients developed or inherited the ability to open their third eyes into Illumination." By doing this they discovered powerful information which was passed down and hoarded by the occult fraternities and sometimes intuited by maverick mystics. This information involves the origins of humankind, its society and our standing in the universal order. The higher levels in the secret society networks (through folks like Crowley and perhaps Bush?) and fraternal organizations interact through ritual and magick with the shape of our reality manifesting on a material level as coincidence and conspiracy. 9/11 represents, in my mind, such a mega-ritual judging by the occult footprints left in the settling dust. All stargate events are connected non-locally. The pyramids of Giza were the sight of an ancient mega-ritual and the WTC and Pentagon the location of a modern one.

The exact intentions of the 9/11 instigators (remembering that we are all one consciousness) and their seeming moral ambiguity I bring heavily into question. I will not entrust my initiation into cosmic consciousness (Illumination) through means and people (fraternities or secret orders) that judge the lives of thousands as the price worth paying for contact with the Godhead.

We are being asked what role we want to play in the emerging higher consciousness. I personally assert love and pacifism, the eye in the triangle is mine and yours...

To whom do you want it to belong? The Illuminati, or your own?

Peace and Namaste.

Oh yes, I promised in Part 1 to show how Matt Damon in "Good Will Hunting" "proves" synchro-mysticly, early humanoid life on Mars. We are slightly 'jumping the gun' as Mars is our going concern in Part 3, but, as promised...

The idea that early humanoid life or possibly independent ancient civilization (or even interconnected co-existing) on Mars is an occult standard and a growing relevant concern in the conspiracy community if I read the signs and times correctly. See Part 3 for more. Soon...

In "Good Will Hunting" the super intelligent Will proves he can measure his wits as well as his penis with the best of them by showing his alpha male mating rival his trophy, a disputed female's digits. "How do you like them apples?" he proudly flails his rival.

Simpson creator Matt Groening's now defunct cartoon show, "Futurama," has an episode with an amazing sync for us to ponder. "Mars University" sees lead character Fry get lambasted in a parody of the "Good Will Hunting scene," the super intelligent monkey saying, "How do you like them Bananas?" This is rather wonderful as we have a super intelligent primate, echoing perhaps our earlier ancestors, apeing Matt Damon (who we saw earlier initiated into the "Skull and Bones" in "The Good Sheppard") on Mars! The title,"Mars University," indicates the Ivy league-type university, complete with fraternities and all on Mars, syncing up nicely with the "Skull and Bones" echo as well.

"Indeed do many things come to pass."

Yeah, but you could prove anything that way if you wanted to...

Cool pic from http://diannepiepan.blogspot.com/

George W. Bush, 'Moonchild' of "The Great Beast 666" (Part 1 of 3 new related posts)

2007-01-27T13:01:00.000-05:00

(Click on image to enlarge)
This drawing shows Aleister Crowley's grand-son "Moonchild", George W. Bush, Pharaoh of the United States of America. He presides over the 9/11 mega-ritual, which saw the World Trade Center used as magickal talisman, invoking the three Great Pyramids of Giza. Our synchro-mystic investigation into these and other related matters continues in this, the first part of three related posts.

Rumors of Robert Anton Wilson's death have again surfaced. I will play along for now. Post dedicated to RAW...

Aleister Crowley, the ever increasingly popular magickian will be the starting point of this post's investigation into the world of synchro-mysticism, a place where everything is connected to everything else and no coincidence is trivial or mundane. That very same place you occupy right where you are sitting now, but might not even realize fully, just yet. Your very special and unique space/time coordinates are always significant and filled with intimate inter-connections. You need only open your self to this ever-present self-similar and fractal nature embedded in every point of the universe to realize how seamlessly everything flows into and through you (even because of 'you'). 'Your' mind and body is a bridge, allowing movement of energy as information between 'you' and the 'external' world. Indeed, once the meaning of synchronicity is fully integrated, the internal and external dichotomies collapse and the real fun begins.

"The Great Beast 666" has infiltrated the collective psyche in a very interesting veiled manner. He is being watched unknowingly (in the form of a character believed to be inspired by Crowley) all over the world right now by millions in a popular Hollywood movie! The new 007 film, "Casino Royale," is based on the Ian Fleming novel of the same name. The net is rife with speculation that James Bond is modelled after famed occultist John Dee. The 007 number is said to have its origin in the manner Dee would sign his secret communiqués.
http://www.sirbacon.org/links/dblohseven.html

While reading Wikipedia's Crowley pop-culture references, this interesting fact jumped out and hit my brain (with joy): "Ian Fleming based the character Le Chiffre in the first James Bond novel Casino Royale on Crowley."
http://en.wikipedia.org/wiki/Aleister_Crowley_in_popular_culture

Tantalizingly, CNN also mansions this possible Crowley connection in context of the new 007 film, making it at the very least, valid as a culturally relevant meme imbedded firmly in the global mind. Whether Mr. Fleming intended thus or not. http://www.cnn.com/2006/SHOWBIZ/Movies/02/16/film.bond.reut/index.html

Now we have Le Chiffre, (The Number) the main villain from the new James Bond (John Dee) film as a direct echo of Aleister Crowley (The Great Beast 666). "The Freeman Perspective" blew my mind a while ago when making the claim that George W. Bush is possibly descended from none other than Aleister Crowley!http://thefreemanperspective.blogspot.com/2006/09/and-vs-have-it.html

Original article with George W. Bush as Aleister Crowley descendent speculation:
http://cannonfire.blogspot.com/2006/04/george-w-bush-barbara-bush-and.html

It seems amazing enough that this small possibility even exists, let alone the almost unimaginable wonderful kookiness that is opened to our speculation should it turn out to be true. As this blog is less concerned with truth and much more interested with emergent occult possibilities, we can speculate and rotate this George-W-Bush-as-'Moonchild'-of-"The-Great-Beast-666" idea at length should we choose to do so. And indeed I do, being of the opinion that possibilities are wonderful on their own. Again, 'the truth' of the matter is secondary to the fact that it is even being debated in the collective mind at all. Contemplation of Kurt Russell as Snake Plissken, flying towards the World Trade Centre in "Escape From New York," was part of a causal chain that led me to find resonance between the destroyed WTC buildings 1,2 and 7 and the Great Pyramids of Giza.

Aleister Crowley's head pokes up second from the left in the top row, next to Sri Yukteswar Giri on the iconic Beatles, "Sgt Pepper's" album cover. This cover (and Sri Yukteswar Giri) will be seen frequently as we continue on our journey of enlightenment about Crowley and Bush.

A very interesting article by Ben Fairhall involving the Beatles and their famous cover: http://ben-fairhall.blogspot.com/2006/11/above-us-only-sky.html

German director Wolfgang Peterson's films become relevant in this Crowley/Bush investigation in the following manner: Harrison Ford flick, "Air Force One," sees the actor (who has quested for the Grail as Indiana Jones) play the president of the USA, (who now resonates synchro-mystically with A.C.) who has to fight terrorists hijacking the presidential plane. The interesting 9/11 resonance of this hijack/plane/terrorist theme including the US president, starts this synchro-mystic mishmash off very nicely. When we include the 'US President as Aleister Crowley’s grandson’ speculation, things get interesting indeed.

I will use many Peterson films as divining rod for relevant sync-echoes in this series of posts.

The 9/11 Prophecy website speculates about the USA dollar bill and its occult talismanic properties.

The bill, with its pyramid and Egyptian winged orb (American eagle), is said to be a magickal talisman designed to bring about the new Aeon and directly involved with the 9/11 mega-ritual. Essentially, the populace who carried the bill, charged the magickal device with energy that helped bring about the 9/11 event. These folks go as far as to say Aleister Crowley prophesized (possibly inspired?) the use of the Talisman on the dollar bill in the Alien or Holy Guardian Angel (Aiwass) inspired, "Book of the Law." http://911origamiprophecy.com/index.htm

Assuming this is even remotely true, we can speculate with much whimsy that Aleister Crowley was inspired by an alien to influence occultists to design the ‘US talisman’ for the dollar bill that brought about the 9/11 mega-ritual. A ritual, discussed in an earlier post, claimed to have been intended by secret societies to contact aliens through the opening of a stargate. http://thebravenewworldorder.blogspot.com/2006/12/contacting-god-our-alien-creator-occult.html

Remember that I always advise that 'contacting aliens through opening a stargate' can also be described as metaphors for higher (cosmic) consciousness or Illumination, the activation of the fully realized chakra pillar, etc.

Let's go fish some more with the synchro-web in the interconnected ocean of the Tao.

Another Wolfgang Peterson movie can now be highlighted here. The "Never Ending Story," based on the German children’s book of the same name, contains elements that resonate with the occult and Aleister Crowley. The movie contains two scenes involving giant blue and gold Sphinxes. The most obvious Sphinx that is invoked in the mind when we hear the word would be that most mysterious of sentinels, squatting at the pyramids of Giza, the Great Sphinx of Egypt. The Pyramids themselves were firmly connected to the WTC complex and 9/11 in my more recent posts. Indeed the three Great pyramids have been shown to be invoked by the three felled buildings (WTC 1,2 and 7) through their relative sizes in profile. http://thebravenewworldorder.blogspot.com/2006/11/wtc-pyramid-part-2.html

In the next post we will see how Crowley and the Sphinx interact with 9/11.

The climax of the film involves a boy having to name the child empress to save the day. The name he picks brings us right back to Aleister.
"The name Bastian screams out almost indecipherably is "Moonchild," as evidenced in Ende's novel."
http://en.wikipedia.org/wiki/The_NeverEnding_Story_(film)
"Moonchild," the name that saves the day in the fantasy film and book is "Moonchild"!?

"Moonchild" is also the name of a book by Aleister Crowley. The book concerns the act of sex magick and how it can be used to incarnate powerful forces into a child through guided willful application and invocation of certain occult principals during sex, creating a "Moonchild". It would be difficult not to make the tantalizing jump and accuse old George W. Bush as a possible "Moonchild". Would it be premature and rash to say this? Yes it would, but considering the developing tool of synchro-mysticism and its aim of pointing towards emergent possibilities, not concrete fact, let's tentatively accept George as occult "Moonchild" of the Beast for argument's sake and see where it takes us. Wheee!

The 2003 MTV music awards featured a clip (above) where hosts Justin Timberlake and Sean William Scott were intercut with footage from the film, "The Matrix: Reloaded."
Included in this mess is a scene where Will Ferrel plays the Architect. Keanu Reeves and the Architect came up in the previous post where it was mentioned that the Masonic 'god force' or 'nature's god' (or Providence, if you will) is often called the Architect. The Architect of the Matrix as the designer (God?) of the Matrix. The Freemasonic resonance here seems rather intentional.

Will Ferrel on "Saturday Night Live" as George W. Bush.

Pure synchronistic joy may follow when we learn another role Will Ferrel picks, when not playing the Masonic god, is none other than "Moonchild" Bush. Could we say of the composite entity this investigation creates: "George W. Bush, the Masonic Moonchild God incarnate and President of the United States?" Synchro-mysticly, yes we can, but not without laughing out loud and promptly gaining some composure to remember that this tool, I believe, can only show us possible reality tendencies. The miniscule possibility revealed seems enough to amaze me with its very existence. Please don't take me too seriously. Yet, then again....

A 9/11 connection to the US President through television comes to mind in the form of Martin Sheen. Martin Sheen was TV's American President in "The West Wing" and is actor and prolific 9/11-conspiracy-theory-supporter Charlie Sheen's father. We have a figure here, in Martin Sheen, resonating with Aleister Crowley, George W. Bush and 9/11 conspiracy theory. Pretty interesting, but keep your wits about you folks as things get intermeshed pretty thoroughly as we 'push the envelope'.

The legendary and mysterious Orson Welles came to fame in 1938 with his radio adaptation of H.G. Wells', "War of the Worlds." An historical event because of its affect on many of its listeners who mistook the 'contemporary news braodcast' style for fact and actually believed Martians were attacking Earth! This event made such an impact that even Adolf Hitler himself mentioned it a few months later in a public speech.
http://en.wikipedia.org/wiki/Orson_Welles

H.G Wells, third from the right hand side in the second row again on the cover of "Sgt Peppers". Sharing a position with Aleister Crowley.

The current James Bond movie has made it to the screen before -in a manner- in the 1967 British spy spoof also called "Casino Royale". Le Chiffre, who we learnt in the beginning of this post Ian Flemming is said to have based on Crowley, is played, in this early comedy, version by Orson Welles. Thus Welles resonates with Aleister Crowley and hence our 'Moonchild' -in the mechanics of syncro-mysticism- George W. Bush. Lets not forget the strong Mars theme which is creeping in here with the "War of the Worlds" connection to Welles and the mention a little earlier of the Great Sphinx thanks to Wolfgang Petersons "Never Ending Story". How does Mars connect to the Great Sphinx? "The Mars Mystery" by Graham Hancock, Robert Bauval and John Grigsby on P57 explains.
"We therefore naturally find it curious...that the ancient Egyptians envisaged a profound connection between Mars and the Earth and, more specifically, between Mars and the Great Sphinx of Giza. The planet and the monument were both seen as manifestations of Horus, the divine son of star-gods Isis and Osiris. The planet and the monument were also both called 'Horakhti', meaning 'Horus in the Horizon'. Mars in addition was sometimes known as 'Horus the Red' and the Great Sphinx, for much of its history , was painted red."

Looping this all back to Martin Sheen Wikipedia reveals further in its Orson Welles pages "Orson Welles was Francis Ford Coppola's first choice to play Colonel Kurtz in Apocalypse Now (1979), based on the novel Heart of Darkness which Welles was planning to adapt before he wrote Citizen Kane."

Kurtz was played eventually by Marlon Brando.

Marlon Brando, fourth from the right four rows down.

"Apocalypse Now" stars Martin Sheen and pings (like the sonar on a submarine in Wolfgang Petersons "Das Boot") other elements already mentioned here. Elements such as Harrison Ford (our grail questing terrorist/plane/president resonating Moonchild) who has a small role in the film and the "Matrix" through actor Laurence Fishburne.
Thus we have Martin Sheen and Orson Welles well connected and resonating with favourite subjects such as 9/11, Mars, Aleister Crowley, Egypt, George W. Bush and earily now even the Apocalypse!

We can make the occult synchro-mystic resonance between Welles, Egypt and secret societies more overt by focusing on his classic film "Touch of Evil" with Charlton Heston. Mr. Heston is a synchro-mystic favourite of mine as he has famously played Moses (who resonates Pharaoh Akhenaton) in The Ten Commandments and a time traveling astronaut in "Planet of the Apes". These stargate themes and the identitity of Moses were explored in this post:

http://thebravenewworldorder.blogspot.com/2006/10/akhenaton-ancient-astronaut-and-911.html

Heston's composate charachter "a stargate traveling Egyptian pharaohnic astronaut" seen in "Touch of Evil" allong side Orson Welles fits snug with the occult resonance already atributed to "Citezen Cane". We now have two compostite charachters Welles (resonating Aleister Crowley, George W. Bush, Mars etc) and Heston (resonating Akhenaton, Moses, Stargates etc) interacting in close proximity, ominously within a "Touch of Evil"...

Jumping back too Will Ferrel (Goerge W. Bush, The Architect) I remembered recently that a "Zoolander" billboard was seen in the "World Trade Centre" movie. Zoolander sees Will Ferrel as the main villian.

The shadow of the plane passes over the Zoolander image. A film wich contains Will Ferrel and David Bowie. Bowie came up on the blog a few posts ago in "The Prestige" with his stargate resonating teleporation pyramid shaped machine that transported wormhole veterine Hugh Jackman. See this post for more:

http://thebravenewworldorder.blogspot.com/2006/10/akhenaton-ancient-astronaut-and-911.html

Further close scrutiny of the trailer with my third eye revealed this amazing synch or Illuminati in-joke.

(Click on image to enlarge)

The creepy corporate logo of Paramount (a triangular pyramid shaped mountain, no less!) disolves to reveal the Twin Towers, themselves modelled after the pyramids of Giza, see links below. Is this mind blowing disolving match cut in the "World Trade Centre" movie trailer a telling sectret society coded message to the initiated, or the cosmic giggle working over time? Both answers seem very satisfying to me.

I should reiterate comments made previously that I share similar views with Ralph Ellis about the pyramids being the actual biblical mountain that Moses/Akhenaton climbed to ritualisticly contact god (open his third eye into cosmic conciousness). An historical incident I consider a possible stargate event (allong the lines of the great work of William Henry) and possible extreterestrial encounter intimately connected to the purpose of the 9/11 mega-ritual.

All three Great Pyramids perhaps, with the two towers (pyramids) in the background?

To learn more about the World Trade Center complex and my views as to how they relate to the pyramids of Giza and ritualistic intent of 9/11 see these posts:

WTC Pyramid Part 1 and 2
http://thebravenewworldorder.blogspot.com/2006/11/pharaoh-jesus-and-911-stargate.html http://thebravenewworldorder.blogspot.com/2006/11/wtc-pyramid-part-2.html

The "World Trade Centre" movie poster has been discussed many times in my blog. To see some ideas such as how it relates to "The Last Supper" try:

http://thebravenewworldorder.blogspot.com/2006/09/inner-and-outer-light-of-aten.html

A close up from Alex Grey's "Gaia" painted in 1989. I was particularly interested when noticing the two planes above the World Trade Centre while staring at my 2007 wall calender.

Is there a connection between 9/11 and Aleister Crowley through the Great Pyramid of Giza and the Sphinx (Horus)? Is George W. Bush part of a giant dynastic secret plan involving the 9/11 mega-ritual (invocation of the Pyramids of Giza) and the New World Order? What about these creepy Mars and Apocalypse themes creeping into the 9/11 Mega-Ritual, how do they fit?
All these issues to be explored (including how Matt Damon synchro-mysticly 'proves' ancient humanoid life on Mars in "Good Will Hunting"!) further in part 2 of 2007's first synchro-mystic investigation! Soon...

Namaste folks.

More cool pics from my artist friend's blog:

http://diannepiepan.blogspot.com/

Contacting God our Alien Creator: The Occult Motivation for the 9/11 Mega-Ritual

2006-12-07T09:28:00.000-05:00

The World Trade Centre complex is shown atop the primordial mound of Atum penetrating the chaos of Nu. 'The Sphere' sculpture stands in between them representing the Benben and Kaaba and giving us a hint as to the Egyptian origins of the 9/11 symbolism and talisman employed in the mega-ritual. We see the eye in the triangle with the processional movements of the stars indicating the astrological and heavenly bodies’ significance in the timing and invocation of this magickal act committed on 11 September 2001. This image and post examines the motivation of the ritual-the opening of the stargate or cosmic consciousness- an attempt at contacting God our alien creator.

Since my previous post, focusing on the WTC as veiled pyramids and "Great Spherical Caryatid" (a large sculpture in the middle of the World Trade Centre plaza up until 9/11), I’ve been thinking more about this strange object. I highlighted how it was designed to represent the Kaaba at Mecca. It was shown how the sculpture is related to atlas, the Black Stone inside the Kaaba and the Benben. All of these attributes connected to this bronze "The Sphere" (its popular nickname) sculpture, implies another occult interpretation of this corporate art piece. If Caryatids are stylized pillars and the Freemasonic hero Hiram Abiff was known as the bronze pillar maker in Masonic lore, than it stands to reason that the bronze-pillar connected-statue in the middle of a bull's eye design and water fountain has more Masonic resonating occult significance than previously thought.

Fore the previous post which investigated the WTC as related to the pyramids and "The Sphere" sculpture click here:
http://thebravenewworldorder.blogspot.com/2006/11/wtc-pyramid-part-2.html

Before we move on to further investigation of God through geometric shape related occult synchronicities I would like to point out a little insight that occurred to me while drawing this posts picture, right at the top. While staring at my framed third degree Masonic certificate I noticed how the three candles pictured, present in Masonic lodges, are in the same relative arrangement as the pillars of the first degree tracing board.

On this image they are portrayed as being atop the primordial mound of Atum-Ra piercing the chaos of the watery abyss of Nu. The image goes some length to betray the Egyptian origins of the Craft and the Christian bible. The bible (sacred book) in between the candles/pillars in the drawing is also found in Masonic lodges and used in ritual and initiation. Having a representation of the Christian bible atop the mound of Atum -of the Egyptian creation myth- is a powerful and obvious symbol. If we combine this image with the revelation of Genesis as amalgamation of Egyptian mythology and history a powerful insight into ancient history is achieved.
See my previous post and Ralph Ellis' "Eden in Egypt" for more (p 10 mentions Atum and Nu specifically and much of this information is drawn from that source).
After seeing the image I thought it would be interesting to portray the three destroyed WTC buildings as the three similar sized and arranged candles atop the mound. At some point yesterday it occurred to me that I was drawing the three buildings on an Island. This is the reality of the three buildings as it were in real life! The buildings which have been connected with the three pillars of the tracing board which are obviously also reflections of the similar sized candles of a Masonic temple.

Thus another veiled symbolic connection between Freemasonry and 9/11 can be sited, the three buildings of Manhattan Island as symbolic representations of the three candles/pillars on the primordial mound of Atum. The primordial mound represents the Benben stone (again see p10 of "Eden in Egypt") which if you read further I will attempt to accuse the WTC buildings themselves of being intended to invoke.

A first degree tracing board

I should also note before we continue that I hadn't completed "Eden in Egypt" before writing the previous post in which I connected the three WTC buildings (1,2 and 7) to the three biggest pyramids at Giza. On reading page 196-197 I learned that Ellis had made a simmilar connection to the Great and Second pyramid and the Twin Towers in passing. Here is the relevant passage: As the Amercans have demonstrated at Pearl Harbour and the Twin Towers, sometimes it is better to wait patiently, and perhaps nervously, for an unprovoked attack, so that the overwhelming military response can be made from an indignant, united nation. (Note the symmetry between the Twin Towers and Twin Peaks at Giza).

Geometric shapes like the cube and the sphere have invaded my mind, like, well like the Borg Cube! Assimilating my everyday thought processes and making resistance futile.

The Borg Cube arrives at the Earth. An encoded reference to our alien God's arrivil?

A very interesting sync happens when we keep the Kaaba of Mecca its spherical sacred Stone and the related bronze WTC sculpture in mind. Then at the same time, recounting a sequence in the film "Star Trek 8: First Contact".

The Cube releases its Benben.

The alien Borg cube attacks earth and seconds before being destroyed releases a smaller spherical ship that opens a time-vortex. Vortices and time travel are stargate themed technologies. A little later I will try and connect teleportation to stargates. The ovoid Black Stone (possible Benben) inside the cube shaped Kaaba at Mecca is speculated to be of space and/or alien descent (again please see previous post for more details).

We need to cut away from Star Trek and look into Freemasonry to prepare this sync for its maximum potential esoteric relevance.

Ralph Ellis, as pointed out in the previous post, deconstructs the word Kabbalah as Kabba and Allah which he translates as "Cube" and "God". Ellis further reveals in "Eden in Egypt" the final and ultimate secret of Freemasonry in a commendable, no nonsense and matter of fact manner. Whether he is correct, and that he has revealed the actual, no bones about it, cold hard fact behind the secretive Freemasons or not. We can in the very least speculate that it is the ultimate occult truth believed by many esoteric schools and individuals and no doubt represent many Masons personal view. At the same time Ellis notes that many Masons would scoff at the very idea but none the less he puts it forward whether we (or even all Masons) believe him or not. It’s nothing new, quite simply he claims the secret kept alive by the Craft is that God is an alien.

The Benben travels through a stargate.

Let’s return to the Star Trek scene I mentioned and compare notes. A cube shaped alien spacecraft shows up at earth and releases a sphere that opens a stargate and travels back in time. The word cube has been connected to God and God has been identified as being an alien, lets hope if God can read this he takes well to this kind of accusation! The sphere released by the borg cube is reminiscent of the stone inside the cube shaped Kaaba which in turn has been well connected to the sphere sculpture at the destroyed WTC. My personal bias leads me to connect "The Sphere" sculpture (which the architect designing the WTC plaza as a reflection of Mecca, placed at the corresponding position of the cube shaped Kaaba) to stargates because of its positioning the middle of a bull's eye in water as seen from the top.

For an explanation of stargates and stargate symbols read William Henry or try this post.
http://thebravenewworldorder.blogspot.com/2006/09/magic-mushroom-and-stargate.html
William Henry lectures can be viewed for free on Google Video.

The Enterprise and its crew follow the Benben through the stargate.

Could we now say that the Star Trek scene with the Borg Cube and Sphere shows us an encoded occult message along the lines of "God as cube, shows up at the Earth and sends his sphere (Benben) through a wormhole to the surface."? This would tally well with the story about the Benben falling from the sky or an angel giving Abraham the Black Stone believed by many faithful Muslims to be inside the Kaaba, right?

Ben Fairhall has mentioned over at his blog "Ben Fairhall - Battling the Behemoth" some interesting cube related syncs. He has connected cube shaped designs in the ornamentation of Rosslyn's Lady Chapel to Clive Barker's "Hellraiser" and the Nintendo "Game Cube" logo.
http://ben-fairhall.blogspot.com/2006/11/rosslyn-between-two-worlds.html

"Hellraiser" sees a cube shaped puzzle box that opens the portals (stargates) of hell and the "Game Cube" logo is pointed out as showing a "G" inside a cube. The idea here is to think of the Masonic square and compass symbol with its "G" inside. When we consider that the square and the "G" (which is often translated as geometry) of the Masonic symbol could be well represented by a cube this sync starts to enter the realm of possible intentional veiled occult symbols. Michael Tsarion has taken great efforts to point out the occult sacred symbols hidden in corporate logos. It used to be an issue of much frustration and import to me to try and separate which ones were intended to be veiled imagery and which were synchronisticly relevant. Now it seems the dividing line which was blurred at most points has started to disappear all together, leaving me unconcerned whether the occult message was intentional or imbued with relevance by myself. I believe we could derive a mystical insight from this blurring of lines. In essence the problem is the false dichotomy between subject and object, experience and ‘experiencor’. Added to this polarizing principal of the rational westernized materialist mindset is the overarching tendency for the human intellect to try and make experience fit into either/or categories. A primitive and outmoded Aristotelian program, starting to be overwritten by the non-linear inter-subjective emergent omni-directional interconnectedness of the human mind. Aided materialistically by technology like the internet and grounded spiritually by the acceleration of awakening of consciousness into divinity. All this (and a free bag of chips) finding artistic expression in the 2012 meme...

I believe the three buildings destroyed on 9/11 represent the first degree tracing board's three pillars and both systems of symbols find their origin in the pyramids of Giza. Can other elements of this Masonic image be said to be represented at the original WTC complex?

Before we try and answer this question I would like to put forward a few more sculptures that echo the themes explored on this blog that might help solidify the claim that art works -like 'The Sphere'- can be used as occult symbols to heighten the geomantic relevance and invocation of magickal power by public structures.

Note how the two bigger pyramid type structures align with the Twin Towers in this image.

Masayuki Nagare's 'Cloud Fortress' was destroyed during the cleanup of the 9/11 mega-ritual. When I look at this image I see three pyramids, two greater on the sides, with a third, smaller one, in the middle. The Twin Towers (modeled after the pyramids and twin pillars of Jachin and Boaz) are seen on the far left and right of the image. The sparse information about this piece on the net does somewhat confirm this suspicion.

The massive sculpture, which creates the image of a floating pyramid-structured in black granite stone, stood in front of the World Trade Center buildings, which were destroyed in the Sept. 11 attacks.

http://www.kansaiscene.com/2004_01/html/news.shtml

"Sphere Within a Sphere" sculpted by Arnaldo Pomodoro located outside the Vatican Museum. Thanks to Vince, who left a comment on my previous post, for pointing this out. Is this sculpture another occult reference to the Benben or Great pyramid (The Great Pyramid containing the Pi ratio)?

The tessellated checkerboard type design and related symbols present in Masonic lodges seen on the tracing boards is believed by Ralph Ellis to be based on physical attributes of actual locations rather than spiritual or moral iconographic teachings.(See "Eden in Egypt" Ralph Ellis p 166-167) The Giza plateau in this theory is believed to contain the original precursor of the checkerboard which was possibly mimicked for the Temple of Solomon, generally accredited as inspiration for the floor plan of Masonic lodges.
The idea is put forward that the original pavement east of the Great Pyramid was comprised of black and white stone owing to the discovery of polished marble and basalt in this area. The Biblical account of the pavement surrounding Mt Sinai according to p 167 of "Eden in Egypt" reads: "And they saw the God of Israel: and there was under his feet as it were a paved work of sapphire stone, and as it were the body of heaven in his clearness."
Ellis believes Mt Sinai is the pyramids of Giza, obfuscated by later scribes of the Bible to hide the overt Egyptian origin of Judaism, Islam and Christianity. The Bible passage could then be originally referring to a reflective surface at the Giza pyramids in which the stars could be seen "under feet".

It seems entirely likely that Freemasons, who are no strangers to architecture (hell, they might originate from the original pyramid builders making this statement an extreme understatement!) and secretly keepers of a more original interpretation of the Bible would design structures that reflect the occult knowledge of the pyramid rituals. This is what I believe we can see proof of in the design of the Washington Monument and the Twin Tower's construction and the execution of the ritualistic and symbolic elements at play on 9/11.

Connecting Spheres and circular motifs to the Great Pyramid at Giza is no logical jump as Pi as mathematically encoded in its very construction. Its height represents the radius and its perimeter the circumference of a circle. Ralph Ellis writes in "Eden in Egypt" on p 169 : "... so to all intents and purposes the 'triangular' Great Pyramid is a representation of a circle." We can therefore see a direct and logical link between spherical and pyramidal (triangular) representations of the Benben.

The idea of having the stars reflected around the base of a pyramid, just as would be seen in ancient times at Giza, could very likely be the true purpose of the reflecting pool at the George Washington Monument.

The monument being a giant obelisk is obviously surmounted by a pyramid which would at night, from the right angle, like the view seen by Lincoln on his marble Emperor throne, be reflected in the heavens along with the pyramid on top of this big needle. The triangle representing Aton or God (an alien in this post, dig?) hovering in space.

Enigmatically the triangle in space is a recent theme of many UFO sightings and is represented in pop-culture in shows like the X-Files.

More veiled Masonic checkerboards, the Eiffel Tower

The glass pyramid at the Louver, a Benben reflecting.

The London Eye displaying one of its occult properties by reflecting in the heavens. Is 'The Eye' a circular pyramid and Benben allusion?

Big Ben also reflects in the Thames. Could Big Ben, a somewhat obelisk shaped clock-tower, really be referencing Benben (Big Ben-Benben)? We see the structure here relative to "The Eye", it's almost as if the eye is staring towards the Houses of Parliament. Though, that way lies paranoia... Hopefully, if you've made it this far into this post, your well beyond paranoia.

Is Isis/Liberty designed to interact with the WTC layout and purposely built on an island to represent Atum, even perhaps reflecting in the heavens? This is an area still wide open for investigation, maybe in future posts we can confront this American symbol of so-called freedom.

More reflecting pools which invoke Masonic tracing boards (pictured above), present at famous occult landmarks, include the glass pyramid at the Louver, Eiffel Tower, Big Ben (Benben), Isis/Statue of Liberty and the London Eye. Now that we have established the veiled manner in which water can be used to reflect Masonic-pyramid inspired- symbolic elements in public landmarks lets get to the point, shall we?

For more about the London Eye as occult landmark see:
http://thebravenewworldorder.blogspot.com/2006/10/10xtenaten91177stargatecosmic.html

The Twin Tower Pyramids (Jachin and Boaz) felled on 9/11 were built on an island in a manner which allowed them to be reflected in the waters of the Hudson River. If the original intention of the checkerboard was to portray the reflected heavens at the base a pyramid both the Washington Monument (and many other public structures) and the WTC can be said to have this theme represented by the reflecting waters at there respective bases.

The WTC can be said to have this theme doubly represented as "The Sphere" had a black granite base over which a thin film of water flowed, making this surface perfect to reflect the towers in the heavens. To go deep into the theme of bringing 'heaven on earth' through architecture, a great source of information on the Hermetic and Gnostic beliefs that Masonry is steeped in can be found in Graham Hancock and Robert Bauval's "Talisman".

The WTC can now with greater conviction be said to have been a giant representation of the Masonic tracing board with the two pillars of Jachin and Boaz reflected in the heavens by the Hudson River. The Benben of legend, having fallen from space and consisting partly, or actually comprising, the original obelisk from Heliopolis. The idea of building obelisks and pillars that are seen reflected in space seem quite appropriate. That is, if you follow the 'heaven on earth' or 'as above so below' Hermetic and Gnostic idea of using the ignorant populace's very dwelling space as giant talisman to perform mega-rituals like 9/11! We should keep in mind that the Benben is believed by some to be the progenitor of the pyramid. If the Benben pyramid origin is true (what ever true is) and the Twin Towers are modeled after the Twin Peaks of the Great and Second pyramids at Giza (and an aerial view of the WTC plaza does seem to confirm this) then the original idea for the Towers would be the Benben itself.

(Click on image to enlarge). Notice how the relative positioning and layout of WTC 1 and 2 are very similar to the Great and Second Pyramids of Giza. See previous post "WTC Pyramid: Part 2" for more information.

The World Trade Center could thus be argued to be modeled after a rock that is said to have fallen from space or given to Abraham by an angel (alien) and represents God, or as stated earlier, an alien. The presence of the Kaaba representing "Sphere" sculpture in concentric circles (magick circles and stargates) lends weight to this theory. The WTC was built in the image of and represents an alien artifact. If we consider that the new WTC complex's major structure,the Freedom Tower, (what a vulgar misnomer) will be a building 1776 (Illuminati founding date) feet tall featuring an octagonal centre point we might just go mad. If you haven’t gone mad yet and need one more push to reach the edge, think about how the Dome of the Rock, the possible origin of the Octagonal shape's importance to the Templars (passed on down to the Masons) is built over another sacred rock believed in some circles to be part of a giant cube-shaped megalith (could anything resonate more with the Benben!?) Could sheer coincidence account for the fact that this building is being built on, or near, the spot where a giant spherical statue used to sit in intentional resonance with the Kaaba at Mecca? A statue which has been connected to the Benben itself! Not to mention that the pyramid pillars of Jachin and Boaz (Twin Towers) themselves alone reflect the Benben. How in the world could all the complex symbolism invoked by the Freedom Tower and 9/11 possibly be reconciled with the terrorist theory?

Please read my X=10=9/11 post for more synchromystic significance of the octagon shape.
http://thebravenewworldorder.blogspot.com/2006/10/10xtenaten91177stargatecosmic.html

The Freedom tower to be completed in 2012 no less, is 1776 (Illuminati founding date) feet tall and has an octagonal middle point. Seen from the top, (the heavens) its profile would be an octagon.

Wait a second! Are you saying that the World Trade Centre and 9/11 comprises a ritual and invocation of forces by certain individuals in the brotherhood of Freemasonry, to contact God, who is himself an alien, and as proof you offer only your word, a round sculpture and some scene from Star Trek? I suppose I am... But I have more scenes from Star Trek if that will help!

Let's find more syncs to include with the great Borg Cube example from "Star Trek 8" that might help us uncover a "God as alien" theme in the synchromystic sync-web.

Comedian George Burns plays God in the "Oh, God" films. Reading Wikipedia's Trivia section on George Burns gives us two “Star Trek” and a “Simpson’s” sync. http://en.wikipedia.org/wiki/George_Burns#Trivia

The time traveling whales in "Star Trek 4" (as the entire ship time travels, just like the Enterprise crew and Borg in "Star Trek 8") are named George and Gracie after Burns and his wife. Thus we have George Burns connected to time travel (stargates) and aliens (Star Trek couldn’t be more alien connected, right?). Again in the Next Generation Episode, "The Outrageous Okona," Data tries his hand at comedy in his never-ending quest to be more human and mimics George Burns. Data, who resonates George Burns, "jumps the gate" many times including hurtling through the vortex created by the Borg Sphere (connected to the WTC Sphere and Benben) in "Star Trek 8: First Contact" which is about mankind’s first contact with aliens (god?).
"The Simpson’s" episode with George Burns' "Rosebud" sees Montgomery Burns lampoon Charles Foster Kane (Orson Welles) from "Citizen Kane" as the title would suggest.

Morgan Freeman plays God, who bestows his almighty power on Jim Carrey in the horrible "Bruce Almighty". Morgan Freeman narrates for Spielberg's "War of The Worlds," saying the lines that Orson Welles would have said in the famous radio drama about alien invasion that legend has it caused many people to flee for terror in real life! Wonderful, now we see George Burns, “Simpson’s”, Orson Welles and Morgan Freeman all well-connected to aliens and God.

Jim Carrey can also be considered as God following the plot, poster and title of "Bruce Almighty". When reviewing his classic "In Living Color" days we can appropriately tie him into this theme by highlighting his "Star Trek" spoof from the T.V. show in which he plays Captain James T. Kirk. Kirk has even been involved in contacting "God," or something pretending to be God, in "Star Trek 5". Here's the "In Living Color" Star Trek spoof.

Check out the Fez-sporting Nation of Islam dudes, good stuff.

Now things get weird. Being a big fan of "Star Trek" I was delighted when Henrik Palmgren (from Red Ice Creations) brought up in an email how perfectly "Enterprise" fits into the alien/ reptilian/David Icke scenario. He's quite right, as a major antagonist group in this show is the Xindi, which are comprised of several species including the Reptilians.

The Reptilians attack earth dramatically with a spherical weapon that kills seven million people. The Reptilians have themselves been duped into this action by the inter-dimensional beings called The Sphere Builders who can view multiple time lines. We now have cluster fuck of stargate, sphere and alien syncs all part of the "Star Trek" universe, which has already been intimately connected to God and aliens. Another way of connecting the stargate/time travel theme here would be to invoke the memory of Scott Bacula's (The Enterprise captain in "Enterprise") first famous role as Dr. Sam Beckett in "Quantum Leap".

Goro Adachi brought up "Lost," octagons and gates recently at his great website. http://www.goroadachi.com/etemenanki/octagonal-gate.htm

I have yet to get deep into this show, which has been making blips on my sync radar for a few months, but some preliminary thoughts, which tie right back into Star Trek, might be worth mentioning at this early point. Terry O'Quinn, who plays a key position in "Lost," acted a one-off role on a fan favorite "Star Trek: Next Generation" episode called "The Pegasus". In this episode O'Quinn is the Captain of the Pegasus, which is a ship with a top secret and illegal phase shift cloaking device, allowing it to become invisible and move through solid matter. This cloaking technology I find somewhat resonating with vortex or gate themes and the Enterprise and "Star Trek" alone allows O'Quinn to be considered as stargate resonating. In one particular scene we see O'Quinn gleefully clutching at his pillar-shaped cloaking device. This episode was based on the Philadelphia Experiment, a conspiracy theory involving US government teleportation technology.
http://en.wikipedia.org/wiki/Philadelphia_Experiment

"Lost's" Terry O'Quinn finding his secret teleportation conspiracy theory inspired technology.

Terry O'Quinn (with Jonathan Frakes) and his space manipulating device, being teleported. Crazy cool.

To help solidify this occult resonance O'Quinn is also intimately involved with Illuminati subject matter including the Spear of Destiny (which features again in this post) in "Millennium". "Enterprise" rears its head again as the final episode takes place at the same time as the events on board the Enterprise of "Next Generation" during the already mentioned, "The Pegasus" episode (with much focus on Jonathan Frakes). Adding to the "Lost"/"Star Trek" ball of coincidences is the fact that "Lost" co-creator J.J. Abrams is heading the new "Star Trek 11" movie project. We will have to keep our beady little eyes firmly etched on this matter as it develops.

One more fascinating God reference which I haven’t connected to aliens yet, but does contain another impressive sphere, is found in the career of Keanu Reeves. Keanu Reeves as Neo (anagram for One) from the "Matrix" films visits the "Architect" in "Matrix: Reloaded". This is an obvious reference to one of the versions of the Masonic God "force". Let’s take a quick closer look at Keanu Reeves' career and see if there are any more theological resonating themes. In "Bill and Ted's Bogus Journey" back in 1991, Keanu Reeves has a prior audience foreshadowing his Masonic encounter--meeting with God, having died and travelled to heaven. This tallies well with some folks messianic suspicions about the character of Neo and my Keanu theology. In the "Little Buddha", Keanu nullifies any doubts as to his identification and resonance with the enlightened or "shining ones" playing Siddhartha (Buddha) himself. Further, we can bring Christ and even the Spear of Destiny, the spear said to have pierced the side of Christ, into the mix by invoking his role and name in the movie, "Constantine". The name "Constantine" should already be ringing in our ears with Christian overtones, seeing as the Roman emperor by the same name could quite possibly have codified Christianity into much of what it is today at the First Council of Nicaea. The Spear of Destiny was mentioned earlier with regards to "Millennium" and Terry O'Quinn and is a central plot device in "Constantine."

The Matrix Revolution Shockwave water Sphere, seen during a fight between Neo and Hugo Weaving (Elrond from Lord of the Rings).

A link between "The Matrix" and "Lost" is created when we learn Harold Perrineau acts in both "Matrix Revolution" and "Lost" (Michael Dawson). "Lord of the Rings" connects to "Lost" through the actor Dominic Monaghan (Charlie Pace).

Warning: "The Fountain" (one of my new favorite movies) spoiler in next paragraph.

Having mentioned "The Sphere" sculpture and movie, ("Sphere" 1998) adding the Borg and Xindi sphere's of this post, another amazing sphere appeared into my awareness yesterday. I went and watched "The Fountain" and had my mind turned inside out. This film's rich use of mystical and occult symbols could merit an entire post or a even a book and I think it's the new "2001: Space Odyssey." But to cut a long story short, the sphere shape is a pivotal element of this work of art. We see Hugh Jackman, a stargate veteran (see link below) climbing a pyramid with Orion's belt overhead and later flying right into the heart of a star with the "Tree of Life" inside a giant glass sphere!

For a previous post with "The Fountain" and Hugh Jackman syncs try:
http://thebravenewworldorder.blogspot.com/2006/09/eris-nasa-madonna-pope-stargates-and.html

(Click on image to enlarge). Notice how the concept of radiating light is present in all these stargate-themed images. The light comes through the tree's branches , from behind the earth's rim, through the water door and again finally from behind the Illuminati eye.

"The Fountain" came up before because a shot from the film with the Tree of Life and Hugh Jackman walking on water at its base was likened to a NASA mission patch and the stargate from the Stargate films and shows. All these images hark back to the Illuminati dollar bill pyramid.

For Hugh Jackman and Stargates see:
http://thebravenewworldorder.blogspot.com/2006/10/akhenaton-ancient-astronaut-and-911.html

How in the world do I account for the fact that right after a post debating the meaning of "The Sphere" inside a fountain at the World Trade Center plaza, this fountain itself lying inside a giant stargate bull's eye of concentric circle design, we once again see this same theme expressed overtly in the movie "The Fountain!" Hugh Jackman, a stargate traveller ("Kate and Leopold" and "The Prestige") who is also seen battling foes on the head of Liberty/Isis (with the WTC in the background, see link above) in "X-men" can now be seen contacting the god inside himself, inside a Mayan pyramid and penetrating the heart of a star in a nebula that is part of the constellation Orion (this all while floating inside a sphere!). Contemplation of Orion was the source of my own WTC pyramid realization.

My only conclusion for this kind of incredible synchronicity and the point of all my work is highlighting the unity and resonance between all things. As comedian Bill Hicks used to say: "We are all one consciousness experiencing itself subjectively. There is no such thing as death, life is but a dream and we are the imaginations of ourselves."

"Lost's" crashed plane and its concentric circle or bull's eye stargate logo.

"Lost's" jet plane has itself the concentric circles (a symbol of God and the cosmic Illumination of the stargate) or bull's eye theme expressed as a logo printed on the side of the crashed plane (need I bother reminding us of 9/11 here?). Thanks to Henrik's journal (link below) we can also take note that the WTC alien pyramid pillars are visible through the windows in a flashback sequence in this enigmatick show.
http://www.henrikpalmgren.com/journal/

Henrik and others have validly compared "Lost" to "The Prisoner". Another Sphere, "The Rover," often springs from a fountain or other water source in "The Village," a familiar cult T.V. icon.

In conclusion:

In the spirit of Ralph Ellis' inspirational and refreshing open and honest claim that the secret of masonry is that God is an alien, I too would like to do the same and just come out and say what 9/11 appears to be, taken from my current belief system which is ever evolving and changing.

A materialist interpretaion of the 9/11 ritual would have me believe in Illuminati wizards using magick to open stargates to talk to aliens from Sirius or some such far away space place.

A spiritual interpretation would lead me to claim that 9/11 was an ushering in of the new Aeon and a powerful birth pang of the emerging transhuman godhead of Earth.

These two interpretations need not exclude each other and can quite possibly both have equal validity.

Just saw online that David Lynch has admitted to harbouring huge doubts about the official version of the 9/11 events. I find it interesting how the director of Twin Peaks (names used for the pyramids in this post) is now openly debating the Twin Tower deception. Perhaps this will come up again on the blog...

I am leaving for South Africa to visit friends and family for 5 weeks, not quite sure how much time I will get to Blog in 'the dark continent'. My artist friend did this piece for me, you can check out her work here: http://diannepiepan.blogspot.com/

I don’t think she really truly captured my hat but my little plane looks just like the real thing...

WTC Pyramid: Part 2

2006-11-16T10:02:00.000-05:00

(Click on image to enlarge). The World Trade Centre complex and its layout as compared with the Masonic first degree tracing board and the pyramids of Giza.

The three felled buildings of 9/11 are imposed over the three pillars of Masonry and the pyramids of Giza, reflecting a new discovery about the subtle encoding of symbols invoked by the 9/11 mega-ritual.

Tired of reading, hearing and watching stuff about the World Trade Centre disaster? I know I am. I want to exorcise the event from my mind so that I can just let go and get on with a life more centered on the present. Yet I am drawn again and again into the debate because I feel we as a whole are nowhere near understanding what the hell happened that day. My primary concern with 9/11 is the occult and mystic symbols employed and encoded in its execution and how they relate to the possibility of a ritualistic aspect at play. From a synchronistic standpoint I want to see how portrayals and references to the incident in pop-culture interact with metaphysical interpretations of 9/11's meaning. Secondary is the question which seems to fascinate most, "Who did it?" My interest in this area of investigation goes as far as trying to determine how much occult and mystical intent can be assigned to the perpetrators and what measure may be put down to the amazing interconnectedness of all things. The debate about government involvement in the tragedy raged inside me, like many others, for about 3 hours and then that internal dialogue ended when common sense took over. Of course there was government complicity! If you are continuing this strange debate with yourself still, I can recommend only sitting quietly and taking up a pen and pad. Look around suspiciously (making sure you have turned off your telescreen!) and write franticly over and over: "Down with Big Brother! Down with Big Brother!" Thusly, you will hopefully have regained your fu*%ing senses and we may continue some serious (but fun!) inquiry into the matter...

A few weeks ago, on a hunch, I was trying to find a snug fit for the WTC1, 2 and 7 complexes layout and that of the 3 major stars of Orion (Orion’s belt). Orion’s belt has a distinctive arrangement of three stars in alignment the third smaller one, slightly out of sync with the brighter two. This alignment has been connected to the pyramids by Robert Bauval and Graham Hancock. I noticed that the layout for the three buildings looked very similar to Orion with the two bigger buildings mimicking the two brightest stars at Giza but the smaller 3rd star (WTC 7) being out of sync to the wrong side. A match if you consider them mirror images, but alas, not such a tantalizing connection as I had originally hoped, so I dropped it. Imagine my delight while reading "Eden in Egypt," by Ralph Ellis, to find that he connects the three pillars on the first degree Masonic tracing board with the three largest pyramids at Giza. He goes further, claiming that the images and symbols on the tracing board are actual representations of the original layout of Giza. The Temple of Solomon is speculated to be originally modeled after the pyramids as well. This revelation flows out of the equally fascinating chapter, The Tower of Babel, dedicated to dealing with the un-masking of the tower as originally none other than the pyramids of Giza themselves. To reiterate, Solomon’s Temple could be modeled after the tower of Babel, which in turn was originally the pyramid complex at Giza. Hence, Solomon’s Temple is a representation of the Giza monuments, dig?

I have connected the WTC ritual in the past to the three pillars of masonry (and the Cabalistic tree on another level), the Temple of Solomon (specifically WTC1 & 2 as the two pillars Jachin and Boaz, and their destruction in the unveiling of the holiest of holies or Isis) and the Tower of Babel. Now I would like to connect the three buildings destroyed on 9/11 to the pyramids of Giza, which is only a logical progression, having learned the tower of Babel and the Temple of Solomon were originally modeled after and remain veiled references to the pyramids themselves! My original idea of connecting the WTC to Orion's belt seemed slightly fanciful (pending further investigation) but the connection between the three felled buildings of WTC1, 2 and 7 and the pyramids of Giza looks promising indeed.

When we look at a first degree tracing board we see that the three pillars, just like the three towers and three major pyramids at Giza, are of differing sizes, two larger and nearly but not exactly equal and one much smaller.

For instance, this is why the tracing board portrays the three pillars as all being of different heights, with two larger pillars in the foreground and a much smaller one behind. This is not simply a matter of perspective, as the two foreground pillars are placed at exactly the same depth within the picture, but are given slightly different heights; while a much smaller pillar lies behind. Yet this depiction exactly reflects the reality at Giza, where two major pyramids are nearly but not quite of the same height, while the third is much smaller."

"Eden in Egypt," p. 165, by Ralph Ellis

Viewed from the top the connection is not apparent. In profile, disco! Let’s compare this observation about the relative sizes of the pillars of the Masonic tracing board with the three buildings destroyed on 9/11, using Wikipedia as reference guide.

The Twin Towers

Each of the WTC towers had 110 stories. 1 WTC (the North Tower, which featured a massive 360 foot high TV antenna added in 1978) stood 1,368 feet (417 m) high [6], and 2 WTC (the South Tower, which contained the observation deck) was 1,362 feet (415 m) high [6]. The length and breadth of the towers were 208 feet (63.4 m) x 208 feet (63.4 m). Although only Tower 1 featured an antenna, the structure of each building was designed to carry a broadcast mast.

When completed in 1972, 1 WTC became the tallest building on Earth, unseating the Empire State Building after a 40 year reign. 2 WTC became the second tallest building in the world when completed in 1973. The difference in height between the two towers was because of a Port Authority request to have two floors, the 43rd and the 67th, in 1 WTC raised, the lower of the taller floors being a cafeteria for PANY workers. 2 WTC did not need these facilities, so it remained 1,362 feet.
http://en.wikipedia.org/wiki/World_Trade_Center#The_Twin_Towers

We can see clearly that WTC 1 was the taller of the two buildings, even more so if we include the antenna and that the buildings were nearly but not quite the same height.

Lets compare WTC 7:
"The original structure had 47 floors[2] was 570 feet (174 m) [2] in height."
http://en.wikipedia.org/wiki/7_World_Trade_Center#1984-2001

The similarities to the Masonic first degree tracing board, its three pillars and the destroyed World Trade Centre buildings is uncanny. If we consider this to be a valid comparison and Ralph Ellis to be correct about the first degree tracing board as a graphic representation of Giza, then a connection between the pyramids and the WTC is justly mandated.

For more info on Jesus as a veiled pyramid see "WTC Pyramid: Part1" or try:
http://thebravenewworldorder.blogspot.com/2006/09/inner-and-outer-light-of-aten.html

With this amazing possibility in mind, the veiled Jesus pyramid in "The Last Supper" painting by Leonardo da Vinci and its discovery through contemplation of the "WTC" movie poster becomes all the more tantalizing. Added to this, we witness a firefighter experiencing a vision of Jesus in the same film. If Jesus was a pharaoh descended from Akhenaton he would obviously be connected to the most sacred sight in Egypt, Giza and its Pyramids.

Through realization that the World Trade Centre ritual directly invokes the Giza plateau, the constant synchronistic appearance of Akhenaton (and Egypt in general) and the stargate in this area of research begins to slip into focus. The pyramids of Giza are arguably the most mysterious and sacred structures on our planet and their import in the mystical and occult traditions cannot be over stressed. It seems intuitively fitting that the most pivotal human cultural event in recent memory, the 9/11 event, would invoke these ancient and as yet not fully understood monuments.

Let’s have a look at the WTC and pyramids synchromysticly and see if there are any synch-echoes in the synchro-web that confirm the connection between the two subjects.

Here we have Millhouse as Moses (Akhenaton) with the pyramid capstone on his head from the wonderfully synch riddled "Bible Stories" "Simpsons" episode. The levitated capstone invokes the 'Illuminati' dollar bill pyramid symbol in our minds. We should note also that the biblical Mount Sinai is believed by researchers like Ralph Ellis to be yet again one of the major pyramids at Giza, meaning that Moses (Akhenaton) would have communicated and received the law from god on the top of a Giza pyramid. Does this biblical narrative veil a contact or stargate (cosmic consciousness) ritual? The same nature of ritual I have been following on this blog as connected to the World Trade Center (Pyramid) and Pentagon (Sirius) ritual...? The mind boggles.

We see Bart standing at a Giza pyramid.

Later in the same episode we see Bart as King David climbing the Tower of Babel (pyramid) and slaying the giant Goliath who falls from the structure, much like King Kong. King Kong is a character I have connected to Thoth/Hermes through the Egyptian Baboon (as seen on Aleister Crowley's Magus Tarot card) and the alleged Tower builder Nimrod (who resonates with Hermes).

Thoth can be seen in the lower right hand corner.

Now things get weird. In the image above we see Homer as Solomon (another alleged Hyksos descended Pharaoh) presiding over a case involving Jesus and a Checker Taxi (famous yellow American cab) driver. As if the image of Jesus inside Solomon’s temple, which we have learnt is modeled after Giza, isn't crazy enough, the universe decides to throw a curve ball by introducing this fantastic synch...

A yellow cab drives up to one of the Towers with Snake running up to meet it, past the flaming wreckage of a plane. Hold on for a second, what was that! Yes indeed friends, you heard right. Let's take a closer look because what's encoded here in "Escape from New York" could bake your noodle.

The President's jet (above) flies toward the N.Y. skyline. Soon we will see it crash into a high rise building. In this frame it is aiming straight for the Twin Towers.

Later in the film Snake Plissken flies a second plane towards the Towers. Sound familiar? The plane lands on the roof of the tower and is eventually pushed over, causing the wreckage we saw Snake running through, towards the Yellow cab. Remember that we saw the Yellow cab driver being sued by Jesus ("Simpsons") in Solomon's Temple then again outside the World Trade Centre. Continue to bear in mind that the Temple of Solomon and the WTC buildings destroyed in the 9/11 rituals invoke the pyramids of Giza.

The voice over that accompanies this shot from "Escape from N.Y." goes: "He's approaching the World Trade Centre," in reference to Snake (Kurt Russel). Notice please, that this tracking device has the WTC in the middle of a bull's eye. As mentioned in this blog in the past and by researcher William Henry, the bull's eye is the two dimensional representation of the three dimensional stargate phenomena.

To read more about the stargate phenomena and its symbolism try: http://thebravenewworldorder.blogspot.com/2006/09/magic-mushroom-and-stargate.html

The bull's eye can be seen in the middle of the WTC plaza! This bull's eye had a fountain (remember that stargates and H2O go well together and can also be called water-doors) and a sculpture nicknamed "The Sphere" at its centre.

A caryatid (also spelt Karyatid), is a sculpted female figure serving as an architectural support taking the place of a column or a pillar supporting an entablature on her head.

The male counterpart of a caryatid is referred to as a telemon (plural telemones) or Atlas (plural, atlantes) – the name refers to the legend of Atlas, who bore the sphere of the heavens on his shoulders. Such figures were used on a monumental scale, notably in the Temple of Olympian Zeus in Agrigentoa>, Sicily.
http://en.wikipedia.org/wiki/Caryatid

Given the artist's original name referred to the sculpture as a Caryatid and the spherical design it seems obvious that the intention of the sculptor was to portray a stylized version of Atlas carrying the world on his shoulders. Atlas was also the name of the son of Poseidon and King of Atlantis, according to Plato, the source of the name Atlantis.

Rockefeller Centre in New York also sports a giant Atlas sculpture.

The WTC plaza sculpture invoking Atlas helps solidify the claims of the Twin Towers as symbolic mythical pillars. Atlas himself is both pillars according to legend. Purseus turned Atlas into a mountain with the head of Medusa. Then Hercules split the mountain in half, forming the Twin Pillars or Straight of Gibraltar. In other stories the pillars are from Atlantis (named after Atlas) inscribed by Thoth with great knowledge. The possibility that these legends point towards the Twin Peaks of Giza seams more and more likely everyday.

More info on the Pillars of Hercules:
http://en.wikipedia.org/wiki/Pillars_of_Hercules

This Wikipedia entry also states that the pillars are considered gates or portals, adding weight to the claim of 9/11 as a stargate event.
"The pillars are also mentioned at some places as portals, or gates to different locations on Earth."

The Wikipedia article about "The Sphere" states plainly that, "The Sphere stood at the place of the Kaaba". The Kaaba contains the holy relic, the Black Stone. It is said to have been placed there by Abraham, who I suspect to have been an Egyptian Pharaoh. Ralph Ellis writes in "Jesus: Last of the Pharaohs" that the sacred stone of Mecca might be the original Benben of Egypt. (Jesus: Last of the Pharaohs pgs. 287-288)

Other Muslims are more willing to believe that the Stone itself has some supernatural powers. They believe that it fell from the sky during the time of Adam and Eve.
http://en.wikipedia.org/wiki/Black_Stone

In the previous post, "WTC Pyramid: Part1," I researched the possibility of Adam and Eve finding their origins in ancient Egyptian sources, Adam being Akhenaton himself. With this in mind, the Black Stone of the Kaaba or Benben and its secrets could easily be connected to Hyksos Pharaoh's Abraham, passed down to future generations like Akhenaton and Jesus.
http://thebravenewworldorder.blogspot.com/2006/11/pharaoh-jesus-and-911-stargate.html

If this were the case the secrets and legends surrounding the Benben stone - the Ka'ba - would have been known by the ruling elite of the Hyksos. They would be know by Abraham, Joseph, Akhenaton and Moses, and finally by Jesus himself, and so the secret of the sacred stone would have been clearly understood by the ancient Judiac priesthood in Jerusalem. In this case is it any coincidence that the mystical sect of Judaism is know as the Kabbalah, a word which combines Ka'ba and Allah, meaning 'cube' and 'god'. Ralph Ellis, "Jesus Last of the Pharaohs," p. 187

What is the Benben stone? Wikipedia gives us this answer.

Benben, in Egyptian mythology, or more specifically, in the Ogdoad, is the mound that arose from the primordial waters, Nu, that had upon it Atum, sitting. It was said to have turned into a small pyramid, located in Annu, which was the place Atum was said to dwell within.
The Benben stone, named after this, was a sacred stone in the solar temple of Heliopolis. It is thought to have been the prototype for later obelisks, and the capstones of the great pyramids were based on its design.
http://en.wikipedia.org/wiki/Benben

Concerning the shape of the Black Stone contained at the Kaaba, Manly P. Hall writes on p. 623 of "The Secret Teachings of All Ages," "This black stone, oval in shape and about seven inches in diameter was broken in the seventh century and is now held together by a silver mounting."

We now know that in the middle of the World Trade Centre plaza stood a spherical sculpture in the bull's eye of concentric circles within a fountain (the mound that arose from the primordial waters, Nu, that had upon it Atum, sitting) as viewed from the air. This sculpture was intended to invoke the Kaaba at Mecca and was modeled after Atlas. Considering the ellipsoid shape of the sacred Black Stone at Mecca and the spherical sculpture itself the distinct possibility arises that the piece also was intended to or in a synchronistic manner reflects, the Sacred Black stone inside the Kaaba. I doubt this is a connection that would have gone unnoticed by the architects if they had, as is claimed, built the plaza as a reflection of Mecca and placed the sculpture in the exulted position which would be held by the Kaaba itself. This stone might be the original Benben from Heliopolis. Thus the following mind bending statement can be put forward, "At the centre of the buildings that were to collapsed on 9/11 stood a monument to the Benben stone!"

The Benben stone is considered a possible precursor of the obelisk and the pyramid. Under this assumption, the connection between the WTC complex and the Giza plateau is confirmed. I would go so far as to speculate the layout of the plaza, as a mirror of the Kaaba at Mecca, indicates that the intent of the fountain and "The Sphere" sculpture was for religious and ritualistic reasons rather then artistic or aesthetic considerations.

The reason for these pyramids being physically visible during the first exodus is given in the book Tempest, where it was explained that some of this exodus story, especially the wanderings in the wilderness, represented rituals at Giza. The 'wanderings' were actually the origins of the processional rituals that are still performed at Mecca during the Hajj. "Eden in Egypt," Ralph Ellis, p. 166

Ralph Ellis confirms, in the piece quoted above, a connection between the rituals of Mecca and the pyramids of Giza. "The Sphere" sculpture stands in for the Kaaba and the pyramids at the World Trade Centre complex.

Did this setup interact with the 9/11 disaster in a ritualistic manner connected, as a have already proposed, to the opening of a stargate?

Ben Fairhall's great Blog and Rosslyn post has much relevent info like Mecca-related movie syncs (and more worth investigating):
http://ben-fairhall.blogspot.com/2006/11/rosslyn-between-two-worlds.html

Let’s shift gears from left brain rational investigation to the right brain metaphysical research of synchro-mysticism. Kurt Russell is the first human to enter the stargate in the film by the same name. This stargate was found right at the foot of the pyramids at Giza and opens into the belly of another pyramid on a distant alien planet in another galaxy.

Can we deny that it's not bizarre that we see him again as Snake Plissken in "Escape from N.Y." flying towards the WTC on a plane and later in the same film heading towards the towers located at the center of a bull's eye? "Snakes on a Plane," a strangely titled Samuel L. Jackson film with a thinly veiled caduceus on its poster and an event from "Escape from N.Y." are both connected to the WTC. This seems far beyond the realm of mundane happenstance.

For more Kurt Russell synchs, including the "Snakes on a Plane"/"Escape from N.Y." one try: http://thebravenewworldorder.blogspot.com/2006/10/10xtenaten91177stargatecosmic.html
http://thebravenewworldorder.blogspot.com/2006/08/new-atlantis-snakes-on-plane-and-world.html

"World Trade Center" star Nicholas Cage can be easily tied to pyramids by simply looking at the cover poster of his Freemason themed "National Treasure". Not just any pyramid mind you, the 'super sigil' one dollar bill "Illuminati" pyramid.

Some interesting claims have been leveled at this image of the world’s most recognizable currency notes. Though few are as bold and daring and therefore as wonderful as the claims made by the dudes related to these sights:
http://911origamiprophecy.com/homepage.htm
http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=68541732

These fine folks call the dollar bill no less than a talisman designed by Aleister Crowley-influenced forces to facilitate and bring about the new aeon. The bill itself, in this view, has been designed for consciousness change on a societal level and is being charged by our use of it everyday! If we fold the note we find all kinds of wonderful syncs that will stretch our credibility and credulity. Great then. I think you should try to find something to challenge your comfort zone and belief system daily to avoid becoming static or rutted. Hopefully my little blog can help in this kind of activity.

In that vane, let’s think for a second again about that weird rotating giant bronze sculpture at ground zero, "The Sphere". Have we ever seen such a thing in the movies, my favorite place to look for validation for novel ideas?

That's the same name of a horrible movie with "Snakes on a Plane's" Samuel L. Jackson. In the film, the sphere in question is a giant bronze alien artifact from space.

Considering some of the claims leveled at the Black Stone of Mecca and the Benben, this synchronicity seems pretty close to what is believed about the actual oval stone that I believe "The Sphere" sculpture is invoking. (Could the Oval office be related to the shape of this holy stone? Just a thought.)

Secular historians point to the history of meteorite worship, in pre-Islamic Arabia, and say it is likely that the Stone is a meteorite or possibly impact glass, from the meteorite impact crater at Wabar, about 1100 km from Mecca.^[5]. There is no way to test this hypothesis without removing and examining the Stone, which would not be permitted by its guardians.
http://en.wikipedia.org/wiki/Black_stone#The_Black_Stone.27s_origin

The Wikipedia article above tells us that one theory about the Black Stone describes it as a space rock and Manly P. Hall explains ("Secret Teachings," p. 627) that it might have been given to Abraham by an angel. Could an alien (angels and aliens interchange in my world view) have given Pharaoh Abraham this rock that sits in a giant cube where millions gather every year to circle it in some giant ritual. No doubt some believe this kind of thing.

One more claim could be made synchro-mysticly about "The Sphere". That’s the alien rock-inspired sculpture, not the alien artifact-inspired movie of the same name, dig? After the 9/11 ritual invoking the pyramids of Giza, Solomon’s Temple and the Babel tower and their flaming demise, "The Sphere" was resurrected like a phoenix egg from the ashes. Just like the Black Rock inside the Kaaba, the sculpture, which symbolizes the Mecca stone (Benben?) has been destroyed and reassembled.

If the Tower of Babel is a veiled reference to pyramids this new Brad Pitt movie title might as well read "Pyramid" instead of "Babel". Can we connect Brad Pitt to pyramids in a way that doesn't seem like I am trying too hard to make things fit? How about his present partner running up a giant pyramid complete with Illuminati-style levitating missing capstone? No joke, in "Tomb Raider" we see just that.

Miss Jolie opening a time vortex.

Brad Pitt's partner running up the side of an Illuminati pyramid.

"The Passion of the Christ" was the previous aberration Mel Gibson threatened us with. We will have to wait and see if this new piece "Apacalypto" treats the Mayan culture with less innuendo and self-interest. The trailers look cool, mind you. "WTC Pyramid: Part 1" showed how Jesus in the "Last Supper" becomes a pyramid that connects to the 9/11 tragedy. Interesting then, if we reflect on how Mel's most recent films have Jesus and the pyramids as central themes.

Many "Simpson’s" syncs were discussed in "Part: 1" connecting Adam and Eve to Egypt. We saw earlier in this post how "Simpson’s" continue to resonate the Bible-as-veiled-Egyptian-history theme, specifically highlighting Jesus as connected to the WTC and the Tower of Babel as the pyramids. With this in mind and including Mel Gibson's "Apocalypto" in the mix we could add another "Simpson’s" episode relevant to the investigation.

Homer talking to a Coyote, voiced by Johnny Cash, on top of a South American-type pyramid.

Homer with arms outstretched on the apex of a pyramid after taking psychedelic hot peppers in "The Mysterious Voyage of Our Homer." Johnny Cash was played by Joaquin Phoenix in "Walk the Line". Phoenix has been involved with contact and crop circles right alongside Mel Gibson in "Signs."

More "Signs" syncs:
http://thebravenewworldorder.blogspot.com/2006/10/akhenaton-ancient-astronaut-and-911.html

To conclude:
We have included the pyramids, the Pillars of Hercules and the Benben stone as symbols involved in the 9/11 ritual. I have tried to use the rather unconventional technique of using pop-culture synchronicities (which I sometimes call synchro-mysticism) to help justify my claims, a method that I am sure helps alienate and delight in equal measures. Hopefully, the results this investigative tool yield will outweigh the natural skepticism (to validity of the application of such a non-rational way of research) some will undoubtedly harbor towards it.

Does this meticulous choice of symbolism and archetypes look like the work of fanatical ultra lucky terrorists? The only explanation that could even half consolidate the extremely subtle freemasonic and ritualistic aspects of 9/11 with the terrorist scenario was put forward by Graham Hancock and Robert Bauval in "Talisman". At the end of the book they take note of the symbolic nature of 9/11 and unfortunately interpret (with all respect, they are master scholars) this as the Muslim extremist trying to send an anti-Masonic message to America. I for one believe the message to be far more subtle and way beyond anything possibly masterminded by fanatics and extremists. I do believe the 9/11 ritual has done amazing things for consciousness and woken up millions to more subtle levels of reality. Yet I cannot, as a person who tries to follow the ideals of pacifism, love and humility, in any way condone such a mega-ritual involving the murder of thousands. If these are the tactics the enlightened and supposedly Illuminated in the secret societies are following to bring about planetary consciousness change, we should all take issue. Perhaps that is the point...

Some much needed and overdue Thanks.

Ben Fairhall's newest post, "Series of Dreams" is a lovely piece which includes insights into synchro-mysticisms mechanics and makes light of the theory in just the right way. Please check it out.
Thanks Ben!
http://ben-fairhall.blogspot.com/2006/11/series-of-dreams.html

Greg from "Occult of Personality" did a piece on my work and I never thanked him on the blog. A little late, but here's the link if you're interested.
Thanks Greg!

http://rochester92.vox.com/library/post/jake-kotze-synchromystic-magician.html

Pharaoh Jesus and the 9/11 Stargate. (WTC Pyramid: Part 1)

2006-11-02T14:07:00.000-05:00

(Click on image to enlarge)

This image sees the silhouette of the World Trade Center forming themselves out of two trees and the crucified Pharaoh Jesus, “The Light,” suspended between them. Superimposed over this image we see the ten Sephiroth of the Cabalistic Tree of Life, Jesus, and the Twin Pillars of the WTC becoming the three pillars of the Tree, also invoking the Garden of Eden (Aten).

I've been looking into how Moses is represented in pop culture in my recent posts. My reason for doing this is because the biblical narrative of my current belief system understands the Bible as a book of pharaohs. To justify this remark I direct you to the fantastic work of Michael Tsarion:
http://www.taroscopes.com/astro-theology/astrotheology.html
Or try Ralph Ellis' very enlightening book, "Jesus: Last of the Pharaohs."

If the Moses Exodus event can be seen as related to the Egyptian Hyksos Dynasty, culminating in Akhenaton's infamous and controversial reign, how about other biblical characters? If we can find other biblical figures like Moses, (Akhenaton and Thutmoses) who are actually historical Egyptian figures and have modern veiled counterparts, then perhaps we can take these modern versions as they are represented in our culture, look at how they are inter-connected in the synchromystical universe and compare our findings with what occultists and mystics have been hinting towards about reality for... well, nearly forever!

Please read my previous post if you need to familiarise yourself with this material. It contained an overview to the subjects explored here and a lot of links to previous relevant posts.
http://thebravenewworldorder.blogspot.com/2006/10/akhenaton-ancient-astronaut-and-911.html

Finding esoteric knowledge with pop culture synchronicities is what I have been trying to do with the "Moses as Akhenaton" synchronicities over the last few posts, in which much reason to suspect ancient Egyptian alien contact or other stargate related phenomena was found. I also found many echoes and ripples in the interconnected synchro-web, leading to personal confirmation about the survival of Akhenaton's legacy in the "Atonist cult" extent in the secret society networks of today, given visible expression in the 9/11 mega-ritual.

The most obvious Pharaoh I have not yet researched with my new found pop culture synchromystic filtering mindset is the one and only, ever controversial, Jesus. So let's take a little look at Jesus and see what light we can glean from such an activity...

Willem Dafoe plays Jesus in Martin Scorsese's, "The Last Temptation of Christ". Dafoe has been mentioned in these pages recently as the Green Goblin in "Spider-Man" and another villain in the 2005 "XXX" film.
For "Spider-Man" syncs:
http://thebravenewworldorder.blogspot.com/2006/09/world-trade-centre-stargate-event-in.html
For "XXX" syncs:
http://thebravenewworldorder.blogspot.com/2006/10/10xtenaten91177stargatecosmic.html

Madonna has been featured here before and I would like to make a connection with interesting similarity to what is speculated in some circles about the Holy Grail.
For more Madonna syncs:
http://thebravenewworldorder.blogspot.com/2006/09/eris-nasa-madonna-pope-stargates-and.html
The "Da Vinci Code" book/film has made the idea of Mary Magdalene as Jesus' wife and the Holy Grail herself (and her royal bloodline) very popular.
http://en.wikipedia.org/wiki/Da_vinci_code#Secret_of_the_Holy_Grail
Madonna is the Roman Catholic name for Mary, mother of Jesus.

Ralph Ellis points out how other sneaky art dudes 'in the know' like Michelangelo have hidden information about the 'royal secret' right in the open, even inside the Vatican City's St. Peter's Basilica. We have to wonder if artists like Leonardo da Vinci and Michelangelo were able to fool the top religious authorities into allowing heretical monuments inside their most holy of spaces, or whether the higher initiates of the church were hip to this fact and welcomed these veiled artifacts. I bet you can guess what I believe...

The sculpture in question depicted is the "Pieta," a statue of Jesus and his mother Mary.
http://en.wikipedia.org/wiki/Michelangelo

The issue Ellis takes with this piece is the extremely young-looking representation of the Madonna. Jesus is shown recently deceased yet the foxy young Mary looks much more like his Momma than his Mommy, dig? I think this interpretation of the piece is quite sound as Michelangelo shows little regard for hiding his secret knowledge very well as we have recently seen in my previous post highlighting his Moses statue, complete with Hyksos Pharaoh Aries' rams horns!
http://thebravenewworldorder.blogspot.com/2006/10/akhenaton-ancient-astronaut-and-911.html

In this instance, the Madonna is interchangeable with Mary Magdalene, the wife and lover of Jesus. Could we say Madonna the singer is a reflection of Mary Magdalene?
Crazy cool then, if we remember, if we can bear to, how Madonna and Willem Dafoe have sex in the film, "Body Of Evidence".

Madonna and Jesus (Dafoe in "Last Temptation of Christ") having sex, brought to visual reality for all to see in this 1993 film. Thanks Hollywood!

The grail is a central element of the "Da Vinci Code" film by Ron Howard. A few things could be said about the career of Ron Howard, relevant to this investigation. He made the Atlantis and alien-themed film, "Cocoon," mentioned in the previous post, and was a child star in the show, "Happy Days". In one episode, Robin Williams, as Mork the alien, tries to abduct Richie Cunningham (Ron Howard) and take him to his home planet.

Some suspect an alien DNA connection with the Grail bloodlines (children of Jesus and Mary). For a fantastic article containing sober (to my mind) Merovingian commentary, try Ben Fairhall's, "Rosslyn: Bewteen Two Worlds" article:
http://ben-fairhall.blogspot.com/2006/11/rosslyn-between-two-worlds.html

My take on the alien theme at the moment goes like this: The Grail Bloodlines originated out of the initiated Pharaoh and priestly class of Ancient Egypt, who had secret and sacred knowledge. This 'secret' information, probably relating to the activation of the chakra pillar, DNA feedback, Kundalini serpent energy, etc, could lead to contact or stargate scenarios (Cosmic Consciousness), giving rise to talk of aliens, genetic tampering, gods, etc. Not that all of that would be very far off the mark mind you...

I don't like to give scenarios that disempower the individual or society at large much credit. Ideas like a group or family having "special" DNA or godlike heritage seem like control memes, perhaps even premeditatedly so. I prefer to think the ability to contact the 'gods' (or the the god inside) or become like gods are the provenance of every one who should happen to choose such a role.

In my interconnected synchro-mystic world view, if we can find more pop culture "sync echoes" connecting the Grail and Jesus to aliens, that might go some way to laying groundwork for a 'Royal Secret' involving contact or stargates (cosmic consciousness). We have already connectedRon Howard to Atlantis and alien abduction, let's see if we can find more.

Robin William, (the alien from "Happy Days" and later, "Mork and Mindy") is seen looking for the Grail in Terry Gilliam's, "The Fisher King". The film co-stars Jeff Bridges, who was an alien himself in John Carpenter's, "Starman". "The Fisher King," (another name for Jesus of Nazareth) shows us then, two aliens questing for the Holy Grail, from a particular perspective, that is.

"Da Vinci Code" sees Tom Hanks and Ian McKellen also hunting for the Grail.

Ian Mckellan inside a vortex on top of the Liberty (Isis) statue in New York (X-Men).

Hugh Jackman as Wolverine, about to jump into the vortex, on top of the Isis Statue in New York, as the mutant (DNA altered) Wolverine.

Ian Mckellan seems to be strange attractor as he is featured often on this blog, fighting Hugh Jackman on top of Isis/Liberty in "X-Men" and protecting the ring in "The Lord of the Rings". Tom Hanks could be significant because of his alien spaceman friend, Buzz Lightyear, in the "Toy Story" films and his mermaid girlfriend in again, Ron Howard's "Splash".

Simply amazing. Above we see the "Splash" movie posters depicting the Twin Towers (Jachin and Boaz) and the mermaid wearing a Liberty/Isis T-shirt. In the film, the mermaid makes her first public appearance at the foot of the same Isis statue.

Mermaids and fish folk connect to the Nephilim/Anunnaki and even Merovingian themes.

The reptilians, at any rate, do merit a brief mention by Brian Allan, in connection with the legendary line of Frankish kings known as the Merovingians. It will be recalled that the mother of their founder Merovee (or Meroveus) was believed to have been raped by the Quinotaur: a mythical sea-bull. Readers of my article, The Horsham Key will know that a similar creature can be found on Horsham's Old Town Hall; though, in that instance, in a double-tailed form which recalls the melusine. To Melusine, in her non-fictional incarnation as Melisande, the mother of Fulk V, Count of Anjou and daughter of Baldwin II, is attributed uniting the Merovingian house with the line of Anjou; and thus to the Plantagenets who would produce several English monarchs. Both stories share an identical theme: of legendary sea-creatures giving rise to powerful bloodlines.

Quoted from Ben Fairhall's way cool blog and the previously mentioned Rosslyn post:
http://ben-fairhall.blogspot.com/2006/11/rosslyn-between-two-worlds.html

I would feel negligent in my duties if I didn't include the following images for you to draw your own conclusions:

To see a good article about the Starbucks logo evolution click here:
http://www.deadprogrammer.com/?p=1684

In the above image we see Thor, Poseidon and Isis in the 2002 game "Age of Mythology". Note Poseidons mer-folk like tail and keep in mind that Plato said that Poseidon's son, Atlas, was the original origin of the name Atlantis.

Above is a still from "The Simpsons" episode "Homer, bad man". Here we see Homer doing a bit from Disney's "Little Mermaid" lampooniong Ariel (a mermaid), King Triton's (Poseidon) daughter who lives in an Atlantean underwater city. Poseidon is also a character from Homer's "The Illiad" and is represented in "O Brother, Where Art Thou?". This will become more relevant in a moment.

Kenneth Colley plays Jesus in "Life of Brian," a Monty Python (Terry Gilliam again) movie that is itself a spoof of the biblical Jesus story. The movie has Brian, (a character based on Jesus) taken aboard a spaceship, lending us another Jesus alien connection.

Kenneth Colley is most famous for playing Admiral Piett (an alien, as every character in "Star Wars" is, if you stop and think about it) in "Star Wars" 2 and 3. In "Jedi" we see his Super Star Destroyer spaceship take a nosedive into the second Death Star.

Jupiter's (this is back in real life mind) moons Mimas and Iapetus both have been accused of looking very similar to George Lucas' Death Star. As these films were made before the photos of these moons were ever seen, this becomes a most interesting sync that has been used in speculation of ancient alien artifacts existing in our solar system.
http://www.answers.com/topic/death-star

Freeman Perspective speculates on Death Star.
http://video.google.ca/videoplay?docid=2612890910104649478&q=freeman+perspective

Jay Weidner Radio Orbit interview with Death Star speculation.
http://www.mikehagan.com/2012/mp3/090406_JAY_WEIDNER.mp3

Can we say then...Jesus (Colley, in Life of Brian) the alien (Colley, in Star Wars) crashes his spaceship into the alien artifact moon? Is this the universe's way of highlighting the Grail (Pharaohnic Bloodline) connection to space and/or alien artifacts? I would say yes, but I write this zany blog. What do you think?

Monty Python animator and generally spectacular film director, Terry Gilliam, is proving to be a Holy Grail strange attractor when we consider the following. He directed "The Fisher King," was much involved in "Life of Brian," and even co-directed "Monty Python and the Holy Grail!" Not surprising then, when we dig a little, we find his other passion includes making movies about time travel. Time travel is another possible function of a fully working stargate technology. Gilliam's films, "Time Bandits," and, "12 Monkeys," contain the time travel/gate/vortex theme as central plot point.

With this in mind, it is interesting to note within the "NASA occult stargate speculation perspective" I have been following, how Bruce Willis (the "12 Monkey's" star) could be shown to fit in this intricate sync-web.

For more occult NASA Stargate syncs:
http://thebravenewworldorder.blogspot.com/2006/09/eris-nasa-madonna-pope-stargates-and.html
http://thebravenewworldorder.blogspot.com/2006/10/10xtenaten91177stargatecosmic.html

In his career, Willis has flown in NASA space shuttles (Armageddon) and tried his hand at alchemy (using da Vinci's crystal machine that turns lead into gold in "Hudson Hawk"). Here then is a man who we may describe as "the occult stargate alchemist who flies space shuttles in his spare time". Let's make this clear, in case you're confused (don't worry if so, I certainly am). This is achieved by combining the significant occult and mystic elements present in "Hudson Hawk", "Armageddon" and "Twelve Monkeys" into one narrative. Am I taking too much creative liberty in this process for it to contain any significant relevance? I imagine you would have to answer that one internally in relation to your own belief system. I'm having fun here, I hope you are too..
Please note how well "Hudson Hawk" fits in here considering our earlier Grail bloodline "Da Vinci Code" syncs.

It would be very helpful to this speculation about Jesus as a Hyksos descended Pharaoh if we could connect him back to Moses or Akhenaton in some way. Then, as if hearing my prayers, when we watch the 1959 "Ben-Hur," which tag line reads, "A tale of Christ," we see this interaction.

Heston, who has played both an astronaut ("Planet of the Apes") and Moses/Akhenaton, ("The Ten Commandments", see previous post for details) receives water from Jesus and witnesses his crucifixion. "The time traveling astronaut Akhenaton witnesses his family descendant and heir to the throne of the Hyksos nation Jesus Christ being crucified."

In the book, "Eden in Egypt," by Ralph Ellis, he speculates that Adam and Eve are originally based on Akhenaton and Nefertiti and that the garden of Eden was located in Egypt (if not Egypt itself!) . This revelation doesn't seem like much of a stretch to me when considering that we have already learned, I believe pretty conclusively, that the Exodus narrative was a dynastic Pharaoh drama. Then why not its predecessor, Genesis? Jordan Maxwell has already pointed out the fact that the word Genesis is related to Isis (Gen(Isis).

Can we find pop culture references, like we have with Jesus and Moses, with interesting synchro-mystic relevance involving Adam and Eve that would be relevant to this investigation? Well...

In "The Simpson's" episode, "Bible Stories," (above) Homer and Marge spoof the classic Eden (Egypt) yarn as Adam and Eve. The weirdly reoccurring (a strange attractor of mystic relevance) "Tree House of Horror 3," sees Marge dressed up as an Egyptian queen and Lisa as Liberty/Isis.

See previous posts for more "Simpsons" syncs:
http://thebravenewworldorder.blogspot.com/2006/10/akhenaton-ancient-astronaut-and-911.html
http://thebravenewworldorder.blogspot.com/2006/10/10xtenaten91177stargatecosmic.html

This amazingly significant episode has Homer as King Kong, whom I have connected to Hermes/Nimrod and Bart's (dressed as Alex from "A Clockwork Orange") book of Magick.
Bart wears the album Thriller on his head like a hat, which is inspired by a photo of Aleister Crowley wearing a funny hat.
http://en.wikipedia.org/wiki/Treehouse_of_Horror_III#Dial_.22Z.22_For_Zombies

Wikipedia says Bart’s Michael Jackson hat in this episode is modeled after Aleister Crowley's funny hat. Admittedly I don’t see the resemblance, but there you go...

Homer has lampooned Charlton Heston in the episode, "Deep Space Homer," and "Tree House of Horror 8," in the "Homega Man" segment ("Omega Man" spoof). He eats "Soylent Green" in a futuristick episode.

Homer is no stranger to stargates.

In "Tree house of Horror 4" (goes to hell through vortex), "5" (time travel), "6" (through a gateway and becomes 3-D) and "13," (again time travel) etc.

So we have Marge (Eve) connected to Egypt and Homer (Adam) connected to Pyramids, (see next post shortly) stargates and Charlton Heston (Akhenaton).
The Pyramids will be the central focus of investigation in my next post arriving in a day or two... Please stay tuned, I am very excited about the new information I will get into and the new revelations and connections concerning pyramids and 9/11. This post is laying some much needed groundwork for the next.

In previous posts I have shown how the new Oliver Stone, "World Trade Centre," movie poster has the three pillars of the Cabalistic tree of life encoded in the Twin Tower image.
http://thebravenewworldorder.blogspot.com/2006/09/inner-and-outer-light-of-aten.html

This poster lead to the discovery of the same three pillars in the windows behind Jesus in, "The Last Supper" painting by da Vinci. In both images the middle pillar is highlighted by light. In the WTC poster actual bright light and in "The Last Supper," Jesus, a.k.a. the light, was shown to be a veiled pyramid with his head and ajna chakra forming the apex of the pyramid. Crazy cool then when we watch the film and see Jesus (the last Pharaoh of Egypt) in one of the trapped firefighter's vision underneath the wreckage of the buildings.

Homer, the Greek poet, has been making many blips on my synchromystic radar. He shares his name with the already mentioned father of the Simpson family and the events of the Trojan War keep drawing attention on this blog. To strengthen the connection between the poet and "The Simpsons" we should note that many episodes of the show make reference to the Homeric legends. One episode features Homer as Odysseus (The hero of Homer's epic poem, "The Odyssey") in the segment "D'oh, Brother Where Art Thou?" (This title becomes more relevant in a second.) Another is called "Lemon of Troy," and an earlier episode from season 1 is called "Homer's Odyssey". "O Brother, Where Art Thou?" is a Cohen brothers movie that is loosely based on "The Odyssey."

Jesus from "The Big Lebowski."

John Turturro can be viewed in another Cohen movie, "The Big Lebowski," as Jesus the bowler. This movie stars the Starman and Grail seeker, Jeff Bridges. Remember him from "The Fisher King" discussed earlier? One more Homer sync occurred to me while researching "X-men" (that's what I get away with calling watching superhero movies, "Star-Trek" and "Simpsons" since starting this blog) is that Hugh Jackman not only fights Magneto on the giant New York Isis but also Sabertooth.

Notice how we can see the WTC in this shot.

Sabertooth is played by Tyler Man, who can also be seen as Ajax in the film "Troy," which is based on the "Iliad". So we see Hugh Jackman (a stargate veteran having jumped the vortex in "Kate and Leopold" and "The Prestige") and Ajax, the great grandson of Zeus, fighting on the head of Isis. Amazing...

Da Vinci magickly rears his head again, connected to the astonishingly recurrent John Rhys-Davies. Davies is just wonderful when it comes to mystical coincidence of esoteric nature. He is seen in the "Lord of the Rings" films as a ring protector and he helps Indiana Jones find the Arc and the Holy Grail. When not engaged in this kind of activity, he is seen jumping through stargates on "Sliders". Mr. Davies becomes relevent to this particular investigation when we learn that he has played da Vinci on the holodeck of the starship Voyager in "Star Trek." More Davies Syncs:
http://thebravenewworldorder.blogspot.com/2006/10/10xtenaten91177stargatecosmic.html
http://thebravenewworldorder.blogspot.com/2006/09/eris-nasa-madonna-pope-stargates-and.html

"Indiana Jones and the Last Crusade," like "Da Vinci Code," "The Fisher King," and "Monty Python and the Holy Grail," is a pivotal movie to mention when investigating the Holy Grail's pop synchro-web. Each of these movies have the Grail as central motif. My attention in this heavily Knights Templar resonating film is directed towards Sean Connery as he is highlighted by virtue of being the only character to actually drink from the real Grail. Connery causes quite a few esoteric ripples in the sync-ocean when we look at his long and successful film career. Extremely relevant roles stand out at first glance. Connery was a Freemason in "The Man Who Would Be King," a classic 007 (John Dee) empirical (Baconian) Franciscan Friar (searching for sacred texts all resonating heavily with Rosicrucian ideals) in "The Name of the Rose," and finally playing King Agamemnon (commander-in-chief of the Greeks in the Trojan War) in the already mentioned stargate movie, "Time Bandits."

Of the composite non-linear film character this investigation creates we could say: "The Freemason and alchemical occultist who travels through stargates and is intimately connected with the heritage and lineage of the gods." He also did the voice of a giant dragon in "Dragonheart". Dragons might connect him with the serpent and reptile alien themes and their possible home in the stars at Draco. Michael Tsarion has speculated that Draco is the home of the original Atlantean aliens. Incidentally, Draco is also the name of the dragon Connery plays in the film...

The disaster movie "Meteor's" poster shows the Twin Towers top parts being destroyed much like the 9/11 event. This is another Sean Connery film!

With the connections made above I feel confident that, at least within the context of the theory that one can glean knowledge from synchronicity, there is much reason to suspect Jesus, the Holy Grail and some kind of esoteric and occult activity at play in the theatre of consensus reality. This theme seems to resonate with alien contact and stargate technology somehow involving 9/11. My preferred method of interpreting this extraterrestrial-flavored 9/11 synchro-web generated by looking at Jesus and the Grail in pop-culture uses a metaphysically and spiritually oriented view. I see the concepts of Jesus and the Grail through my current belief system as sacred and secret knowledge, passed down through the occult network of the secret societies or intuited by sensitive mystics around the globe. This esoteric knowledge involves the activation of forces that can help facilitate the contact or stargate scenario. These two words, stargate and contact, I believe, are physical or material metaphors, interchangeable with metaphysical or spiritual cosmic consciousness experience. It is possible that the 9/11 event might have been designed by occult forces (possibly guided or channeled by secret societies) to interact with a mega-ritual to facilitate a contact scenario or the opening of a stargate. Again, I repeat that these words, contact and stargate, should be considered as interchangeable with certain higher states of consciousness and/or Illumination.

(WTC Pyramid: Part 2, coming soon...)

Akhenaton the Ancient Astronaut and the 9/11 Stargate

2006-10-20T10:42:00.000-04:00

"The border between the Real and the Unreal is not fixed, but just marks the last place where rival gangs of shamans fought each other to a standstill."
-Robert Anton Wilson-

A little picture I call "Space Masons". Pharoah Akhenaton, the Master-Mason, climbs the ramp and the 9/11 Stargate opens while his Atonist cult cheer him on... (Remember to click on images to enlarge them).

I have a collection of links and another image incorporating the major points explored thus far in this continuing investigation at the bottom of this post. Scroll down and familiarize yourself if you'd like to know more before we begin.

Charlie Sheen is one of the highest profile 9/11 government cover-up theory proponents. The recent South Park 9/11 conspiracy dis episode made fun of this fact. After the Alex Jones radio interview with Sheen and the attention this received in the mainstream media, the floodgates on 9/11 were seemingly opened wider. Alex Jones' documentary, "TerrorStorm", recently made the Google Top 100 after much suspicion that Google was fixing its video counter numbers. Poor show, if so...

Notice the target over the map of the USA on Alex Jones' new DVD cover. The target or bull's eye is the two dimensional representation of the three dimensional stargate (cosmic consciousness) phenomena. Alex Jones' movie is becoming largely associated in the consensus with 9/11.
http://video.google.com/videoplay?docid=786048453686176230&sourceid=zeitgeist

I've been keeping Sheen in mind because of his strong connection to 9/11 and was surprised to see his name pop up while doing pop culture research on crop circles for the blog. Let's dive right in, shall we...?

The 3rd installment of the "Scary Movie" franchise featured Charlie Sheen lampooning Mel Gibson's character from the crop circle movie, "Signs". The "Signs" movie is the biggest (and one of the only) Hollywood movies to touch on the subject of crop glyphs. Unfortunately, the movie does little to reveal any educated information about the subject or dispell any of the misunderstandings the consensus reality tunnel suffers in regards to this subject. Many respected scientist square/straight types take them very seriously, as do mystics and occultists. I think they're great regardless of "who" is making them. As time progresses and I think more about crop circles I have to admit that they grow increasingly mysterious. One of my goals is to integrate them into my pop culture "9/11 as Stargate event" theory and flush out a comfortable fit for the glyph phenomena in my personal belief system. My blog posts are inspired partly to help me develop my own understanding of the world and to share this process with interested parties. My belief system is ever growing and adapting to new ideas and events and I don't believe this process should ever stop.
"Signs" might not be an enlightening source of crop circle info but it's relevance to coincidence research could be valuable. Mel Gibson makes a few waves in the synchromesh because of his connection to Jesus (The Passion) and his Maya/Pyramid/2012 flavored "Apocalypto"...

Charlie Sheen (9/11 and crop circle connected, dig?) deals with contact, conspiracy and invasion in the 1996, "The Arrival".

This image sees Charlie's face fading seamlessly into that of an alien creature. Their faces combine to form a third eye in the middle of the poster. A lens flare or solar ring can be seen coming from behind Sheen. The circular design is reminiscent of stargates and crop circles.

The idea of man and alien combining is central to the DNA tampering Nephilim/Anunnaki theory of ancient history. We see this theme again on the E.T. poster.

Notice the solar bull's eye or stargate symbol between the two fingers.

The Alien and the human hand in the same position as "The Creation of Adam" by Michelangelo on the ceiling of the Sistine Chapel. http://en.wikipedia.org/wiki/The_Creation_of_Adam

For more about E.T. on an earlier post:
http://thebravenewworldorder.blogspot.com/2006/07/analyzing-et-poster.html

Michael Tsarion's lecture featuring the E.T. image:
http://video.google.ca/videoplay?docid=-8545585184878490822&q=michael+tsarion

The 1985 "Cocoon" poster has a giant circular stargate motif, here wonderfully associated with water (stargates can be called waterdoors, like the Stargate: Atlantis jumpgate). The C-shaped wormhole symbol of the crescent moon is present. Two of the O's form the Vesica Piscis, another stargate symbol. This film is about aliens who came to earth and founded Atlantis and are trying to return home. I find it mind-blowing how the stargate theme keeps cropping up if you simply follow certain themes in pop culture and are looking for the connected symbols. It is your job to decide whether I find them because I am looking for them, while discarding everything not relevant to the stargate concept, or whether there is something more interesting happening here. Perhaps you may arrive at the realization that if you look for connections in an omni-interconnected universe hard enough anywhere, you will find them... Perhaps that is a great revelation in itself?

Steve Gutenberg is one of Cocoon's stars.

The Stonecutter's lodge in the Simpsons. Obvious Freemason rip. Of course, Patrick Stewart, who plays the voice of No. 1 (the leader of the Stonecutters) in this episode and Captain Pickard in "Star Trek: The Next Generation", has been through every kind of gate, hole and vortex you could imagine. Wow, come to think of it he is the leader of the X-men (a strange attractor movie series in this research) and the ever increasingly relevant vortex jumping of Hugh Jackman. To be explored in a moment...

Steve Gutenberg lampooned in this 1995 episode.

Some selected lyrics from the wonderful Stonecutter song:
"Who keeps Atlantis off the maps?"
"Who makes Steve Gutenberg a star?"
"We do, we do!"

Atlantis, like the C-shape and bull's eye, is another element that magically appears when I am looking into the stargate phenomena, sycnromysticly. I believe Atlantis to be code for "bringing Heaven on Earth", my current belief about the goal of the secret societies at work in this time period. Atlantis was the idyllic balanced state we existed in before humankind's descent into the nightmare of materialistic/rationalistic history. It is also the goal of the current influence matrix of the big fraternities that is creating the "New Atlantis". That sounds positive, but we have to ask ourselves if their "New World Order" will be a healthy thing for us. There is much to make me think otherwise.
Reality doesn't appear to be made up of entirely "good" or "bad" things. These are false dichotomies imposed by our minds. Remember what Alan Watts used to say: "The meal is not the menu". Meaning: your thoughts and semantic symbols about the world are not the world itself. My point being it shouldn't be about whether the fraternities or secret societies are "good" or "bad". There are undoubtedly arguments for both and my personal take sways like a pendulum. Regardless of how you feel about these entities, it may be detrimental to give so much energy to these forces by believing in their power. I always recommend that you place yourself at the top of the power pyramid in your belief system, not the bottom! The trick is to keep the ego in check when you have done this. Or perhaps the answer lies in realizing the pyramid is a sham as the ego doesn't even exist (again, as Alan Watts would have said).

Atlantis could also be seen as the time when the knowledge of cosmic consciousness was in humankind's hands. In other words, we were part of a galactic mind; we had the secret of the stargate. That secret, which is quite possibly connected to the magic mushroom and other entheogenics, that is now lost and/or suppressed by the squares. So let's get it back!

Amazing how vivid this Atlantis stargate connection has become in recent times.

The "Stargate: Atlantis" waterdoor. It is as if our art and entertainment are beginning to hemorrhage the secret information hidden from us. It is however, still veiled in slight code and sold as a material gnosis when a little intuition and thought will tell you true revelation will be of a spiritual nature. That said, everything that exists in space/time is spirit or energy and not material or rational. Thus your car or tv is truly a part of ultimate reality even if you think of it as a mostly material possession. What I am trying to get at is that an actual stargate like the "Stargate: Atlantis" waterdoor that transports your body to another planet is almost the same as a fully activated chakra pillar that allows the shaman a kind of astral travel. In fact, the physical door or wormhole might just be our westernized way of allowing us the same technology the ancients and some secret society types might already have.

An individual with a healthy dose of entheogens and a focused mind can easily contact Sirius, the Pleiades or even Elvis if he so chooses in the privacy of his own bedroom. A stable material gate that you could walk through casually wouldn't suck either.

"The Prestige" spoiler alert in next paragraph:

Hugh Jackman, the 'funny DNA' X-man, Wolverine and time vortex slider from "Kate and Leopold", again makes a noise on my wormhole radar after viewing his newest film, "The Prestige".

The excellent "The Prestige" sees Jackman, a stage magician, teleported by a machine built by Nikola Tesla played by David Bowie. Bowie is assisted by none other than a ring (gate) lord Gollum (Andy Serkis from "The Lord Of the Rings") . This setup has many levels of decryption we may dismantle. Humans such as Michael Tsarion and Tom Horn speak about our secret society chums needing to fiddle with their or our DNA in order to get the Stargate tech to work. My take on the importance of DNA in the stargate theme is that the fully activated chakra pillar interacts with the DNA to open the waterdoor. The twin serpent-like double helix is a omni-present synchromystic theme in this area of research. Cool then, how Hugh Jackman as an X-man mutant fighting ring protectors on the top of Isis in N.Y. (Magneto, Ian McKellen, on the Statue of Liberty in the 1st X-Men movie, dig?) is transported by technology made by Tesla. We have to consider that Tesla was a wizard who admittedly received communication from E.T.'s with his machines in "real life", right? Reflect on the fact that David Bowie has famously played aliens as Ziggy Stardust and "The Man Who Fell to Earth".

The Pyramid with missing capstone box design of Tesla's teleportation (stargate) machine.

The large box containing the teleportation (or wormhole/gate) machine is cleverly shaped like a pyramid with missing capstone . The film suggests that all magic is make-believe, except for the pyramid with the missing capstone. Or at least that's my interpretation. So we now have this scenario: The Alien-manufactured pyramid technology (Tesla/Bowie) transports the genetically modified superman (Wolverine, Leopold/Jackman). Hugh Jackman falls into a water tank after every transportation. This again highlights how water is often connected to the stargate. In "Signs" the aliens' only weakness is water and in the real crop circle phenomena the spiral patterns that make the design flow like water.

Better keep an eye on Hugh's new film, "The Fountain", already its imagery suggests it will be rich in synchs. Compare these images and try this link below for more on the subject: http://www.blogger.com/comment.g?blogID=29756223&postID=115893675869435075

The concept that aliens might be in cahoots with the high ups in the secret societies is a fascinating and tantalizing possibility. Recently, the idea arises that the highest levels might be E.T's themselves or in contact with these forces. I can think of many reasons to see this as symbol or metaphor for many metaphysical or occult principles, but then again..

Wall carving depicting Akhenaton and family with elongated craniums and limbs.

Akhenaton and his family are sometimes accused of being genetically different or perhaps alien themselves. Less creative but perhaps more sober views, like that proposed by Ralph Ellis in his notable "Jesus: Last of the Pharaohs", explain Akhenaton as amalgamating his appearance with that of the alien "grey" types according to Pharoahnic traditions about the appearance of the "gods". Note the similiar concepts in the "E.T" and "The Arrival" posters shown earlier. I don't think the idea that Egyptian Pharaohs were modeling themselves after aliens that now appear ubiquitous in pop-culture is any less interesting than Akhenaton as a space man himself.

My intuition tells a story of Akhenaton using entheogenics to open stargates with his third eye as shown by the ajna chakra snake on his forehead in some of his sculptures, seeing and communicating with these entities through a wormhole, maybe even traveling to these otherworldly places. This opinion seems to be represented in the "synch echoes" encoded in the pop culture references involving Akhenaton as I will explain shortly.
Article for the alien idea linking to "Stargate", the movie.
http://www.ufodigest.com/skulls.html
Articles favoring artistic interpretation and head binding, etc.
http://www.andrewcollins.com/page/conference/
http://www.biped.info/articles/missingrace.html

True or no the concept seems to be encoded synchromysticly in many films. My idea about the significance of meaningful coincidences in movies with mystical connotation is not that it points towards real truths, but that they point towards possible realities that might emerge from the collective psyche into consensus reality. We vie and jostle for acceptable limits of consensus reality through our art and philosophy. Our ideas and concepts about reality are the very fabric of reality itself. We try to sell each other beliefs in a creative effort to allow new "things" to emerge into the accepted matrix of the now. I don't fundamentally fret about what "is" real; I care about checking the zeitgeists' temperature in order to project future possibilities of acceptable norms and find hidden pockets of knowlegde embedded in the pattern of 'aum'.

"The border between the Real and the Unreal is not fixed, but just marks the last place where rival gangs of shamans fought each other to a standstill." -Robert Anton Wilson-

Anyway, enough with my personal opinion (B.S. or belief systems). On with the show...

Aliens as humanoids with elongated and distorted craniums are traditional sci-fi fare.

H.R. Giger's alien from Ridley Scott's "Alien" has a particularly elongated head.

Dan Aykroyd's "Coneheads" is another example similar to the ancient truncated skulls found around the world. Aykroyd is seen riding inside the animated "Statue of Liberty" or Isis in "Ghostbusters 2" (see X/10.. post link below).

E.T. is another example to be likened to Akhenaton in some wall carvings, with his long head, naked pot belly, elongated limbs and dwarfish stature.

http://en.wikipedia.org/wiki/Akhenaten#Depictions_of_the_Pharaoh_and_his_family

Ben Kingsley plays Moses (Akhenaton) in a 1996 made for T.V. movie. Kingsley (of "Ghandhi" fame) and Dan Aykroyd (a "Conehead" alien who is part of an invasion plan) are seen together in 1992's, "Sneakers".

Here are some of the key synchs that point towards Akhenaten as an ancient astronaut that we have already covered in previous posts:

Val Kilmer plays both Moses (Akhenaton) in the "Prince of Egypt" (voice actor for Moses) and an astronaut on Mars in the "Red Planet".

Discussed in this post:
http://thebravenewworldorder.blogspot.com/2006/10/10xtenaten91177stargatecosmic.html

Charlton Heston plays both Moses (Akhenaton) in "The Ten Commandments" and an astronaut who kneels before the Isis (Statue of Liberty) statue in "Planet of the Apes". Isis, of course, is one of the most venerated Egyptian Goddesses even today.

Discussed in this post:
http://thebravenewworldorder.blogspot.com/2006/10/10xtenaten91177stargatecosmic.html

Now some new ones that just blew my mind and baked my noodle when it came through me.

The late Phil Hartman did the voice for many "Simpsons" characters. Hartman lends his voice to Troy McClure, a hack actor who plays Heston's "Planet of the Apes" character, and Moses during his run in the show.

Phil Hartman also acts in the "Coneheads" movie; he plays a character called Marlax. I can't find out on the net whether this means he actually was a Conehead alien or not (dear lord, will I rent this dodgy film?). Drop me an email if you remember and save me the trauma; if you don't I will have to rent... I like how the fireworks in the image above create a circular stargate-like design (nudge-nudge, wink-wink).

Mel Brooks plays Akhenaton in "History of the World: Part 1", lampooning the biblical event with 15 commandments. He then proceeds to break the 3rd tablet and without skipping a beat declares god's commandments to number 10. Classic...

Small note here on Akhenaton as Moses. I've been reading Ralph Ellis and he seems to feel that Akhenaton was mostly Aaron, not Moses. Ahmed Osman and Michael Tsarion seem to prefer the Moses idea. Either way, the biblical account totally muddles the historical Hyksos Aaron and Moses' (Akhenaton and Tuthmoses) activities together, making them interchangeble for my purposes.

Mel Brooks crash lands, falling from space on the "Planet of the Apes", in the head of Isis in "Spaceballs"!

I already mentioned that Ben Kingsley plays Moses. We can see him flying in spaceships in "Thunderbirds".

Mark Wahlberg echoes this Akhenaton as astronaut connection in the following fascinating and bizarre manner. He reprises Heston's role in the 2001 Tim Burton "Planet of the Apes" film, flying through a vortex (stargate) into the future. Instead of the Statue of Liberty, he encounters the Lincoln Memorial modified to be dedicated to the ape General Thade.

Ape Lincoln.

I speculated in an earlier post that King Kong climbing the tower might be Toth/Hermes:

On page 296 of Graham Hancock and Robert Bauvals', "Talisman," we learn this amazing fact...Nimrod built the Tower of Bable, right? Talisman says that the Old Charges of Masonry say Nimrod is Hermes, right? Then Hermes could be seen as the builder of the tower. Who has a baboon in the Crowley Thoth Tarot deck? Thoth himself, on the Magus card, has a babboon counterpart. Indeed Thoth, thus Hermes, are connected in Egyption mythology to baboons.

http://thebravenewworldorder.blogspot.com/2006/09/world-trade-centre-stargate-event-in.html
"Thoth Kong". Could the Ape Lincoln be tied to Thoth/Hermes?

Another weird "Simpsons" synch to add relevence to the Abraham Lincoln Memorial. We see Milhouse playing both Lincoln and Moses. Michael Tsarion has mentioned in one of his lectures how the Lincoln Memorial is modelled after the Emperor Tarot card, which is covered in allusions to Aries. This would make it very fitting as a link to Hyksos Pharoah Akhenaton.

In the movie "Rock Star", Wahlberg plays a fanatical cover band singer who becomes the lead singer of the same band he has devoted his life to. One scene sees a character wearing a T-Shirt with George Washington as a Mason on the back and the Illuminati dollar bill pyramid design on the front. In the scene he confronts Mark Wahlberg, who is trying to inject his own creativity into the band. The notable T-shirt character explains to Mark that he and another band member, A.C. (Anti Christ, Aleister Crowley?) write the songs for the "sheep", not the hired help. It is telling watching a guy wearing an Illuminati T-Shirt directing another guy to stay in line. Is this where Mark Wahlberg sees the enlarged talisman that influences him to become connected to Akhenaton and a stargate traveler in future film roles?

Comapare Ape General Thale with his helmet and the Coneheads.

Heston plays a secret agent, Arnold Schwarzenegger's boss, in "True Lies". Notice how the lights in the background give Heston a set of horns?

Michelangelo's "Moses" has his age of Aries horns, just like Heston (Heston plays Moses in "The Ten Comandments", remember?).

To learn about Akhenaton as Moses and how this relates to Aries and more, try Michael Tsarion's Astro-Theology pages:
http://www.taroscopes.com/astro-theology/astrotheology.html
and Jan Irvin and Andrew Rutajit's book (Astrotheology & Shamanism) or video lecture (Pharmacratic Inquisition) at:
http://www.pharmacratic-inquisition.com/
Ralph Ellis' work is also great.

Arnold Schwarzenegger's movie career is so filled with symbolism related to the occult that I plan to do a new piece entirely devoted to him. Here is the url for an old one and some new ideas related to stargates:
http://thebravenewworldorder.blogspot.com/2006/07/movie-synchronicity-7-arnold.html

In "Terminator 2", Arnold and the T-1000 arrive in our time through spherical stargate technology. In another scene, the mercurial T-1000 rises out of a checkerboard (a Freemasonic floor design) like a human figure coming through a waterdoor or stargate.

The De Lorean time machine passing through a circular time vortex composed in this image of a circular clock design. Pretty cool.

Micheal J. Fox is interesting in our quest for the stargate for many reasons. He travels through a time vortex in "Back to the Future" and plays the lead voice actor in the animated "Atlantis: The Lost Empire".

Atlantis poster with circular light lens flare type stargate and interesting triangular light ray motif. The light also forms the stylized A of the film.

I have been noticing these modified A's in the titles of some movies and shows.

I equated the A's in this 1979 Time Magazine cover with Aton. Michael Tsarion pointed out how the dollar bill pyramid could be seen as representing the A of Aton. Perhaps the accentuated A's in these film and show logos also suggest Aton.
http://trickytimetimes.blogspot.com/2006/08/is-for-aten.html

Micheal J. Fox passed the torch to Charlie Sheen, who revived his career with Fox's, in the New York, "Spin City".

This poster of "Hot Shots" seems, at first glance, pretty benign until you start analysing it deeper. The O of the word Hot contains the five pointed star of Sirius and also forms the disc of the Egyptian winged solar orb inside a red triangle. There are two planes, one passing through Charlie Sheen's head. Are these Egyptian motifs and planes surrounding the 9/11 truth or some kind of retroactive echo of the WTC stargate event travelling back in time and manifesting on this poster? Cary Elwes, on the far right, plays Val Kilmer's Top Gun role in this spoof movie. Val Kilmer we already connected to Akhenaton and space earlier in this post. Val Kilmer will be seen soon in Tony Scott's new time travel movie, "Deja Vu". Time travel yet again, is a stargate function.

I connect Akhenaton to 9/11 because I believe the "attack" was, on one level, a ritual orchestrated by the Atonist cult still operational in the secret society network. The ritual being a symbolic unveiling of holy light and the ushering in of the new Aeon.
http://thebravenewworldorder.blogspot.com/2006/09/pentagon-attack-and-other-isis-sirius.html

Here is one more episode of "Simpsons" that keeps coming up. I first found it while looking at King Kong/Hermes/Nimrod in pop culture. Homer plays the giant ape in this Halloween (Tree House of Horror 3) episode. Bart is seen dressed as Alex from "A Clockwork Orange" and Lisa as Isis/Liberty.

For more on Isis/Liberty, try this previous post including one of my favourite synchs about Snake Plissken and the 9/11 stargate.
http://thebravenewworldorder.blogspot.com/2006/10/10xtenaten91177stargatecosmic.html

Notice the similarity between the decapitated Isis on the "Escape from New York" poster and the "Spaceballs" Mel Brooks synch.

The "A Clockwork Orange" poster confronts us again with the modified A of (perhaps) Aton. The triangle and eye symbols are obviously present.

O.K. One more pic from "Tree House of Horror 3" (check it out on youtube if the copyright police haven't removed it yet).

Bart's "Book of Magick". Who else spells magic with a "k"? Aleister Crowley, the Beast 666.

Another quick look and a new insight into the 2012 Olympic logo.
Notice how the 3 letters that the tape or 5-color ribbon penetrate through are ODO. What is ODO? How about Odo from "Star Trek: Deep Space Nine"? Why in the world would that be relevant? Well Odo is a shapeshifter whose 'kind' live on the other side of a wormhole in this T.V. show.

Odo from the wormhole show "Star Trek: DS9".

The 2012 stargate theme is touched upon in this post:
http://thebravenewworldorder.blogspot.com/2006/10/10xtenaten91177stargatecosmic.html

Found this image in a recent "Fantastic Four" comic at my local gas station (Ultimate Fantastic Four # 17). A NASA type shuttle actually flying through a wormhole!

The C-shaped wormhole on the NASA logo.

So what is my point? I believe that everything is connected and that if we take any given system of information and look hard enough patterns will appear. This is how I am trying to use pop culture and movies especially. Like a mystic would interpret your natal chart, tarot spread or dreams, I am trying to take current affairs and multi media and use it as a crystal ball to find relevant patterns that point a finger at possible truths or realities that could emerge into the consensus trance. Artists project society's wants and desires into their work (like film and books) and we decide on the validity of their ideas with the force of our collective beliefs, which translate into what we like to think of as concrete reality. I believe we can read the creative 'script' and maybe glean the upcoming possibilties that might result out of the push and pull of the collective unconscious will. Another possiblity is that we can discover hidden truths that have been suppressed and find expression in the interconnected creative ocean unlocked ever more everyday by the technologies like the internet. Most of my work has only been possible in the last few months as the internet increasingly connects everything to everything else (Youtube, Wikipedia, Blogging, Imdb, Google, etc. being my newly discovered magick tools for finding connections) with increasing speed as we head for 2012.

Here is one more movie image to consider that will probably come up again in the future.

The new Mel Gibson film looks like it may open a whole can of worms. We have a Mayan pyramid with a highlighted C in the title, hinting very much to heavy 2012 syncromysticism. We need to remember that Mel brought us the "Passion of the Christ". Jesus, like Moses, was quite possibly an Egyptian Pharoah and Master Mason and this all becomes very relevant. For more on the subject of the historical Jesus as mystery school initiate at Heliopolis, try Ralph Ellis' "Jesus: Last of the Pharoas".

As a friend of mine likes to say:
"Stay dangerous!"

I have tried to combine most of the elements connected to the continuing investigation of 9/11 as a stargate or cosmic consciousness event in this image. We see the NASA Atlantis shuttle that docked on 9/11 this year with the occult pyramid design found in the STS-115 mission patch. Underneath it the C-shaped wormhole symbol is visible as well as the three energy swishes much discussed in previous posts as allusions to 9/11 and crop circles. The crop circle theme is expresed in the swirling vortex of the turbulence of the "Stargate" Movie type circular gate. A big swastika (a sun symbol) surrounds the thousand-petaled crown chakra design of the spiritual version of the gate. The stargate is surrounded by spider webs, adding the Spider-man and Jahbulon theme also connected to the great Stalin Time Magazine cover explored in previous posts. An oroborus serpent harks back to the "Snakes on a Plain" caduceus and the Saitic Isis of the 9/11 twin pillars as Solomon's temple theme.

What was that "Snakes on Stargate" whatsa? For background info if you're new to this stuff, try these previous posts:
In which Aton and light is mulled over.
http://thebravenewworldorder.blogspot.com/2006/09/inner-and-outer-light-of-aten.html
The Pentagon attack as ritual and crop circles as stargates.
http://thebravenewworldorder.blogspot.com/2006/09/pentagon-attack-and-other-isis-sirius.html
Stargate symbols and magic mushrooms.
http://thebravenewworldorder.blogspot.com/2006/09/magic-mushroom-and-stargate.html
My first blog where I started using movies to research stargates and 9/11.
http://thebravenewworldorder.blogspot.com/2006/09/eris-nasa-madonna-pope-stargates-and.html
Stargates, Spider-Man and towers in general in film.
http://thebravenewworldorder.blogspot.com/2006/09/world-trade-centre-stargate-event-in.html
7/7 as ritual and 2012 stargates and movies.
http://thebravenewworldorder.blogspot.com/2006/10/10xtenaten91177stargatecosmic.html

Also check out my recent radio interview with Red Ice Radio if you want to hear more.
http://www.red-ice.net/radio/2006/10oct/20061019.html

Peace and Namaste

Radio Interview

2006-10-19T15:34:00.000-04:00

My first ever radio interview now available for download at http://www.red-ice.net/radio/2006/10oct/20061019.html.

Direct link here:
http://www.redicecreations.com/radio/2006/10oct/RIRT-061019-jkotze.mp3

Thanks to everyone at Red Ice Radio!